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News

You Sing I Write's Weekly Wrap Up

Boy bands seem to be making a comeback this year. With the hysteria that UK’s One Direction is currently bringing to America, I can’t help but to remember growing up in the era of Backstreet Boys, N’ Sync and 98 Degrees. Two weeks ago One Direction performed at Radio City Music Hall. Since I work across the street, I learned firsthand that this is not just another music fad as girls lined up hours before the show and I heard screams from 44 floors up throughout the day.

On Wednesday I interviewed the boys of One Direction and got a behind-the-scenes look at what life is like for the current music sensation. With back-to-back interviews lined up with little but a second break in between, I couldn’t help but feel sorry for the guys. Just a glimpse into their daily life made me thankful I never became a rock star. Stay tuned for my interview with One Direction later this week.

The Wanted are another UK band currently heating up the charts. After the success of “Glad You Came,” the group revealed details behind their next single, “Gold Forever.” Meanwhile, the All-American Rejects released the title track off their upcoming album, Kids In the Street while Lady Gaga’s ex continues to promote his book, The Drunk Diet: How I Lost 40 Pounds…Wasted.

Rihanna finally broke her silence about her recent collaboration with Chris Brown. “I reached out to him about doing ‘Birthday Cake’ because that’s the only person that really made sense to do the record,” Rolling Stone reports. “I thought about rappers, and I’ve done that so many times, and the hottest R&B artist out right now is Chris Brown. So I wanted him on the track.”

While I’ve been covering pop music more closely as of late, I’m always happy to learn more about collaborations in the country world. For details behind Matt Nathanson and Sugarland’s latest hit, “Run” watch my video interview with him here.

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Concert Reviews

Eric Church, Brantley Gilbert “Raise Some Hell” In New York City

For three hours Wednesday night (March 14), Brantley Gilbert and Eric Church brought their blend of rock infused country to New York. The sold-out show at Hammerstein Ballroom included a slew of each artist’s most recent radio hits and older fan favorites.

Georgia-based Gilbert kicked off the night with the energetic “My Kinda Party.” A hit made famous by Jason Aldean‘s rendition, Gilbert wrote the track for his 2009 album, Modern Day Prodigal Son.

Gilbert screamed, “Let’s raise some hell!” — a sentiment Church later shared with the crowd. With a heart-pounding drum beat, the familiar “Country Must Be Country Wide” soon followed.

“I wrote this next song with a good friend of mine, Colt Ford,” Gilbert said as he introduced “Dirt Road Anthem.” With spot-on vocals and perfected rap interludes, Gilbert had the room singing along word for word.

“New York hell, you all know how to throw it down over here. I’m impressed,” he added.

While current single “You Don’t Know Her Like I Do” and “My Kind of Crazy” slowed down the night, things picked right back up with the intensity of “Kick It In the Sticks.” “Are there any rednecks in New York?” Gilbert asked. With impressive guitar riffs and Gilbert’s rugged vocals, the track was an unforgettable end to his set.

Minutes before 9pm, Eric Church took the stage. With a red Solo cup attached to his mic stand, he immediately let the room know it would be a rowdy night with plenty of Jack Daniels. Church began his set with the fitting “Country Music Jesus,” and with onstage bursts of flames and canon fire, he captivated.

Hit singles “Guys Like Me” and “Hell On the Heart” followed suit and needed no introduction.

“Welcome to the Blood, Sweat and Beers sold-out show in New York City!” Church said as he greeted the room for the first time. “We’ll drink, we’ll sing and we’ll see how the show goes.”

And he wasn’t lying. Throughout his set, Church ran across the stage, saluted the crowd with the tip of his hat and even autographed two fans’ boots.

With twangy banjo accompaniment “How ‘Bout You” had fans clapping along and chanting “U.S.A.” Poignant ballad “Carolina” showcased Church’s more sensitive side, while the Americana-fused “Creepin’” satisfied with a heavy bass beat and deep vocals.

“This whole thing started for us six or seven years ago with Sinners Like Me. I’m going to take you back to where it all started,” Church said. Taking the stage solo with his acoustic guitar, Church performed “Two Pink Lines,” “Sinners Like Me” and “Love Your Love the Most.”

While the stripped-down performance continued to showcase his ability to switch gears effortlessly, he livened things right back up with bar rocker “Drink In My Hand” and the soulful “Homeboy.” Minutes later the room was engulfed in smoke for the feel-good “Smoke A Little Smoke.”

“Thank you for having us here,” Church said as the night came to an end and he introduced his last song, “Springsteen.”

“I’ve never been more excited to sing a song every night. When I sing this song I’m 17-years-old again. That’s why I love music. You’re right back in that car and right back with that girl again.”

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Artist of the Week Band of the Week

Band of the Week: Greylag

Folk duo Greylag is made up of longtime friends Andrew Stonestreet and Daniel Dixon. While they may seem new to the music industry, the Portland, Oregon-based band is the product of a multi-year, cross-country journey of friendship, emotional trial and self-refinement.

The group’s debut release, The Only Way To Kill You is due out May 1. If their current single, the country fused “Black Crow” is any indication, Greylag is well on their way. With foot-stomping rhythms, memorable harmonies and fitting guitar accompaniment, “Black Crow” is an adequate introduction.

The EP begins with the surprisingly upbeat “Into the Woods.” With catchy percussion beats masking the dark lyrics, one gets the feeling Greylag is a band not to be messed with. Meanwhile, come-hither vocals alongside a steady percussion beat keeps the listener intrigued and wanting more.

While “Tiger” slows things down, the poignant “Outgrown” is a telling number with spot-on vocals, delicate finger-picked guitar and haunting string accompaniment. Nearly three-minutes in the track picks up speed with powerful percussion and equally loud vocals.

Greylag — Tiger from The Sights Of Sounds on Vimeo.

As their singing style brings to mind Augustana, it comes as no surprise then that the duo will be supporting the band on tour throughout April.

The ethereal “Speaking Voice” embodies memorable vocals while “Winter White” closes the EP strongly. Greylag is currently on tour with two performances scheduled this week at SXSW. For those attending SXSW, be sure to catch them Thursday at Rusty’s from 12-6 p.m. and Saturday at Clive Bar at 9 p.m. For more on Greylag, visit their Website.

Greylag — Winter White from The Sights Of Sounds on Vimeo.

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News

You Sing I Write's Weekly Wrap Up

Last week I wrote of John Mayer’s album release date and scheduled tour. Unfortunately, on Friday morning Mayer wrote on his Tumblr that he would have to cancel live performance indefinitely as the granuloma on his throat grew back. For more, read my article here.

Taylor Swift and Kanye West were back in the news. As West debuted his women’s fall fashion line it came to be known that Swift will be be wearing his design in her April cover story in Australia’s Harper’s Bazaar. For my complete story, visit Fresh 102.7.

Kelly Clarkson will be a mentor on a new talent-based TV show this summer. Called Duets, Clarkson, Sugarland’s Jennifer Nettles, Lionel Richie and Robin Thicke will scour the country in search of undiscovered talent to mentor. The show will put a spin on the talent competition as each mentor will choose two singers to be their duet partners for weekly performances.

Two weeks ago I interviewed singer-songwriter Matt Nathanson where he filled me in on his songwriting process and pranking Train on tour. You can read all about his songwriting process here and about life on tour here. Watch him discuss teaming up with Maroon 5 to prank Train below.

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Song of the Week

Song of the Week: "One Thing"

Earlier this week I wrote about British boy band, One Direction. The group made their US debut last weekend in Boston when they appeared at a local mall for an autograph signing and over 5,000 fans showed up.

I had a flashback to the 90s when Backstreet Boys, N’ Sync and 98 Degrees ruled the charts yesterday as I saw girls line up hours before their concert at Radio City Music Hall last night. I have a feeling we’re going to be hearing a lot more about One Direction soon. I’ll be interviewing them next week so be sure to let me know if there’s anything you want asked!

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Artist of the Week Band of the Week

Artist of the Week: PT Walkley

Last week, PT Walkley released his sophomore album, Thriller. The follow-up to his standout debut Mr. Macy Wakes Alone, his latest LP demonstrates his continued versatility.

The composer, producer, singer and multi-instrumentalist produced and recorded the 10-track album himself. A unique collection of electro-pop songs with quirky musical accompaniment bound to make the listener sit up and pay attention, Walkley showcases his originality.

“On Thriller I wanted to keep the tracks more sparse and let the songs stand naked a bit,” Walkley said. “There’s a certain one-of-a-kindness about doing it all yourself in your living room. When I’m working alone at all hours of the night, I’m more likely to tap into a completely pure, uninhibited creative space.”

And that he does on Thriller.

The soothing “The Way That You Are” begins the LP with an atmospheric vibe and Walkley’s ethereal vocals. With a steady drumbeat, kazoo accompaniment, electric guitar and distinct futuristic tendencies, the song stands out. The darker “Go Away” follows suit with ear-grabbing music and Walkley’s memorable effervescence. Despite the tongue-in-cheek lyrics, Walkley’s playfulness shines through.

“The Way That You Are” by PT Walkley from Jade Harris on Vimeo.

Next track, “The Marriage of Mice” slows things down with soft acoustic guitar finger picking and delicate keyboards before segueing into the quirky “The Only Reply.” While “Summer Song” sounds like a mix of an island get-a-way and one’s childhood with Casio player accompaniment, the instrumental “The Purpose of a Skunk” leads the listener into the danceable “If I Were British (Sing Along).”

While the beautiful “I’m A Snob” and instrumental “Mellotronic Growth Plate” showcases Walkley’s more serious side, 32-second last track “A Little Better” ends the LP on a high note. With hand clapped rhythms, kazoo accompaniment and a chorus in the background, the song leaves the listener wanting to hit that repeat button. And, for Walkley that’s a good thing.

Related Links:
Q&A with PT Walkley
PT Walkley Impresses at Album Release Show
PT Walkley Offers Versatility On Three-Song EP
Song of the Week: “The Lucky Ones”
Categories
News

You Sing I Write's Weekly Wrap Up

Being a John Mayer fan, you can imagine my excitement in finding out his single, “Shadow Days” was released to radio on Monday. And, after setting tour dates and revealing the track listing to his upcoming release, Born and Raised, he let fans know that his album will drop May 22. Stream his new song here.

Lady Gaga launched her non-profit, Born This Way Foundation, at Harvard University this week. Inspired to raise awareness to stop bullying after a New York teen committed suicide last year, Gaga said, “I believe once you feel safe in your environment and you acquire the skills to be a loving and accepting person, the opportunities for you are endless to become a great functioning human in society.”

In other news, LMFAO announced tour dates and chatted with Rolling Stone about their Super Bowl halftime show with Madonna while John Legend discussed his decision to act in “The Hunger Games.”

Legend isn’t the only musician working in film. Taylor Swift lent her voice to Dr Seuss’ The Lorax where she plays Audrey, a character Swift describes as heavenly. “She’s such a day dreamer, and she cares so much about the past which makes her different from everybody else in the society she lives in,” she said. “To some degree, you have to have a priority based on the past and the future as well as the present.”

Finally, I met with and interviewed Matt Nathanson on Friday where he discussed his songwriting process, working with Sugarland and pranks he has pulled on tour with Maroon 5 and Train. Stay tuned for my complete articles soon!

Categories
Concert Reviews

Mary Bragg, Adam Levy Impress at the Living Room

I first met Mary Bragg in December at Galuminum Foil Studios while she was recording on the A Holiday Benefit, vol 5 album. As she sang her part on “Do They Know It’s Christmas?” the whole studio went silent in awe of her beautiful vocals.

The Georgia native moved to New York eight years ago to pursue music and in an interview with her I learned about her songwriting start with famous friend Dave Haywood of Lady Antebellum and her recording process. This year, Bragg has a monthly residency at the Living Room where for two hours she showcases her own material and invites a collaborator to share the stage.

Last Tuesday her guest was Adam Levy. Known for his collaborations with Norah Jones, Amber Rubarth and Amos Lee among others, Levy admitted that his first show as a singer was at the Living Room.

Shortly after 7 p.m., Bragg took the stage. Having just spent the weekend in Georgia, she began the evening with a song about where she is from. Alone onstage with acoustic guitar her beautiful vocals stood out. “Orange” followed suit as her whispered singing style captivated.

Soon after, her guitarist and bassist joined the stage for the soulful and bluesy “Leave Tonight” before Levy joined her for the darker “Circle the Night.” With a distinct twang and bluesy guitar interludes from Levy, the track stood out. Bragg left the stage while Levy remained performing five songs of his own. The comical “You’re Not My Baby” had the room laughing along with deep vocals and lighthearted lyrics.

“I love singing here at the Living Room because it’s the first place I ever sang,” Levy admitted. “I used to stand in the shadows and play guitar.” Levy then performed a “love song to my home state” of California before Bragg rejoined him onstage and sang the song they first wrote together. With reverberating vocals and a wavering electric guitar interlude by Levy, the track was memorable. Slower ballad “Wildflower” followed while the poignant “Tattoos and Bruises” struck a chord.

Afterward, Bragg confessed she never intended to be a country singer. “For a long time I didn’t think I was going to be a country singer and that was a mistake,” she admitted. “I didn’t start writing until I was 22. My second record got more folky and poppy. Having that fore into folk and pop music allowed me to be honest with who I am and where I’m from and I stopped being afraid to write country songs.”

Next track, “When Your Heart Belongs To Another,” was “a shore-fire example of me embracing my country roots,” Bragg said as the twangy number impressed and hushed the crowd.

The remainder of her two hour set had the entire room entranced with her soaring vocals and quirky anecdotes. For more on Mary Bragg, visit her Website and catch her live at the Living Room March 20.

Related Links:
Mary Bragg Credits Lady Antebellum’s Dave Haywood For Songwriting Chops
Mary Bragg Performs at Rockwood Music Hall
Night in the Studio at Brooklyn’s Galuminum Foil Studios
Lady Antebellum Talk Dating, Drunk Dialing and Dylan
Categories
Song of the Week

Song of the Week: "Chapel Song"

One of my most listened to bands of 2011 was Brooklyn-based We Are Augustines. Their standout debut album, Rise Ye Sunken Ships is a powerful LP of heartfelt and poignant songs.

I was lucky enough to catch them perform several times last year and interviewed frontman Billy McCarthy where he filled me in on his songwriting process, performing his personal songs live every night and the New York music scene.

Friday night, We Are Augustines made their TV debut on Late Show with David Letterman and played “Chapel Song.” Watch their performance below. For a free download from Rise Ye Sunken Ships, visit their Website.

http://www.youtube.com/watch?v=vluAVy66peE

Related Links:
Q&A with We Are Augustines
CMJ 2011: Five Bands to Watch
Band of the Week: We Are Augustines
You Sing I Write’s Top 11 of 2011
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Features News

You Sing I Write’s Weekly Wrap Up

Just when I thought I was done hearing about Chris Brown and Rihanna, the rumors turned out to be true. On Monday night, Rihanna re-released “Birthday Cake” featuring Chris Brown and the music industry was abuzz. You can listen to the track here. What do you think about their collaboration?

This week, it was confirmed that former “American Idol” runner up Adam Lambert will be Queen’s frontman for a festival performance this summer. During an interview with New York radio station 92.3 NOW, one fan asked if he would channel Freddie Mercury. “I think it would be disrespectful to Freddie Mercury to try to copy him. I don’t think that’s the idea of any sort of tribute. I think the idea is to bring the songs to life with an energy that maybe he would be approving of,” he said.

Tuesday, I caught phenomenal sets by Mary Bragg and Nic Cowan at The Living Room and Rockwood Music Hall, two of my favorite venues in New York. What I love most about live shows is the power the singer has on the audience to connect. Cowan hushed the crowd at Rockwood after telling a story of meeting an artist pursuing his passion. After he told the tale, I had the song “Reno” stuck in my head for days. Listen to it here.

Matt Nathanson released the lyric video for his latest song “Run” featuring Sugarland. Being a country fan, I was surprised to learn of their collaboration. The beautiful track showcases his sensitive side and continues to expand his fan base.

My favorite story from this week was about a New Jersey teen asking Taylor Swift to his prom. Battling cancer for the second time, Kevin McGuire told his sister that no one would want to attend prom with him when he loses his hair. When she suggested Taylor Swift, his eyes lit up for the first time since being diagnosed. Fast forward to Friday night, Taylor couldn’t attend McGuire’s prom but instead invited him to be her date at the ACM Awards.

What music stories did you enjoy reading most from this week?