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Q&A

Blast From the Past: What A Sugar Rush!

I just stumbled upon one of my old show reviews featured in the entertainment section of my daily college newspaper. Intertwined was my interview with Sugarcult guitarist Marko DeSantis that I wrote about yesterday. You can read the article here, where it was originally published or below. What do you think? Has my writing progressed at all over the years? Curious to know what your take is.

WHAT A SUGAR RUSH
With a new album out, a new tour, and a new sound, Sugarcult continues to keep things fresh.

Annie Reuter
Targum Staff Writer
Published: Wednesday, October 25, 2006

Sugarcult’s latest album Lights Out gives fans a different sound than they’re used to. Guitarist Marko DeSantis describes it as loud and sexy, dealing with “escapism and the guilty pleasures people indulge in that bring temporary happiness but are ultimately self destructive; casual sex, drugs, pop-culture.”

The band has just wrapped up the first leg of its Lights Out Fall 2006 Tour with opening acts The Spill Canvas, Halifax, Maxeen, and So They Say.

Sugarcult played an hour set of 15 songs at Starland Ballroom in Sayerville. Their first song, “Lights Out,” got the crowd pumping. One of the crowd favorites included their radio hit, “Memory” while many in attendance could be heard singing and seen crowd surfing throughout most of the concert.

“It’s very good to be back here at the Starland Ballroom,” said lead singer Tim Pagnotta.

Perhaps the best guitar sound of the night came from Sugarcult’s performance of “Los Angeles,” one of the deeper songs from the band’s new album which talks of casual sex.

DeSantis explained how each of their records stands up on their own.

“We don’t want to be redundant and puke up the same old same old,” DeSantis said. “On Lights Out, we broke new sonic ground, we nearly killed ourselves in the studio trying to make sure the music and lyrics were the best they could be.”

While some songs on the album deal with casual sex and guilty pleasures, other songs sound like anti-radio anthems.

On the song “Explode”, Sugarcult sings, “The radio is here to stay/Turn it off and walk away.”

“I guess after five years of doing this professionally we’ve had our hearts broken enough times to see that there’s a reason it’s called the ‘music business’ and not the ‘music friends,'” DeSantis said. “It’s all so political, but at the same time we can look on the bright side and be happy that good music is getting a fair shake: the White Stripes, the Killers, U2, Tool. It’s just sad when places like Philadelphia and New York City don’t even have a station that plays rock music anymore.”

So where does DeSantis and others find out about new music if they don’t listen to the radio?

“Growing up it was all about going to shows, word of mouth, mix-tapes, magazines, hanging out in indie record shops and digging through the racks,” he said. “Today it’s not much different, but things like iTunes, websites and file sharing just make it easier to get turned on to stuff. My favorite way to discover a band is to see them play live and unexpectedly be blown away by undeniable greatness.”

DeSantis explained that he likes bands that are “rooted in the tradition of rock n roll, but update it and push it forward.”

The energy by the end of Sugarcult’s set was intense. As they played their last song for the night, “Bouncing Off The Walls,” singer Pagnotta told the crowd, “I wanna hear you bouncing off the damn walls!”

So does Sugarcult ever get tired of performing some of the same songs over and over again?

“Not really, because you’re feeding off the energy of the crowd, and it’s either a new song or an old song that brings back fond memories of the old days. Hearing 1,000 people scream along to a song we wrote six years ago in a tiny practice space in our hometown when nobody cared about us is always a thrill,” DeSantis said.

With the start of a second leg of their fall tour, DeSantis also wants to play in all the countries Sugarcult hasn’t yet been to.

His plans for the future: “Basically keep making good music, becoming a better band, and chasing new adventures… Fuck it, while we’re at it, why not sell a million records too!”

For more on Sugarcult, be sure to visit them on MySpace.

Categories
Features Q&A

Top 10 Interviews

While I’ve been taking suggestions on revamping my blog, some advised cleaning up the sidebar and deleting older interviews to make it easier on the eyes. After much thought, I really can’t just weed out certain interviews because each has a life of its own. Maybe its the frank musician that discussed exactly what’s wrong with the label executives, or the bass player that told me just how “gross” groupies are, regardless, each artist I’ve talked to needs to be showcased. So, when you’re bored at work or just surfing the Web, you have plenty of reading material on your hands.

While going through each interview I came up with my “Top 10” list of interviews that have surprised me or left an impact. Here’s my Top 10 list, in no particular order.

1. Jon Foreman of Switchfoot (photo above)
I’ve been listening to Switchfoot since high school. I’d buy tickets with friends and we’d travel to NYC together at least once a year to see them live. One year, when covering the show for MTV’s concert blog, I was able to meet the guys, and interview frontman Jon Foreman. To meet one of your favorite musicians and talk to him about life, his fears of being a songwriter and pretty much anything else you’d want to know was truly one of the best moments in my music writing career. Read the in-depth interview here.

2. Colbie Caillat
I remember my cousin from California mentioning Colbie Caillat on his visit to New Jersey right after her debut album was released. A few weeks later “Bubbly” exploded on the radio and I just had to buy myself a copy of her album. The next summer she was going on tour with one of her biggest influences (and mine) — John Mayer. I was able to set up an interview for the blog and was surprised at how humble and down to earth she was. Talking about her stage fright before performing and thoughts on just why “Bubbly” took off, Colbie shared insight into her life before and after her music invaded the airwaves. Read all about it here.

3. Marko DeSantis of Sugarcult
This was my first impromptu band interview. Before catching Sugarcult’s set at Starland Ballroom, I noticed a group of fans by the stage door talking to someone. My friend found out it was Sugarcult guitarist Marko, so I asked to interview him. Why not? He wrote down his email address in my notebook with the casual, “Just don’t show this around” and I emailed him questions a few days later. My first nationally published interview, it was featured on Jane Magazine‘s Web site. I still can’t believe I did that, but it paid off. Read the full email interview here.

4. Kris Roe of The Ataris (photo above)
I lucked out being able to interview Kris twice — first for Rutgers University’s entertainment section, Inside Beat, and last year for my blog. Having listened to The Ataris growing up, I attended a performance of theirs at Rutgers and was able to obtain an interview after talking to his manager. After interviewing him with my friend Monica, I remember leaving the room with the realization and determination that, “This IS what I’m going to do the rest of my life.” Haven’t looked back since. Read the full two-part interview with Kris from his performance at Maxwell’s last year here.

5. Joshua Radin
Incredibly honest about the music industry, Radin bought himself out of his five record deal with Columbia and put out his most recent release independently. Not to mention, it hit No.1 on the iTunes folk charts. Not too shabby. A class act to follow, Radin even performed at Ellen DeGeneres’ wedding. Read on for more of his take on the music business here.

6. Stephan Jenkins of Third Eye Blind
I was extremely nervous for this interview. 3eb was one of the most recognized bands of the 90s and having read up on past interviews with the band I was a little worried how mine would pan out. Luckily, it went extremely well — good enough to be used as my first interview feature on MarieClaire.com! You can read it on Marie Claire here.

7. Vince Scheuerman of Army of Me (photo above)
Possibly the most open singer-songwriter I’ve interviewed, my chat with Vince revealed many of the stories behind his songs, the struggle of making it in the music business and a typical day in the life of a musician. Read on for more here.

8. Tyson Ritter of the All-American Rejects
Oh, Tyson. Brutally honest and never afraid to hold anything back. Though it was a quick 3-question on-the-spot interview outside his tour bus at a concert, it’s one that will always stand out in my memory. Laugh about it here.

9. Jeph Howard of The Used
Okay, I must admit interviewing Jeph on their tour bus was definitely a highlight of the interview. Possibly the longest interview I’ve had, he chatted with me for nearly an hour about life on the road, groupies, and struggles the band has faced. Read all about it here.

10. Sia
Australian singer-songwriter Sia was definitely the most captivating and lively phone interview I have ever had. With her infectious laugh and refreshing take on the music industry, it’s interviews like these that make me continue pursuing this crazy career. You can read the interview featured on RollingStone.com here.

That’s my Top 10. What’s your favorite? Did I miss one that should be added?

Categories
Q&A

Blast From the Past: Interview with Sugarcult

A few weeks ago I posted my first interview with Ace Enders featured on Jane Magazine‘s music section of their Web site when I interned there. This week’s edition of “Blast From the Past” is another Jane feature.

Fellow Jane intern Monica Perry and I (check out her amazing blog here — cleverly titled Our Jane) got tickets to see Sugarcult in concert a few years back. I knew some of their radio hits but had no idea what the guys looked like to approach them for an interview (should have done my research!) so when we noticed a bunch of girls talking to a tall man by the backstage area we assumed it had to be one of the guys from the band. We walked over and asked a fan who it was and she told us it was Sugarcult guitarist Marko DeSantis. I was doing a write-up for the school paper of the show so I approached him, asking if they did interviews. He then took my notebook and pen right out of my hands and wrote down his email address adding, “Just don’t go out giving this to everyone.”

That was my very first impromptu venture of going up to a band and getting an interview and it was so invigorating! Little did I know a few years later I’d be doing this all the time and I must say, it never gets old. If I could interview a new band every day of the week I’d be content! Read my Jane feature below and for the full transcription of my interview with Marko click here.

Interview with Sugarcult’s Marko DeSantis

Sugarcult’s latest album “Lights Out” is all about “escapism and the guilty pleasures people indulge in that bring temporary happiness but are ultimately self destructive; casual sex, drugs, pop-culture,” says lead guitarist Marko DeSantis. Intern Annie talks to him to find out what he actually means by all that.

On the track “Explode” you sing, “The radio is here to stay, turn it off and walk away.” Have you been burned by commercial radio?
The music business is all so political, but at the same time we can be happy that some good music is getting a fair shake with bands like the White Stripes and the Killers. It’s just sad when places like Philadelphia and New York City don’t even have a rock station anymore.

If the radio is too commercialized for you, where do you find out about new bands?
I’ve never really listened to commercial radio; growing up it was all about going to shows, word of mouth, mix-tapes, magazines, digging through the racks in indie record shops. Today it’s not much different, but iTunes, websites and file sharing just make it easier to get turned on to stuff. My favorite way to discover a band is to see them play live and unexpectedly be blown away.

So who are you into now?
Lately I’ve been listening to The Adored, TV on the Radio, The Strays, Maxeen, Against Me. I’m always diggin’ old jams by Tom Petty, Smashing Pumpkins, The Clash, Superdrag, and The Cars.

What inspires your music and this album?
There’s an old quote attributed to John Lennon, “Life is what happens when you’re busy making other plans.” I think the same thing can be said about creating music; you set out to document your experiences and what’s in your head and then it becomes something bigger than the sum of its parts.

—Annie
October 27, 2006
Annie | Music | Permalink | Comments (1)

I love the honesty! Read more of my interview with Marko here and be sure to check out Sugarcult on MySpace if you haven’t yet.

Categories
Interviews

Sugarcult

I was lucky enough to interview Sugarcult guitarist Marko DeSantis after a concert at Starland Ballroom in Sayreville, New Jersey last year. You can check out the article I wrote in the link above. Below is the entire interview. Enjoy!

What bands inspire you and who do you listen to?
I always say, taking history is just as important as making history; in that I mean that it’s great to go back and rediscover music from the past, but you can’t discount the music being made in your own generation. I like bands that are rooted in the tradition of rock n roll, but update it and push it forward; that’s what Sugarcult is about. Lately I’ve been listening to a lot of new bands: The Adored, TV on the Radio, The Strays, Maxeen, Against Me; and always diggin’ old jams by Tom Petty, Smashing Pumpkins, The Clash, Superdrag, The Cars…

Where do you find out about new bands if the radio is too commercialized for you?
Truth be told, I’ve never really listened to commercial radio; growing up it was all about going to shows, word of mouth, mix-tapes, magazines, hanging out in indie record shops and digging through the racks. Today it’s not much different, but things like iTunes, websites and file sharing just make it easier to get turned on to stuff. My favorite way to discover a band is to see them play live and unexpectedly be blown away by undeniable greatness!


What inspires your music?
There’s an old quote attributed to John Lennon, “Life is what happens when you’re busy making other plans.” I think the same thing can be said about creating music; you set out to document your experiences and what’s in your head and then it becomes something else bigger than the sum of it’s parts.

What is the main theme of your new album, Lights Out?
Escapism and the guilty pleasures people indulge in that bring temporary happiness but are ultimately self destructive; casual sex, drugs, pop-culture, etc.

How is this album different from your last two albums?
Each of our records stands up on it’s own; we like it that way, we don’t want to be redundant and puke up the same old same old. On Lights Out, we broke new sonic ground, we nearly killed ourselves in the studio trying to make sure the music and lyrics were the best they could be; Tim practically had a nervous breakdown, he grew a beard, never changed his clothes, the whole nine yards!

This album seems to take on more of an anti-radio argument, how so and why?
I guess after 5 years of doing this professionally we’ve had our hearts broken enough times to see that there’s a reason it’s called the “music business” and not the “music friends”. It’s all so political, but at the same time we can look on the bright side and be happy that good music is getting a fair shake: the White Stripes, the Killers, U2, Tool, etc. It’s just sad when places like Philadelphia and New York City don’t even have a station that plays rock music anymore.

Are there any venues or audiences you’ve hated playing for?
We’ve been lucky so far, no real horror stories; but there are some shit-holes out there; but we celebrate the shitiness!

You’ve played on tour for Green Day, Warped Tour, and your own headlining tours, how is each of these different or the same?
Green Day was just surreal; getting to play huge sports arenas, it’s a total fantasy world! Warped is always a fun communal vibe, they keep it real and the crowd’s always insane; personal hygiene is a real challenge though! Our own tours are the best ’cause we get to play as long as we want and bring out new bands we believe in.

Do you ever get tired of performing any songs?
Not really, because you’re feeding off the energy of the crowd and it’s either a new song or an old song that brings back fond memories of the old days. Hearing 1000 people scream along to a song we wrote 6 years ago in a tiny practice space in our hometown when nobody cared about us is always a thrill.

What’s your favorite song to perform and why/least favorite?
I’ve always loved playing the song Pretty Girl (the Way); it’s been in our set for almost 7 years and still feels fresh. I don’t like playing our really slow songs ’cause it’s hard to mellow out and get into it when you’ve got so much adrenaline going on, plus they scare me.

What are you doing after this tour?
Laundry and then getting ready for the next tour! We’re going back to Japan soon; we’ve been there 9 times already. I have a few side projects with new records too: The Lapdancers (record came out in Aug.) and Bad Astronaut (new record out in Nov.) so I’ll probably be busy promoting those as well.

How would you describe your music to someone who’s never heard it before?
Loud and sexy!!!

How is Lights Out the turning point for the band, as Pagnotta says?
I hope so, we want to always move forward and keep taking chances, while still staying true to our vision. This album is more sophisticated, the arrangements are less conventional, we kind of tore up the rule book and started fresh. It’s a new beginning, so forget what you think you know.

What are your hopes for the future with the band?
I want to play in all the countries we haven’t yet been to; I’d love to play in China, Brazil, Eastern Europe, Australia, etc. Basically keep making good music, becoming a better band, and chasing new adventures…Fuck it, while we’re at it why not sell a million records too!