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Artist of the Week Band of the Week

Band of the Week: The Kin

 

Currently readying their debut major label release, I chatted with The Kin after a recent performance in New York to talk musical robberies, their upcoming self-titled album and what they liken their music to. Made up of brothers Thorald and Issac Koren from Australia and New York drummer Shakerleg, the guys filled me in on just what to expect from their new music and Rockwood Music Hall weekly residency.

 

“[Our album is] going to be a real mix of everything we’ve written in the last year,” Issac said. “We took a year to stay in New York and play every week at Rockwood. We just wrote as much as we could.”

 

Playing every Thursday at Rockwood Music Hall at 9:30, their weekly residency allows the band to test out new material on the audience and see the crowd’s response. “It’s really helpful to see what people think,” Issac said. “We’re really proud of it. We’re really excited to get the songs to people.”

 

As far as their decision to play at Rockwood, Issac said the venue is “just so human.”

 

“People come and go and the sound is good. It’s inviting,” he said. “Great music comes in and out. We feel like a part of a happening. That’s what New York is about: pockets of community. The Kin is all about that. It’s about finding a tribe. Rockwood promotes all of us for that.”

 

Thorald further shared the band’s wishes for their new album.

 

“We’re hoping to make an expansive amount of fans that don’t know us yet. They can expect explosive, fun, dirty, pretty songs. We just want each song to be an experience,” he said. “The album’s going to bring out the voices and uniqueness of the drums and hopefully it’s going to translate [our live show].”

 

 

The album is due for release early next year, but the band’s upcoming single “Gemstone” can be expected in October.

 

“It’s certainly the closest to a live, driven album,” Issac said. “Now we’re listening to them, what could be the songs on the record. We had 50 now it’s down to 25. It’s virtually like giving away your babies.”

 

So how do they narrow down the 25 tracks to 12?

 

“We let the audience at Rockwood decide,” Issac confessed. “The songs that get the most requests and the ones they demand us to play again.”

 

But that’s not the only reasoning.

 

“A song not only has to be strong but has to sound great on a recording,” Thorald said. “Some we love playing live but haven’t translated on the recording.”

 

When the Kin aren’t busy putting the final touches on their album they take part in something they call musical robberies where they take their show to unexpected patrons at restaurants throughout the country.

 

 

“It came out of our love of fun robbery movies and thieves and Shakerleg’s subway days when he’d rally people around his drumming,” Thorald said. “I think we came out of it with a fun idea. It was a way to catch people when they were a little bit scared and play with their senses a little bit. That’s something we’ve always loved to do.”

 

The Kin alternate between what they call musical robberies and musical heists.

 

“You can either do a real robbery where no one – not even the owners of the place — knows and we get kicked out,” Issac said. “Or it’s an inside job which we call a heist where the owner coordinates it. The patrons don’t know so it’s a heist.”

 

“And then we have dinner with thieves where we rob people at a 5 star restaurant setting,” he continued. “We just want to mix it up. The way we play music, we want to mix it up.”

 

Drummer Shakerleg had a whole other way of explaining things.

 

“I think what we’re trying to accomplish in a live show is that feeling that you get when you step on a piece of gum and you can’t get it off and you’re actually happy that that particular piece of gum is on your shoe,” he said. “That’s the sound we’re going for.”

 

Catch the Kin live in New York every Thursday through September at Rockwood Music Hall.

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Q&A Videos

Video Interview with Amber Rubarth

Video Credit: Wendy Hu

Last summer, I chatted with Amber Rubarth after her intimate show at Rockwood Music Hall. A beloved musician to many, she has collaborated with numerous artists including Jason Mraz and Martie Maguire and Emily Robison of the Dixie Chicks and Court Yard Hounds, not to mention toured the California coast on a vespa with Jason Reeves.

During our interview, Rubarth filled me in on her journey to following her passion, something her boss engrained in her while she was an apprentice to a chainsaw sculptor in Nevada, her songwriting process and the inspiration by some of her songs.

To find out more, watch the video below and be sure to purchase a copy of her latest album, A Common Case of Disappearing, which features collaborations with Jacquire King, Brad Bivens, Adam Levy, Frank Swart, Marco Giovino, Oliver Kraus, Zac Rae, Jason Reeves and Jason Mraz. Catch Amber Rubarth live tonight at Rockwood Music Hall Stage 2.

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Concert Reviews

Jamie Leonhart Keeps Standing Room Only Crowd Singing

Rockwood Music Hall was packed Thursday night for Jamie Leonhart‘s set while the crowd only seemed to get larger as the night progressed. Performing songs off her latest release, The Truth About Suffering as well as some covers, Leonhart had all in attendance laughing along with her onstage banter and occasionally forgotten lyrics.

With husband Michael Leonhart playing piano throughout the night, Jamie blamed her lyric mishaps to being pregnant, later telling the room, “This is the first outing for the Leonhart trio at Rockwood.”

I first witnessed Leonhart live back in December when I covered the “A Holiday Benefit” concert. Of her performance, I wrote: “Leonhart’s vocals are heavenly as she blends jazz, pop and soul together, making for a truly impressive set. Comparisons to Ella Fitzgerald and Aretha Franklin can be heard throughout Leonhart’s classically elegant tunes.”

After seeing her nearly hour set Thursday night, my previous thoughts haven’t changed. If you get a chance to see her perform, definitely jump on it!

Beginning the night with “Hush,” Michael Leonhart‘s light piano accompaniment blended perfectly with Jamie’s beautifully soft vocals. Mid-song an impeccably fitting piano interlude only strengthened the performance.

Next song of the evening was “Who Says Words,” another moving track from The Truth About Suffering with lyrics from a poem by Persian poet Rumi. About the song, Leonhart has said, “‘Who Says Words,’ is kind of a meditation about noticing your own ‘bad’ behavior but not doing anything to change it. There’s a passive struggle in it that I am very attracted to. I set the poem to a melody, and then sat down with Michael and constructed all the chord changes around it.”

The rest of the night involved strong covers of some of Leonhart’s favorite songs including, “Lucky To Be Me” originally written by Leonard Bernstein and performed by Blossom Dearie. Truly a stand-up number, I could picture myself at a jazz club while listening to Leonhart’s performance. With soft crescendos and her own take on older songs, Leonhart made each song her own, always with refreshingly unique style.

Deidre Rodman accompanied a few songs on vocals as well as melodica (a musical keyboard played by blowing air through a mouthpiece in the side of the instrument) — truly a sight to see. With many solid melodica interludes, Rodman wowed the crowd with her expertise on the instrument.

Song favorite of the night was definitely “Control Freak,” where many — if not all — in attendance sang along word for word during the chorus. With catchy lyrics, “I am a control freak/I want everything to be neat/And put it all in little boxes/I never will enjoy surprises/I just want control,” Leonhart had the song stuck in my head long after it the show was over.

You can download “Control Freak” here.

For more on each artist, be sure to visit their Web sites for upcoming concerts and music.

Jamie Leonhart

Michael Leonhart

Deidre Rodman