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Introducing Tinted Windows

Take Taylor Hanson from 90s pop brother trio Hanson, former Smashing Pumpkins guitarist James Iha, Cheap Trick drummer Bun E. Carlos, and Fountains Of Wayne bassist Adam Schlesinger and you have new power pop group Tinted Windows.

Rolling Stone debuted their first track, “Kind of Girl” earlier this week and you can listen to it on their MySpace. Definitely a strong blend of pop-rock with Hanson on lead vocals and catchy “oh-oh-whoa-whoa’s,” the song is bound to be in heavy rotations on radio stations soon. What do you think?

Their self-titled debut release drops in April. In the meantime, they’ll be performing at Austin, Texas’ South By Southwest music festival as well as New Jersey’s Bamboozle festival in May. Will you be attending?

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Artist of the Week

Artist of the Week: Jem

Starting off sophomore release, Down to Earth with Brazilian percussion and soft, yet beautifully seductive vocals, Welsh singer-songwriter Jem catches the listener’s attention right off the bat. Track after track, Jem continues to leave her distinct mark, whether it is assisted by Detroit Gospel choirs, hip-shaking beats or introspective lyrics.

Truly an artist to watch, you probably have heard some of Jem’s music before. While her songs have been featured on hit television shows like, “The O.C.,” “Grey’s Anatomy,” “Desperate Housewives,” “CSI Miami,” and “Six Feet Under” perhaps it is her song, “It’s Amazing” that’s most familiar — having been included on the Sex and the City movie soundtrack.

“I Want You To…” begins with Spanish dialogue and quickly segues into a catchy song with Latin beats, urging the listener to break out some salsa moves. Next up is “It’s Amazing,” an inspiring song with uplifting lyrics, “Patience, now, frustration’s in the air/And people who don’t care/Well it’s gonna get you down/And you’ll fall, yes, you will hit a wall/But get back on your feet an’ you’ll be stronger and smarter.”

The versatility throughout Down to Earth is incredulous at times. While diversity on an album is a strong attribute to any musician, Jem manages to change things up while staying true to herself. A mix of ballads, danceable Latin tracks and a foreseeable club hit in “Aciiid!” where she sings in Japanese, Jem is truly an artist to pay attention to.

Watch Jem’s video for “It’s Amazing” below and if you like what you hear, be sure to check her out on MySpace for more music!

[youtube=http://www.youtube.com/watch?v=8XDxhDbtDak]

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Band of the Week

Band of the Week: The Jim Ivins Band

I received an email a while back from frontman Jim Ivins of the Jim Ivins Band, telling me about their recently released EP, Back To Reality. Produced by Ace Enders (formerly of The Early November), the band has opened for a few musicians I’ve covered, including The Ataris and Sparky’s Flaw. So, I decided to give them a listen and liked what I heard.

The songs on Back To Reality are well-produced tracks both musically and lyrically. Begging references to The Ataris, Yellowcard and even New Found Glory, the Jim Ivins Band’s mix of pop-rock and emo-punk pulls the listener in. In fact, while listening I felt as if I was taking a trip down memory lane vividly picturing myself waiting in line to get front row at a Good Charlotte or New Found Glory concert.

When checking out their MySpace, one hears the progress from older and guitar heavy songs to the band’s latest release. First song off the EP, “The Chance” is a stand-up track that tells the story of unrequited love. With catchy choruses and light, soft vocals that recall fellow pop-punk band Yellowcard (whatever happened to them anyway?) and early New Found Glory, the Jim Ivins Band are well on their way.

The band’s sound is reminiscent to many emo band beginnings with those wear-your-heart-on-your-sleeve type lyrics (see “Stages of Your Life”). However, the versatility is what branches them out and distinguishes the Jim Ivins Band from inhabiting just one genre of music. An example is “Two Hours Two Days Two Weeks,” which demonstrates more of a punk attitude than heard on previous tracks.

“Two O’clock Wake Up Call” is another must listen with solid guitar accompaniment and sing-along choruses while “Stages of Your Life” is a ballad that begins with soft vocals and guitar strumming.

Originally a solo project, Ivins recorded his debut full-length album in 2007. Soon after the band came together with the goal to make “catchy, accessible music with honest lyrics that are easily relatable.” And they’re doing just that.

Hard to place into one genre, the Jim Ivins Band is a promising Virginia-based band who have a bright future on the music scene. Just listening to the growth on their two EP’s is impressive. I’m excited to see what’s in store for them.

What do you think? Give them a listen on MySpace and let me know!

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Festivals

Introducing Asa

Paris born and Lagos raised singer-songwriter Asa‘s debut self-titled release is a record that begs the listener’s attention. With poignant lyrics intertwined throughout each song, Asa is the most brutally, yet beautifully honest record I’ve heard released in 2009 thus far. Every song on her album is a new gem with moving lyrics mixed in with Afro-beats and soulful reggae influences. In fact, she has already been compared to Bob Marley and Erika Badu and it is no wonder that she has most recently opened up for Femi Kuti on several of his tour dates.

That’s not all either. Asa has had great success in Africa and Europe, most recently being awarded the Prix Constantine for the Best New French Artist of 2008. Things have been picking up for Asa in America as well. While her album was released last week in the US, first single “Jailer” has caught much attention throughout the airwaves as well as recently appeared on NPR’s “All Songs Considered.”

Asa begins the album with “Jailer” and lyrics, “Am in chains you’re in chains too/I wear uniforms, you wear uniforms too/Am a prisoner/You’re a prisoner too Mr. Jailer.” With light guitar strumming and keyboard features, the story within the song jumps out to the listener. She continues her tale, “Life is not about your policies/All the time/So you better rearrange your philosophies/And be good to your Fellow man.”

Her one-sheet described her as a “culturally conscious singer-songwriter” and I couldn’t agree more. Tracks like “Fire On the Mountain” and “No One Know” are fitting examples of Asa’s cultural consciousness. Lyrics such as “I wake up in the morning/Tell you what I see on my TV screen/I see the blood of an innocent child/And everybody’s watching” and later, “Tell me who’s responsible/For what we teach our children/Is it the Internet/Or the stars on the television?” within track “Fire On the Mountain” demonstrate this.

During “No One Know” Asa sings, “Tell me what’s the need to go to war/All the killings just to settle some one else’s score/When the victory isn’t even sure/No one knows tomorrow.” Seemingly fitting for today’s world issues, Asa continues to leave an impact on the listener track by track of her debut album.

From the look of it, Asa is not just another emerging musician, but one who is here to stay. She brings a much needed awakening to what the music industry as well as the media have been lacking — truthful lyrics with real emotion and sincerity.

Watch Asa’s music video for “Jailer” below. For more on Asa, be sure to check out her MySpace.

[youtube=http://www.youtube.com/watch?v=Sh2vqnok1OA]

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Features

Artist to Watch: Findlay Brown + MP3

I recently received a MP3 of Findlay Brown‘s song “Holding Back the Night” in an email. The song has that classic oldies feel — a mix of doo wop of the 50s and 60s. In fact, I can’t help but hear his resemblance to one of my Dad’s personal favorites, British-American pop singer Engelbert Humperdinck (don’t worry just his stage name, unique I know). And, after reading Findlay’s bio I realized my comparisons of his music weren’t so far-fetched.

Findlay’s upcoming release, Love Will Find You, came together when he was stuck on his sister’s couch with a broken leg after being run over by a cab driver. Of the album, he’s explained:

“I’d already started going back and listening to a lot of records I’d grown up on, like Elvis Presley, soul music, doo wop, Phil Spector, The Righteous Brothers and the like,” Findlay said. “I had an idea about making a modern record influenced by the songwriting of the late 50s and early 60s. I just started writing, trying to work out what made a universally great song, like ‘Stand By Me.’ These new songs are the first part of that process.”

Listen to “Holding Back the Night,” a track off his upcoming spring release here.

For more on Findlay be sure to check out his MySpace and if you like what you hear and are in NYC tomorrow, catch his show at Pianos! Be on the look-out for a full album review in the upcoming weeks.

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Features

Artist to Watch: Cary Brothers

I first caught Cary Brothers‘ performance during the Hotel Cafe Tour last spring with Ingrid Michaelson, Joshua Radin and Priscilla Ahn. If the name doesn’t sound familiar, Brothers is perhaps most known for his song “Blue Eyes,” which was featured on the 2004 soundtrack of Zach Braff’s film, “Garden State.” The soundtrack won a Grammy for Best Compilation Soundtrack Album and propelled “Blue Eyes” to the top of the iTunes Folk Chart. While major labels started lining up offers for Brothers, surprisingly he wasn’t interested.

“I’ve seen too many people go through the major label process — the rapid rise and fall that leaves artists burned out and used up,” Brothers said. “That’s why I am excited to bring my independent label Procrastination to Bluhammock. They didn’t ask me to write 10 songs that sound like ‘Blue Eyes.’ They let me make the music I wanted to make.”

And that is what he has done. From continuously touring over the past few years (he co-founded the Hotel Cafe Tour) to working on numerous albums, Brothers has been keeping busy.

With a voice that can ease your stresses of everyday life, his music is light and airy but at the same time has so much depth to it. “Honestly” is a beautiful slow ballad with light guitar strumming and even softer piano accompaniment, never overpowering his vocals.

“Ride” is another strong track with Brothers’ intriguing vocals and lyrics. Listen to “Ride” here for more of a feel. I’d love to know what you think! If you like what you hear, Cary Brothers will be showcasing songs from his upcoming album live in New York and LA in March, so be sure to check out his MySpace for more info! Take a sneak peak below on his video blog and listen to his cover of Ryan Adams’ “Come Pick Me Up.”

[youtube=http://www.youtube.com/watch?v=RClZGugmc7Y]

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Features

Artist You Should Know: Anya Marina

With her soft vocals and quirky lyrics, at times recalling Australian songstress Sia with a bit of Duffy‘s jazzy vibe, Anya Marina is definitely making a name for herself. Having received rave reviews on her upcoming January release, Slow & Steady Seduction: Phase II (stay tuned for a full review) as well as recently toured with Jason Mraz, Marina has been keeping busy.

Watch below as she performs with Jason Mraz during his song “Lucky” and if you like what you hear, be sure to check her out on MySpace and download first single off the album, “Move You (SSSPII)” currently available on iTunes here.

[youtube=http://www.youtube.com/watch?v=Pp3yz1WheiI]

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Features

Artist You Should Know: Brent Shuttleworth

In one of his last performances of the year, Brent Shuttleworth exhibited the true definition of singer-songwriter to New Yorkers at Joe’s Pub Sunday night. Playing a nine-song set, Shuttleworth infused a mix of songs from his debut album, Witness, as well as some covers and a few new tracks, each well received by the packed room.

Taking the stage shortly after 9:30 with first song of the night, “When We Leave This World Behind,” Shuttleworth began alone on acoustic guitar before the rest of his band joined in. With his emotionally-filled lyrics quickly capturing the audience’s attention, as each word was sung you couldn’t help but get the feeling that he was wearing his heart on his sleeve.

While Shuttleworth’s guitar playing recalls early John Mayer, it’s his lyrics and vocals that set him apart. With vocals comparable to that of Ray LaMontagne but deeper with a smoother vibe and lyrics that bear his soul to the listener, Shuttleworth continues to stand out from the crowd.

Second track of the night was “When I Reach California,” currently my favorite song. A song about moving on, Shuttleworth said it also deals with “recognizing the realities of a certain situation and being proactive about doing something about it,” which for many is tougher than it seems. Singing, “You turned your back on me when I needed you/You buried me just like a funeral/I’m so sure right now that you never knew/What I had given up to be with you,” he really gave the audience the story behind his heartfelt lyrics. “When I Reach California” accompanied stellar harmonizing from his band as well as a solid instrumental interlude up to the fade out of the song.

Shortly after, he told the crowd about the inspiration behind “Witness,” the title of his next song. Having worked in South Africa helping with TAC, a campaign for treatment for people with HIV and reducing HIV infections through education and workshops, one day he was invited to a church service by his coworker. At the service, an American preacher from Kentucky was talking on the pulpit as a huge American flag was shown behind him, asking for each person’s weekly earnings to build satellite churches and missions for their communities.

Disheartened by the situation, Shuttleworth explained his surprise to the warmth between the community as they gave hugs to one another afterwards while saying, “You are my witness.” As if they were saying, “You’re a witness to me, to my life, to my existence.”

“The idea to have someone there for you has stuck with me,” he said. “And that’s the name of the next song and the title for my album.” Singing, “All of the nights alone/I never felt my soul was worth having/Won’t let one more day go by/Allowing myself not to be forgiven/When I’m broken/And I’m fading/I need a witness/When I’m beaten/And I’m bleedin’/I need a witness,” he aptly got his point across.

In addition to incredibly solid covers of Cyndi Lauper’s “Time After Time” with featured vocalist Amber Rubarth and the Cranberries’ “Linger” with Declan Bennett, Shuttleworth’s set entailed breathtaking ballads like “Satellite” and “Helpless,” a song he told the audience is not only for people in love but for people that want to be in love. “It’s a connection I made; describing the song and the state of being helpless to someone else, recognizing the fact that people take advantage of that vulnerability,” Shuttleworth said of his song. “Regardless of how much you give to a situation there’s no guarantee of any sort of return, in that vulnerability there’s that risk.”

The state of being helpless and vulnerable can be a very positive statement to be in, he explained. “It’s about being able to let your guard down and that state and relationship when you’re able to be vulnerable to someone else and liking the idea of being in love and wanting to be in that place.”

Another relatively new song, “Overcome,” Shuttleworth told the audience is a crowd participatory song. “Everyone is welcome to join in. You can clap, dance, get up onstage if you want too.” Definitely the most upbeat of the night, he had the audience liven up and sing along throughout the chorus.

“Stay” may just have been the most heartfelt song performed during his set. A song written for his late grandfather, Shuttleworth said his grandfather not only encouraged him to play music, “but to follow things that I believed in and things I wanted to do.” Lines like, “All we wanted was to be enough and that’s what we are” left a lasting impression.

Just when the room thought his set was over as the lights went on and music started playing from the speakers, Shuttleworth surprised the crowd by entering the floor between the couches and tables closest to the stage with his and Declan Bennett’s acoustic cover of “Linger” by the Cranberries. An intimate gesture, all in attendance clapped and sang along word for word.

As the year draws to a close and so does his performances, Shuttleworth promises more tour dates throughout the winter and spring. And, from his stellar set and the crowd at Joe’s Pub his fans will only grow with him.

Be sure to check out Brent’s MySpace if you haven’t yet and watch his video for “When I Reach California” below!

[youtube=http://www.youtube.com/watch?v=FT-MlVxQcoc]

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Features

New Artist to Listen For: Amy Regan

From the second her voice introduces first track on her EP, Amy Regan catches the listener’s attention. Her EP, And Then There Is This, is the perfect compilation of soft ballads and soulful songs. While at times Regan’s voice is reminiscent to that of angelic Priscilla Ahn, she most certainly has a flavor of her own.

New York singer-songwriter Regan began classical vocal training when she was just 11-years-old and her most recent release showcases her dynamic versatility. From edgy track “Everybody Needs Somewhere To Go” to jazzy number “Nighttime Bird,” Regan’s six-track EP is rich and refreshing.

The light guitar strumming in the beginning of first song, “Everybody Needs Somewhere To Go” soon speeds up to become quite the interesting storyline. Lyrics like “I’m too quick for my own tricks/’Cause I left him at nine, found another by six/I said I’d try him just for kicks/But then I’m cravin’ him like an addict needs a fix” leaves the listener curious and asking for more. While she may be classically

trained, it is no doubt that Regan’s vocal ability stretches among many genres.

“So In Love” starts off with acoustic guitar as Regan’s soft singing tie the musical accompaniment and vocals together ever so gingerly. The ballad talks of a couple in love who seem “better off as friends with some small mistakes to hide.” A heartfelt song, you feel the pain and confusion throughout Regan’s singing. “So In Love” segues fittingly into “Carry On,” a more upbeat song with its fast drumbeat, while Regan seems to be questioning the world around her as well as a past relationship.

Possibly the strongest, most diverse track on the EP is “Nighttime Bird” — an incredibly jazzy Ella Fitzgerald-esque number that takes the listener back in time. Featuring piano, light percussion and vocals, “Nighttime Bird” sounds like it could easily fit in at a speakeasy or jazz club in the 1900s. While we’re well into the 21st century, Amy Regan has that classic spark that survives the test of time.

For more on Amy, check her out on MySpace or her Web site and be sure to catch a show of hers, she’ll be playing many New York gigs in the upcoming weeks.

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Features

New Artist to Listen For: Plushgun

With their catchy choruses and electronic beats, Plushgun is a new band soon to be on everyone’s radar. I recently received a copy of their EP for review, a preview of what’s to come on their debut full-length due out January 2009. Though it’s only four songs, each has become ingrained in my head long after listening.

Opening track, “Just Impolite” was the first song written by Daniel Ingala in his Brooklyn apartment and then posted on MySpace, creating quite a buzz. (You can listen to “Just Impolite” here.) Eventually RagTag Productions heard some of his tunes and approached Ingala about using his music for their web-tv series, “We Need Girlfriends.” Low and behold, everything spiraled from there. Plushgun hit #1 on OurStage.com‘s Alternative Rock channel, where music fans rate the music posted. Soon Ingala recruited band members to perform live shows and the rest, as they say, is history.

While “Just Impolite” tells the story of chasing a seemingly doomed relationship with lyrics “I’ve called you nine too many times/I’m not obsessed, just impolite” the upbeat music throughout the song makes you think otherwise. “14 Candles” is a bit slower, again the tale of a failed relationship as Ingala sings of isolation, despite the couple in the song still loving each other.

My favorite on the EP is “How We Roll.” With biting lyrics and fitting musical accompaniment, this song epitomizes high school angst. Somewhat reminiscent to Bowling For Soup’s popular hit “1985,” Ingala sings about being outcasts throughout junior high and high school: “Hey cheerleaders, we’re superior/We’re only losers til we reach the end of senior year/We never comb our hair, our clothes are out of fashion . . . ” It’s one of those songs that you wonder, “Did he just say that?” before replaying the song over again to realize you heard each lyric correctly.

Though the EP had only four tracks there is much material and depth within each song to listen to. Be sure to check out Plushgun on MySpace if my brief review intrigued you and pick up their album when it hits shelves in January!