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New Artist to Listen For: Jaymay

With her light, soft vocals and honest lyrics, Jaymay’s debut full-length album Autumn Fallin’ has the versatility to keep the album on rotate all day long. While many of the tracks are ballads, (some more somber than others) jazzy songs like “Hard To Say” have catchy choruses and instrumental accompaniment, often putting the listener into another time period. The first half of Autumn Fallin’ starts slower, but track six segues into almost another album entirely.

New Yorker Jaymay starts off Autumn Fallin’ with “Gray or Blue,” a lyrically honest song with light guitar strumming while tambourine and xylophone can be heard in the background. If you listen closely to each song, they all tell a story — whether it be about crushing on a friend or wishing to find love. The underlying theme on Autumn Fallin’ seems to be heartbreak and unrequited love while three of the ten song titles include the word “blue.” Coincidence? I think not. Lyrics such as, “Don’t second guess your feelings, you were right from the start/And I notice she’s your lover but she’s nowhere near your heart” get the point across.

On “Gray or Blue” Jaymay tells the story of two friends in love, who ironically both have significant others. She sings, “You haven’t written to me in a week I wonder why that is/Are you too nervous to be lovers?/Friendships ruined with just one kiss.” While the title of another track, “Blue Skies,” sounds like it might be more of an uplifting song, the listener can sense the angst. “Faith brings me back to the place I met you/I bet you miss me sometime . . . sometimes,” she sings.

While tracks one through five are mostly somber ballads, nearly 10-minute track “You’d Rather Run” has background music reminiscent of a carousel ride at a carnival, seemingly in opposition to the more serious story within the song. Stand-out track on the album is “Hard To Say,” a more upbeat, fun jazzy number featuring Jaymay’s higher vocal range. “Hard To Say” segues nicely into the next track on the album, “Big Ben,” a slower song, almost sounding like a song right out of an old black and white movie. Despite the stories within each song being somewhat of a downer, Jaymay’s debut album has the intrigue to keep the listener wondering what exactly she’s trying to get across throughout the album’s entirety. By the last track, I think she’s given us all the answer.

For more on Jaymay, listen to an audio stream of her song “Gray or Blue” here or check her out on MySpace.

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Features

New Artist to Listen For: Jessie Baylin

While her voice is somewhat reminiscent to a blend of an edgier Carrie Underwood and Lucinda Williams with that country-pop blend, Jessie Baylin’s major label debut is much more distinctive. Jessie’s second full-length album, Firesight, has her branching out from today’s mainstream music with a jazzy and almost folk-like feel on some songs. With performances on past Hotel Cafe Tours as well as this year’s Bonnaroo Festival, she is definitely making a name for herself.

First track on the album, “See How I Run” starts off with Jessie singing, “I’m not stopping, waiting on nothing/Moving quickly trying to catch what’s mine/What’s destined inside the dreamer/I’ll be rushing, making a lot of noise” to a catchy guitar and drum beat. A solid first track for what’s to come on the rest of her album — strong collaborations with Grammy-winning songwriters (Jesse Harris) as well as various co-writers Mike Daly (Whiskeytown), Mark Goldenberg, Greg Wells and Danny Wilde (Rembrandts) and accomplished musicians including Brett Dennen and Cary Brothers as well as Ryan Adams’ drummer Brad Pemberton and guitarist Joe Pisapia of Guster among others.

Each track on Firesight varies from the previous, some tracks sounding jazzy while others have more of a country vibe. “Leave Your Mark” features Brett Dennen on backing vocals and is one of the stronger songs on the album, having a full sound both vocally and musically. The keyboard, guitar and bass as well as percussion and strings round out the track well while Brett’s vocals blend well with Jessie’s. “Not A Day More” has a faster beat, but darker vocals and even drearier lyrics while “Lonely Heaven” sounds like a jazz number, Jessie’s voice accenting but not overpowering the piano feature in the background of the song. Her voice in this track is timeless and could not have been performed any better with the crescendos in her voice in sync with each note played on the piano.

“Tennessee Gem” is more of a folk song with a country twist to it, immensely refreshing with guitar and pedal steel accompaniment while “I’ll Cry For the Both of Us” sounds like it could be a track right out of the 1970’s. Definitely versatile, Jessie Baylin’s Firesight has something for everyone. Due out in stores, Tuesday, June 24th, if you like the tracks below pick it up!

Listen to “Was I On Your Mind” here.
Check out “See How I Run” here for Windows Media and here for QuickTime.
For more on Jessie, check her out on MySpace

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New Artist to Listen For: Priscilla Ahn

With a soothing voice and light guitar accompaniment, Priscilla Ahn is an artist who will no doubt soon be a household name. Having just wrapped up touring with Ingrid Michaelson on the Hotel Cafe Tour as well as getting ready to release her debut full-length album June 10, Ahn has been keeping busy.

I recently received an advance copy of debut album, A Good Day, and can’t stop listening to it! While her voice is reminiscent of Ingrid Michaelson and fellow newcomer, Colbie Caillat, Ahn definitely has her own style.

Light and airy, Ahn opens up A Good Day with stand-out track “Dream” – a song starting off with light guitar accenting her vocals incredibly well. She sings about childhood dreams in lyrics, “I had a dream I could fly from the highest swing/I had a dream/Long walks in the dark through woods grown behind the park/I asked God who I’m supposed to be.” A song many can relate to. Next track is “Wallflower,” a story about a shy girl standing in the corner of a party, wishing she was more outgoing.

To watch a video of “Dream” and Ahn performing “Wallflower” live click here for Windows Media, here for Real Media and here for Quick Time. You can also check out the music video for “Dream” below.

[youtube=http://www.youtube.com/watch?v=MKfDwChOoHI]

A Good Day is also made up of some of Ahn’s favorite cover songs, such as Willie Nelson’s “Opportunity To Cry.” While some songs seem a little more obscure at first listen, such as “Astronaut,” when I covered a New York date of the Hotel Cafe Tour, I remember Ahn saying, “This song is called ‘Astronaut’ and it’s about astronauts.” It can’t be too difficult to understand, right? Another song, “Leave the Light On,” she later told the audience, was inspired and written when she was 18 and living in Pennsylvania with her parents, practically in the middle of the woods. Coming home late at night, her parents would never leave the lights on and she was constantly scared that she was surrounded by “cougars, bears and rapists” in the dark.

The entirety of A Good Day is enjoyable and relaxing. It’s one of those albums that you won’t get tired of listening to. While some songs have harmonica features, others have light, bell sounding xylophone accompaniment, keeping each track fresh.

If you haven’t yet, be sure to check out Priscilla Ahn on MySpace and pick up her album in stores in June!

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Features

New Artist to Listen For: Taylor Carson

Last week I caught a show at Sullivan Hall with up and coming musician Taylor Carson. A friend of mine told me about him and after having a listen to his latest album, Standing Alone, we decided to check him out.

I read a quote on his MySpace page from a recent album review that said, “Generation X had Dave Matthews, Generation Y has John Mayer and Generation Z will have Taylor Carson.” I was a little skeptical, being a John Mayer fan myself, but Taylor definitely surprised me and still has me wondering if that quote will pan out to be true.

Taylor’s singing and guitar style was reminiscent to John Mayer and Jason Mraz at some points, with a deeper voice and intricate guitar features in many of his songs. But there was something else. My friend mentioned that she could picture a full rock band behind him and I think that’s what it was. Taylor is a little bit more rock. His 50-minute, 14-song set had most in attendance singing along to verses he taught them, saying, “Y’all wanna sing along with me? Don’t be shy!”

While he played a few songs off his latest album, Standing Alone, Taylor also covered some songs including the Beatles’ “Ob-La-Di, Ob-La-Da,” the theme song to The Fresh Prince of Bel-Air and the Temptations’ “My Girl” – often putting his own spin on the songs. His stage presence was strong and for many seeing him for the first time, he definitely impressed.

One of his later songs was a new one, which he told the audience had no title and he was open to suggestions. Last song of the night was “Lucky Tonight,” which in the middle of playing he stopped, telling the crowd he forgot the lyrics. You wouldn’t have noticed it though, because he segued right into some improvisation, singing lyrics from Cypress Hill’s “Insane in the Brain,” getting laughs from the crowd.

So is Taylor Carson the next John Mayer? Check him out in concert to see for yourself!

I sat down with Taylor after his performance and chatted about how he got into music, his current east coast tour and where he finds his inspiration for the music he writes. Check back in a few days for the full interview! And if you haven’t yet, listen to him on MySpace.

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Artist of the Week Features

New Artist to Listen For: Serena Ryder

Canadian singer/songwriter Serena Ryder is an artist to definitely be on the look out for. She’s opened for artists such as Paolo Nutini, Chris Isaak and Xavier Rudd and just last year was featured in the South by Southwest festival in Texas where she caught the ears of Atlantic Records. Having already released two albums in Canada, most recent being If Your Memory Serves You Well which was certified gold her current U.S. debut EP, Told You In A Whispered Song, was released last year, while her first full-length U.S. album is due out this spring on the Atlantic label.

At first I genuinely liked her EP, Told You In A Whispered Song, but as I listened closer to the lyrics I enjoyed each song even more. Ryder’s honest, heartfelt lyrics about love and heartbreak are universal and you can feel the pure emotion she puts into each song.

Her EP begins with its title track which has a simple guitar rhythm and the light sound of a tambourine in the background. Ryder’s voice is strong and bluesy, fluctuating ever so slightly in the chorus of the song. “Hiding Place” is a slower song, which again features an acoustic guitar and asks the question to a lover, “If your radio didn’t work and your friends all ran away/Would you let yourself fall in love, if only for one day?” The lyrics are truly beautiful in this song. She continues to sing, “Darling can I touch your face and let your skin be my hiding place/Promise I won’t take up too much room/Darling can I touch your face and let your eyes fall into love’s embrace?”

Ryder’s voice has been compared to that of Janis Joplin and Aretha Franklin, maybe even early Jewel. “Brand New Love,” her third song on the EP, is a bit more upbeat then the rest, with a strong guitar sound that accentuates her voice well. Check out a stream of this song here. For Windows users you can listen here.

“Weak in the Knees” slows down the EP for a bit. Ryder seems to be telling the story of being weak in the knees with a lover who could care less for her, which eventually forces herself to move on. She belts out towards the end of the song, “It was over, it’s over before it began/I’m a witness to love why can’t you understand?/I won’t give up my heart, I won’t sell you my soul/Don’t you know it was you? You could have had it all.” Truly heartbreaking, but you can feel this emotion through Ryder’s strong singing.

Last song on the EP, “Blown Like The Wind At Night,” definitely has a more edgy sound to it, maybe even a bit bluesy. She starts off the song singing, “Let’s get drunk and lets pretend we are not slaves to anything or anyone that tells us how to be.” Later in the song she sings, “If this is love, then what is hate?/Do you understand my fate?/Oh I’m not broken, you can’t fix me/Wish I had a man that missed me/Tell me everything will be alright.” Her voice fluctuates in this song really well, helping with the angst-ridden feel behind the song.

To hear more on Serena Ryder be sure to check out her MySpace, which features four of the five songs from her EP, Told You In A Whispered Song.