Categories
Concert Reviews

John Mayer Debuts Tracks Off New Album at Secret Brooklyn Show

On the eve of John Mayer’s album release, hundreds of fans lined up outside the Music Hall of Williamsburg for a secret show presented by MySpace and Citi Forward. Starting the night with first track off Battle Studies, the room erupted into screams. A mix of new and old songs, the two-hour and fifteen minute set proved Mayer to be in his element as he displayed his killer guitar skills and comical side, continually joking with fans (one of which threw her bra at him). “They say I’m a womanizer. I say I haven’t met enough women,” he quipped.

A bluesy “Vultures” followed “Heartbreak Warfare” which segued nicely into “Crossroads,” by far the most soulful track on Battle Studies, showcasing Mayer’s guitar chops well. Replying to screams of “I love you” Mayer said, “I love you too. It’s great to be back onstage with a guitar.”

A standout performer, Mayer improvised continually throughout the night. On “I Don’t Trust Myself (With Loving You) he slowed the beat down mid-song, telling his band, “Feel it out. Do what you guys feel.” A nice glimpse into the John Mayer world of music, the song was sultry and soulful with a slight edge you could never witness from just listening to the album.

Surprisingly, the crowd knew most of the tracks off Battle Studies and sang along word for word during many of the songs. The optimistic tongue in cheek, “Perfectly Lonely” seemed to be a favorite from audience reaction.

Always the comedian, when a fan held a professionally designed sign that read, “Battle Studies: Warriors” he joked, “This is one of those school projects where your father is a genius . . . this gives a new standard to poster board and 3×5 signs.” Before beginning, “Why Georgia,” he told fans, “If you were afraid of me evolving away from you and if you were afraid that I could never be the guy who is still wondering what the hell is going on and think that I have it all, I play this for you as the kid in his mother’s 1991 Plymouth Voyager living in Atlanta, Georgia.”

Definitely a crowd favorite, “Why Georgia” took the audience back to where it all began: 2001’s Room For Squares. A special surprise performance of “Comfortable” drew additional excitement. A song he hasn’t played in a while, Mayer stated, “I’m going to try it.” When failing to find the right note during the song he confessed, “I didn’t know it then. I don’t know it now.”

The band left Mayer onstage solo for “Free Fallin,'” “Belief” and “War of My Life,” a new track off Battle Studies, and a song he has yet to perform live. “Since this is a fan show and I know anything goes, I’m going to try a new song from the record we haven’t played yet as a band.” A slower ballad with moving lyrics, Mayer addressed the crowd mid-song. “Everyone is figuring out what their problems are in the continuum from bad to good. Whatever your problems are, big or small, all problems feel the same. For the things you’re trying to get over, sing it with me,” he said before singing the chorus: “I’m in the war of my life/At the core of my life/Got no choice but to fight ’til it’s done.”

And, what is a John Mayer concert without an intriguing rant? Known for garnering attention from the tabloids, Mayer said, “When I’m doing all this press and they say, ‘What do you say to people who say you’re a monstrous cad or a douchebag?’ You know what I say? Here’s what I say, (breaking into song) Let a man be lost for once in his lifetime/To sit in his own mind/To stare at the skyline/To live out his life all in the night sky/Let a man be lost.”

Highlight of the night was Mayer’s moving and incredible improvisation of “Gravity.” The emotion transferred from Mayer to guitar was ethereal as the band accompanied with a long intro and instrumental interlude mid-song. The show could have ended right there and it would have been a solid two-hour set, but an encore was still in order. Coming back onstage for current single, “Who Says” and the gospel infused “Friends, Lovers or Nothing,” Mayer closed his performance by taking pictures with fan’s cameras and shaking the hands of those closest to the stage. For a man with such versatility and respect, I couldn’t imagine a better way to end the night.

For those of you who weren’t able to make the show last night in Brooklyn, Fuse will be broadcasting Mayer’s Beacon Theater performance tonight at 9 P.M. I’ll be watching, will you?

Related Links:
Stream John Mayer’s “Battle Studies”
John Mayer Tells All At Z100’s Z-Lounge
John Mayer, Colbie Caillat and Brett Dennen Impress in New Jersey
Blast From the Past: John Mayer Concert Review on MTV.com

Categories
Features News

Book Review: “Cassette from My Ex”

Do you remember your first mixtape? Whether you made or received mixtapes in the past, Cassette from My Ex: Stories and Soundtracks of Lost Loves will surely strike up some nostalgia. Edited by Jason Bitner, Cassette from My Ex contains a collection of 60 essays about relationships and mixtapes from musicians, magazine editors, VJs and more. Packed with comical and poignant tales of first love, friendship and heartbreak, the stories are relatable and at many times, bittersweet.

At the New York launch party, Bitner informed the audience of the origins of the project. After finding an old suitcase filled with 60-70 cassettes in his basement, one tape stood out. It was a mixtape he was given junior year of high school by his first girlfriend. Instantly transported back to January of 1991, Bitner realized if he held onto the tape for so many years, he surely couldn’t be alone. Thus began Cassette from My Ex.

Joe Levy (editor of Maxim), Claudia Gonson (pianist/drummer of The Magnetic Fields) and Michael Hearst (musician and writer) provided insight into their mixtape days. The panel debated the mixtape process with Bitner, who hosted the evening. Whether it was spending countless hours tracking the tape to perfection or delicately designing the artwork to accompany the tape, all agreed that nothing was more satisfying than sitting on the floor with their record collection and crafting the perfect mixtape. Move over iTunes playlists; let’s bring back the mixtape.

From the hilarious hand-me-down tale of a woman who discovers two of her boyfriends dated the same woman, Melissa, who made them both the same mix (a huge don’t in the mixtape world) to the heartbreak of learning of an ex’s suicide, each story is written from the heart and begs the reader to turn the page and discover the story behind the next mixtape.

“We made each other tapes because we believed that music articulated what we could not otherwise express,” Ben Greenman wrote in his essay, “Sorrowful, Standing.” Vincent Chung seemingly agreed in his write-up, “Snowball’s Chance in Hell.” “To me, receiving mixtapes isn’t about discovering new music expertly mixed with sweet transitions. They simply have to encapsulate the author’s personality, and the cassettes were always ideal in their imperfections.”

Cassette from My Ex will surely find you laughing and when finished, in search of your old mixtape, or possibly inspire you to make one for someone else. Either way, Jenny Reader said it best. “Times change, people change, but the tunes that become entwined in the fabric of your life? That’s as gritty and real, and as unchangeable, as it gets.”

Categories
Features

Poll of the Week: What Song Gets You In the Holiday Spirit?

It’s that time of the year again. The stores are playing holiday music and it’s not even Thanksgiving yet. I watched maybe 30 minutes of TV today and already saw four Christmas commercials. All of the holiday music I’ve been hearing has inspired this week’s poll:

What song gets you in the holiday spirit?

“The Thanksgiving Song”

“The Chanukah Song”

“Winter Wonderland”

“Santa Claus Is Coming To Town”

Other

I know it’s a bit early, but I couldn’t help but wonder what songs you’ve begun to hear and what songs you’re most looking forward to listening to this holiday season.
Categories
Song of the Week Videos

Saturday Song Addiction

From 70s inspired rock to acoustic pop ballads, this week’s Saturday Song Addiction provides a little something for everyone. You can watch two of the music videos below and download Colbie Caillat’s latest single for free. Love to know your thoughts and what songs you can’t stop listening to!

“A Whole Lot Better” by Brendan Benson

‘Whole Lot Better’ by Brendan Benson – Watch more Videos at Vodpod.

“The End Is Where We Begin” by Our Lady Peace

http://vimeo.com/moogaloop.swf?clip_id=7170035&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=&fullscreen=1

The End Is Where We Begin from Our Lady Peace on Vimeo.

“I Never Told You” by Colbie Caillat

Listen and download the track for free until December 1st here.

Related Links:
Saturday Song Addiction: Halloween Edition
Saturday Song Addiction
Sunday Song Addiction
Q&A; with Colbie Caillat

Categories
News

Taylor Swift Wins Entertainer of the Year

The youngest country star to ever win Entertainer of the Year and first female solo artist to do it since Shania Twain a decade ago, Taylor Swift took home the CMA award beating out her all-male nominees, Kenny Chesney, Brad Paisley, Keith Urban and George Strait.

“I will never forget this moment because in this moment everything that I have ever wanted has happened to me,” Swift said in between tears during her acceptance speech before bringing her band to the stage.

Kanye West was the bud of many jokes last night, and after what went down at MTV’s VMA Awards earlier this year, it was expected. “Mama’s don’t let your babies grow up to be Kanye,” sang co-hosts Brad Paisley and Carrie Underwood at the start of the show.

Swift even cracked a joke about it. While making her acceptance speech after winning Female Vocalist of the Year, she said, “I want to thank every single person in this room tonight for not running up on the stage during this speech.”

For a complete Taylor Swift run down of the night, watch CMT’s video below. Did you watch the show? What do you think is in store for Taylor after winning Entertainer of the Year?

Related Links:
Q&A; with Taylor Swift
Hundreds of Fans Camp Out to Meet Taylor Swift
CMA 2009: Six Artists To Watch
Artist to Watch: Taylor Swift

Categories
News

CMA Awards Air on ABC Tonight!

Taylor Swift will kick off the CMA Awards tonight with her performance at the Sommet Center in Nashville. Hosted by Brad Paisley and Carrie Underwood, the awards show will air tonight at 8 p.m. on ABC. Will you be watching?

Swift is up for Entertainer of the Year award along with Kenny Chesney, Brad Paisley, George Strait and Keith Urban. Who do you think will win?

Categories
News

Stream John Mayer’s Upcoming Release

Earlier today, Rhapsody launched a new artist promotion supporting John Mayer’s upcoming release, Battle Studies. Due to hit stores Tuesday, November 17th, fans can listen to the tracks in their entirety a week early on Rhapsody.com and VH1’s “The Leak.”

While I’m sure many of you have heard latest single, “Who Says” and debated the truth behind the lyrics, “Who says I can’t get stoned,” you’ll be happy to know the rest of the album is far less questionable. Emotive “All We Ever Do Is Say Goodbye” has that acoustic folk feel reminiscent to last release, Continuum while “Half Of My Heart” is more uplifting. Featuring Taylor Swift on backing vocals, both singer’s voices blend extremely well. “Crossroads,” a song familiar to Eric Clapton fans, showcases Mayer’s blues side well. A refreshing surprise amongst numerous ballads, it is on this track that Mayer truly shines.

What do you think? Will you be picking up a copy of Mayer’s Battle Studies next week? Be sure to check out Rhapsody.com and VH1’s “The Leak” for a complete album stream. Which song is your favorite?

Related Links:
Song of the Week: “Who Says”
John Mayer Tells All At Z100’s Z-Lounge
John Mayer, Colbie Caillat and Brett Dennen Impress in New Jersey
Blast From the Past: John Mayer Concert Review on MTV.com

Categories
CD Reviews

Album Review: Switchfoot’s “Hello Hurricane”

Their first album in nearly three years, Switchfoot have said Hello Hurricane has been the hardest record they have ever made. The band tracked over 80 songs out of 150 written, the end result being 12 remarkably cohesive tracks. Between the aggressive rock numbers and powerful ballads, Hello Hurricane is a solid release embodying tales of struggle and loss intertwined with the overlying theme of hope and love. Their seventh studio release, Switchfoot prove their music is as important now than ever.

A press release explains it best: “Where the multiple-Platinum selling The Beautiful Letdown became an anthem for a generation of fans to leave a life of complacency with songs like “Dare You To Move,” “Meant to Live” and “This Is Your Life,” Hello Hurricane takes the message a step further, encouraging fans to live for something beyond themselves.”

Energetic tracks like current single, “Mess of Me” and opening song, “Needle and Haystack Life” reassess this message. “Don’t let go/Don’t give up hope/All is forgiven/You breathe it in/The highs and lows/We call it living/All is not lost/Become who you are/It happens once in a lifetime.”

Frontman Jon Foreman further explains the record’s concept. “Hello Hurricane acknowledges the storms that tear through our lives. This album is an attempt to respond to those storms with an element of hope, trying to understand what it means to be hopeful in a world that keeps on spinning.”

Known for their introspective lyrics and heartfelt ballads, the heavy rock entrance on the record may surprise longtime fans at first. High-energy, arena-friendly tracks can be heard early on Hello Hurricane, something the Switchfoot concert buff will enjoy but the average music fan may take a few spins to appreciate. In a four-minute album trailer Foreman provides clarification while talking of the difficulty in tracking the album. “They didn’t feel like the type of songs you wanted to die singing. For Hello Hurricane, that became the prerequisite for the song. If you’re not crying, why are you singing it? If you don’t believe it with every ounce of you, then there’s no point in singing it.” It is this quote that best describes the album.

Hello Hurricane takes the listener on a journey. The upbeat start of the record eventually takes a turn midway through, ending with three fitting ballads. Let me be clear, this is not an album of singles; it is an album that rewards those who listen to it in its entirety.

Slower track, “Your Love Is a Song” recalls earlier Switchfoot track, “Let Your Love Be Strong” and “Your Love Is Strong” off Foreman’s solo EP while “Bullet Soul” is a welcomed rebirth. Opening with excessive guitar fuzz in the speakers, it’s as rock as you can get. Listeners can easily picture Foreman jumping off the drum kit while screaming the lyrics at a live show.

Switchfoot thrive on their ballads and the emotional “Enough” is just one example. With soft guitar accompaniment and percussion, Foreman’s voice blends well as he sings, “Do you love me enough to let me go?/To let me follow through/Let me fall for you my love/Do you love me enough to let me go?” Possibly the simplest track on Hello Hurricane, the depth behind “Enough” is immeasurable.

“Free” follows “Enough” and is a song many can relate to. In a tale of the struggle breaking free of our own vices be it debt, greed, or our past, Foreman sings, “I’ve got my back against the wall/But I still hear the blue sky call/The chains that hold me back inside/Are the prisons of my mind . . . I try to live the light of day/Why would I do what I hate.” With dark guitar tones and percussion the song leaves an impact on the listener.

Produced by Mike Elizondo, (Eminem, Dr. Dre, Fiona Apple, Regina Spektor) Hello Hurricane is a new beginning for the band. While certain tracks rock harder than others, it is the stories within the songs that leave the greatest impression.

The title track is said to have been inspired by a woman who lost all she knew in Hurricane Katrina. Last year, with Habitat for Humanity, the band helped rebuild a woman’s home who relocated to Baton Rouge. As she learned to walk as an amputee, Foreman explained her mantra: “I walked out of my house and my life in New Orleans on my own legs; I’m going to walk into this one the same way.” Of “Hello Hurricane,” he explained, “This is the spirit that I wanted to capture with this song, and moreover with this record. The storms of life might take my house, my loved ones, or even my life- but they cannot silence my love.”

After learning the story behind the song, the track hits home. “Everything I have I count as loss/Everything I have is stripped away/Before I started building/I counted up these costs/There’s nothing left for you to take away/Hello hurricane/You can’t silence my love.”

The beautifully emotional ballads, “Always,” “Yet,” “Sing It Out” and “Red Eyes” close the album on a high note. Last track, “Red Eyes” brings the album full circle with Foreman singing the chorus from “Needle and Haystack Life” to the fadeout of the song: “We are once in a lifetime…” It is within these songs that Switchfoot truly shine. While the faster paced rock anthems introduce Hello Hurricane, it is the ballads of hope, love and yearning that end the album, leaving the listener with newborn faith, freedom and strength. Foreman explains it best:

Hello Hurricane is an attempt to sing into the storm. Hello Hurricane is a declaration: you can’t silence my love. My plans will fail, the storms of this life will come, and chaos will disrupt even my best intentions, but my love will not be destroyed. Beneath the sound and the fury there is a deeper order still- deeper than life itself. An order that cannot be shaken by the storms of this life. There is a love stronger than the chaos, running underneath us- beckoning us to go below the skin-deep externals, beyond the wind, even into the eye of the storm. Hello Hurricane, you’re not enough- you can’t silence my love.”

Hello Hurricane hits stores Tuesday, November 10. Are you planning on picking up a copy? I’d love to know your thoughts!

Related Links:
Q&A; with Jon Foreman
Q&A; with Chad Butler of Switchfoot
Audio Interview with Tim Foreman of Switchfoot
Switchfoot Raise Over $67,000 on Tour Benefiting Habitat for Humanity

Categories
News

Switchfoot Album Preview

I’m typing this blog as I’m working on an in-depth album review of Switchfoot‘s forthcoming release, Hello Hurricane, due in stores Tuesday. (Hoping to get the review up for you tomorrow!) In the meantime, take a look at the album trailer and their latest single, “Mess of Me” below. Their first album in nearly three years, the band proves they’re still alive and rocking. What do you think?

[youtube=http://www.youtube.com/watch?v=aWeMulqFUuQ]

[youtube=http://www.youtube.com/watch?v=et1vriu29Qk]

Related Links:
Q&A; with Jon Foreman
Q&A; with Chad Butler of Switchfoot
Audio Interview with Tim Foreman of Switchfoot
Switchfoot Raise Over $67,000 on Tour Benefiting Habitat for Humanity

Categories
Song of the Week

Song of the Week: “Under Control”

I couldn’t go anywhere this week without hearing Parachute on the radio! Whether it was at my birthday dinner with friends in New York or the radio on my drive home from a show, Parachute have been taking over the airwaves. While current single, “She Is Love” is heating up the charts, I stumbled upon their latest music video for catchy track, “Under Control.” I think you’ll find the video amusing.

When interviewing frontman Will Anderson nearly two years ago, I asked him about “Under Control,” to which he said:

“I had a crush on this girl for probably about three years all through college. She had no idea who I was. So, I wrote that song in the off chance that she would hear it and realize it was about her. But unfortunately, she did not and she still does not know who I am. I don’t think she has any idea that she has that song written about her.”

[youtube=http://www.youtube.com/watch?v=RT_mxC7E_ao]

Related Links:
Q&A; with Parachute
Parachute Lands No. 1 Album on iTunes
Q&A; with Sparky’s Flaw
Audio Interview with Will Anderson of Parachute