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Artist to Watch: Angel Taylor

I watched Angel Taylor‘s video premiere for “Like You Do” the other day and quickly fell in love with her voice. With the airy vibe of Colbie Caillat and a distinct soulfulness that brings to mind Corinne Bailey Rae, Taylor is well on her way. Not to mention, her album, Love Travels has been hailed as one of the top debut albums of 2009 and she has toured with Adele.

Watch Angel’s video for “Like You Do” below.

VH1 TV Shows | Music Videos | Celebrity Photos | News & Gossip

For more on Angel, watch her VH1 interview below as she gushes about John Mayer, the first album she ever bought and being discovered at 19.

VH1 TV Shows | Music Videos | Celebrity Photos | News & Gossip
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Before Parachute, He Was Rocking A Cappella

Jeff Luppino-Esposito of the Newark Pop Culture Examiner just sent me his recent post on Parachute frontman Will Anderson. Before he was selling out venues across the US, Anderson was performing in his college a cappella group, The Virginia Gentleman.

I was lucky enough to attend Parachute’s sold-out performance this past Friday at Bowery Ballroom and was truly blown away. One of my first interviews for the blog, it’s amazing to see their progress over the years and sell out venues where all in attendance are singing the lyrics to every song word for word. The band’s cover of Phil Collins’ “In the Air Tonight” was completely unexpected and remarkably impressive.

You can watch a few videos from Will’s college days below, and for more be sure to check out Luppino-Esposito’s article here. Check out Parachute, currently on tour with SafetySuit.

“You Give Me Something”

[youtube=http://www.youtube.com/watch?v=eHWQ1CG_xFI]

Will singing lead on Maroon 5’s “Wake Up Call”
[youtube=http://www.youtube.com/watch?v=1xfL9gUApSI]

Related Links:
Q&A; with Parachute
Parachute Lands No. 1 Album on iTunes
Q&A; with Sparky’s Flaw
Audio Interview with Will Anderson of Parachute

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Faithful Departed: Michael Jackson

While music fans often cling to memories of their first concert experience, I vividly remember the very first music video I watched — Michael Jackson’s “Thriller.” It was at my cousin’s house sitting on her mom’s plastic covered couch while our parents sat in the dining room having coffee. “Thriller” gave me nightmares for weeks, and I still cringe every time I see Jackson transform from sweet guy on a date at the movies to a character from the crypt. But, that is the job of a true entertainer — leaving your audience with something to remember. Lucky for us, Jackson has a legacy that will last for years to come.

I don’t know what first sparked my interested in music, but I know Jackson had something to do with it. He paved the way for so many artists, inspired and let each know it was okay to step outside his limits and express his creativity through music. Maybe that’s why I chose music journalism as my career path. Interviewing bands who worked with and were influenced by Jackson has been a humbling experience. Who knows where they’d be, or where I would be, today without that kind of presence in this world.

Growing up, all I ever listened to was New York City’s oldies station, WCBS-FM 101.1. It was my dad’s favorite. The Jackson 5 was part of my childhood, along with Elvis Presley, the Temptations and the Beatles. Songs like “I Want You Back” always put a smile on my face. At nearly three minutes long, it was an endearing track about wanting a girlfriend back. I had no clue what the song was about at the time, but loved it regardless.

His influence and power to inspire go on
Jackson’s life was a rollercoaster ride and there’s little doubt that he was a deeply troubled soul. Over the last few months of his life, Jackson was rehearsing for his upcoming tour dates at the O2 arena in London, which he hailed as his “final curtain call.” It was also supposed to be the answer to the enormous debt Jackson had amassed. He died less than three weeks before his first show, and the rehearsal footage made it to the big screen as This Is It. The film provides a glimpse into what could have been Jackson’s most electrifying performance yet. While watching the film, I was moved by the opportunity to witness what such an incredible performer was really like up close.

I still remember hearing the news of his passing and realizing the effect he had on the world. Whether it’s up-and-coming indie band Lights Resolve titling a song after him, Justin Timberlake or Black Eyed Peas’ Will.i.am praising his work, it is evident that his influence goes far beyond what any of us realize.

Jackson himself was very conscious of his desire to inspire others: “That’s why I write these kinds of songs,” he said in This Is It. “It gives some sense of awareness and awakening and hope to people. I feel so blessed that I can give the world that.”

I couldn’t agree more. Whenever I’m out and I hear a Michael Jackson song come on the radio, I can’t help but smile. His songs will remain an important part of my life. Jackson’s music not only jumped musical hurdles, but cultural and spiritual ones as well. His music is a form of escape, giving people faith and belief that everything will be okay. And, from a three-minute song, sometimes that’s all you need.

This article was originally posted on Busted Halo last week for their Faithful Departed series. You can read it here.

[youtube=http://www.youtube.com/watch?v=-EGASIClvkU]

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Faithful Departed: DJ AM

Photo Credit: ChildofMidnight

After collaborating with numerous musicians and dabbling in acting, it was DJ AM’s last project that was his most memorable.

Adam Goldstein, best known as DJ AM, battled with addiction for much of his life and remained clean for 11 years. In his last months he filmed Gone Too Far, a series on MTV where he provided intervention for those who struggled with addiction.

An intense series, the show explicitly reveals a day in the life of an addict while offering help to those willing to change their lives. While I’ve never dealt with addiction personally, the show really made an impact on me and restored my faith in the music industry.

Being a music journalist, I’ve heard the horror stories of bands dropped by major labels and the destruction that the touring lifestyle causes on loved ones. However, I’ve hardly ever read about a musician that is truly selfless and making a difference in society. Goldstein changed this. He provided hope and help to numerous addicts and their families and his spirit lives on in those lives he saved.

A troubled soul, who, in the end, lost his life to an accidental overdose, AM gave hope to the families and addicts featured on his show. The opening segment demonstrates his optimism and compassion.

“Some will change. Others won’t. But, I have to keep on trying because everyone deserves a second chance. There is one reason I’m doing this show. To help other people get sober,” he said.

Everyone deserves a second chance

This line stuck with me. Everyone deserves a second chance. Goldstein had one, why can’t others?

A former member of rock/hip hop group Crazy Town (the band is known for their chart-topping 2001 hit single, “Butterfly”), Goldstein worked on albums for numerous artists including Papa Roach, Madonna and Will Smith and was a regular collaborator with Blink-182’s Travis Barker.

Goldstein led a difficult life combating addiction. After many bouts with rehab, he remained clean for more than 11 years. Perhaps what is most tragic is how Goldstein narrowly escaped death last year when his plane crashed after a performance. Barker was also injured while both crew members and two other passengers were killed. Maybe it was this near death experience that gave way to Gone Too Far. Often, when we are faced with adversity; God has a way of changing a near tragedy into something memorable.

Goldstein truly is an inspiration on Gone Too Far, and I can only hope that I can touch as many lives with my writing as he did on that show. While talking to Amy, a 23-year-old heroin addict who stole thousands of dollars from her family, he advised: “Just know that there is hope and that’s what I’m here for.” Having struggled with addiction, the people featured on the show respected and related to Goldstein. “I can’t cure addiction but I can offer Amy a chance at a different life.”

And that he did. In his last months, Goldstein helped numerous addicts and their families combat addiction and receive a new chance at life. Twenty-three-year-old Breezy explained her experience.

“My life from when I first met Adam is so different. I’m very grateful for what he did for me and all the people that were involved in this,” she said. “Adam, if you were here today, I would thank you for giving me my life back and giving me the opportunity to be a better sister and a better daughter, and granddaughter and friend. I can’t express how grateful I am to have been able to meet you and receive this gift from you.”

While DJ AM may have lost his life earlier this year, he saved countless addicts from death and continues to inspire with his last work on Gone Too Far.

This article was originally posted on Busted Halo last week for their Faithful Departed series. You can read it here. Watch the first episode of Gone Too Far below, and for more of the series click here. Warning: Explicit content.

Gone Too FarMTV Shows
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Concert Reviews Features Q&A

So Long, 2009. Bring on 2010!

Earlier this week I compiled a list of my top five moments of 2009. Well, there were a few more than five in there, but I tried to keep it short. I figured I’d do the same today with my top five concerts and interviews. I’d love to know what you enjoyed reading most this year so I can amp up my coverage in 2010. Happy New Year!

You Sing, I Write’s Top 5 Concerts of 2009

There is nothing I enjoy more than that goosebumps feeling you get when an artist sings a song that particularly strikes you or tells a moving tale about the origin of the song. This year I attended more concerts than any year in my life and while it’s hard to narrow down my single favorite, I compiled five that stand out.

5. Mat Kearney — September 29 at The Fillmore New York at Irving Plaza

I interviewed Mat Kearney back in May when he was on tour opening for Keane at Wellmont Theatre in Montclair, New Jersey. I hopped on his tour bus and talked with him about his latest album, songwriting process and breaking into the University of Oregon to use their piano to write a song. As an opening band, your set is always cut short so I decided to attend his headlining performance a few months later at Irving Plaza and was blown away. Having had his album, City of Black and White, on rotation over the previous months the songs struck me personally and Kearney put on quite the show. Jumping into the audience mid-set he started his own dance party on the floor with fans. You can bet I’ll be seeing him next time he’s around.

To hear Mat talk about the new album, his writing process and stories behind his songs, click here. For his view on writing about personal relationships, being an opening act and advice to aspiring musicians, click here.

4. Bruce Springsteen and the E Street Band — September 30 at Giants Stadium

He is The Boss. Does much more need to be said? Being a Jersey girl, Bruce Springsteen’s songs are anthems to me. I actually have Mat Kearney to thank of how I came to cover his show at Giants Stadium. The night before Springsteen’s performance I was buying my friend a ticket at will call because Kearney’s show was due to sell out. I recognized a photographer I met earlier that year at Ray LaMontagne’s show and we chatted for a bit. Low and behold, the next day he needed a writer to cover Springsteen’s show for a Web site he shot for and thought of me. Wendy picked up the tickets for me and we headed to Giants Stadium to cover the show for Bumpershine. And, guess who was sitting a few rows in front of me? None other than Mat Kearney himself. A bit serendipitous, don’t you think? For my complete review, click here.

3. Tyrone Wells — October 7 at Highline Ballroom

I recently found Tyrone Wells CD Remain and have been listening non-stop the past few days. Previous album, Hold On is quite striking as well. While compiling my top five list I realized I have witnessed Wells in concert three times this year. I first interviewed him during South By Southwest and caught his showcase with Tori Amos. Later this year, Wells opened for Better Than Ezra where a couple got engaged mid-set before he dedicated and performed “Sea Breeze” for them. I was lucky enough to catch his headlining show at Highline Ballroom in October after interviewing his opening act, Matt Hires. Wells truly blew me away as he mixed his soulful and energetic tracks with his emotion-filled ballads. His onstage banter with the audience and tales behind his songs are always enjoyable and like no artist I have ever witnessed. If you have yet to see Wells live, I highly suggest doing so as I foresee him selling out bigger venues very soon.

2. Coldplay — August 2 at Liberty State Park

I’ve heard only praises about Coldplay’s concerts from friends who have witnessed them firsthand. I really don’t know why I haven’t seen them sooner. Luckily, I caught their phenomenal set at the always memorable All Points West festival this past August at Liberty State Park. The way I described APW to friends was it being Woodstock’s reincarnation if it were around in 2009. Mud wrestling, music and beer gardens was more like it. Sunday’s four-hour rain delay resulted in multiple canceled performances and scaled down sets, but Coldplay managed to save the day.

Always comical, after traipsing through the mud onto a stage in the middle of the field, frontman Chris Martin realized what festivalgoers dealt with the entire weekend. “We have infinite respect for you now that we had to walk through that shit. Wish we had backstage passes for all of you,” he said.

Witnessing Coldplay live and up so close, I have incredible respect for the band. While they played many of their hits, they also performed a moving tribute to Michael Jackson and the Beastie Boys, who had to cancel their performance due to member Adam Yauch’s cancer diagnosis. I couldn’t imagine a better band to close the three-day mudfest.

1. The Gaslight Anthem — October 15 at Terminal 5

I’ve been covering The Gaslight Anthem on You Sing, I Write, since last year when I flipped through Rolling Stone to notice drummer Benny Horowitz, former paginator of my college paper, featured as a breaking band. I did a double take and contacted all the people I knew who used to work for Rutgers’ The Daily Targum. Since then, I’ve been trying to cover a show and set up an interview to no avail. You’d think garnering an interview with a rock star you knew would be easy. Think again. After several failed attempts I d
ecided to purchase tickets to their show at Terminal 5 before it sold out. I’m so glad I did. I feel like I reverted back to my high school days of Warped Tour and crowd surfing. Then again, I think the 30-year-olds in the room did as well.

I have never witnessed such an energetic (and frightening) mosh pit in my life. It was like Warped Tour for 30+. No more emo boys, these are grown men dancing in the pit and creating havoc. I’m not going to lie to you, I did fear for my life, but that was the beauty of the concert. From the looks of frontman Brian Fallon’s face, he was just as surprised. By far the most energetic show I’ve been to all year, there is no doubt in my mind that The Gaslight Anthem will be selling out Madison Square Garden. Hopefully, by then I’ll be able to get an interview!

You Sing, I Write’s Top 5 Interviews of 2009

I’ve been trying to cut down on long top 5 posts, but as evident from my concert list above I’ve been a bit verbose. I’ll try to keep it brief with my interviews and post the Q&A; so you can read it for yourselves and see just why I think they’re my top 5 of 2009.

5. Train

They’ve reached worldwide success and many of their songs garnered top spots on memorable songs of the decade. I spoke with guitarist Jimmy Stafford at the start of Train’s tour where he filled me in on Train’s latest release, embracing the Internet and a younger fan base and the reasons behind their longevity. Read it here.

4. Better Than Ezra

After catching BTE live earlier this year, the three-piece band was back in New York for press in August. Unfortunately, I was extremely sick and losing my voice during the interview but didn’t want to cancel. It was 90 degrees in New York and the interview was at a Starbucks that felt just as warm. You know when you’re nervous and feel like you’re sweating, but it’s probably just in your head? Well, it definitely wasn’t in my head…I was dripping wet. Remarkably, the interview turned out much better than I thought. But, I did learn no matter how important the interview, if you’re sick it might be best to postpone it for a later date. Read my interview here. Note my “hottest Starbucks” reference. Clever, huh?

3. Taylor Swift

There is no denying it, Taylor Swift conquered the music world this year. I was so excited to attend her press conference during the CMA Music Festival in Nashville and incredibly determined to get a question in. Luckily, I did. Note the “your music is like writing in a diary” question. I can honestly say, she is as nice and down to earth in real life as she seems onstage. There is no doubt in my mind that Taylor Swift will be around for decades to come. Read my interview here.

2. Joshua Radin

Joshua Radin has accomplished much as an independent artist. He bought himself out of his major label contract to go on to release one of the best selling folk albums of the year. Not to mention, he performed at Ellen DeGeneres’ wedding, toured the globe and remains so humble. Case and point: When asked how he feels about being called this generation’s Bob Dylan he responded, “That’s absolutely ludicrous. Bob Dylan invented music. I just feel like that’s putting a bull’s eye on the back of my head for everyone to be like, ‘No you’re not. You’re not really as good.’ And I’m like, ‘Of course I’m not as good, I wrote my first song four years ago!’ And I probably never will be as good. But, I bet you I’ll be much better at being Joshua Radin than Bob Dylan is. That’s all I can hope for.” Read more here.

1. Third Eye Blind

Not many know this, but Third Eye Blind is how I got my start writing for Marie Claire. I remember getting dinner with my friend and colleague Diana last year and venting to her how I had a great interview with 3eb frontman Stephan Jenkins, but no music publication seemed to care. I reached out to every music magazine and Web site you could think of and they all felt 3eb was a band of the past. Boy did 2009 prove them all wrong. Diana must have seen my frustration and thought they might be a good fit for the Marie Claire audience, being that much of the reader age group grew up listening to 3eb and Stephan Jenkins was always a heartthrob. 2009 proved to be a great year for the band who released their album independently and saw a surge in their fan base. Read my interview here.

What were some of your favorite interviews of 2009? 2010 will bring many more I’m sure. Happy New Year!

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Features

Introducing Tiffany Thompson

Though it’s only four songs, Tiffany Thompson offers much to music lovers on her self-titled release. Each track has an airy, yet jazzy feel while her lyrics tug on listeners’ heartstrings. Extremely introspective, Thompson sings of loneliness, love and life.

Thompson explains it best on her Web site: “In my songs, I seek to engage life on a very personal level and sing stories about longing after lost love, comforting hurting friends, and being there when it matters most. Call it, my other self-education. My songs articulate the everyday struggles of loneliness, loss and love, but all the while looking with a hopeful eye toward the future.”

I couldn’t agree more.

“Till That Day Comes” is a beautiful ballad that showcases Thompson’s emotive vocals. Reminiscent to that of Colbie Caillat and Priscilla Ahn, her voice is comforting as she tells a tale of a hopeless romantic. “So I close my eyes and pray one more time/That the day would come when I’d find someone/Who will hold me close oh and love me more than I’ve known before.”

Of the song, Thomspon writes, “No matter how content I am with being single; there are still moments—however rare—when I long to be in a relationship. And, I’d love for that man to be sitting in the chair next to me. However, as I wrote this song and entered into the emotions of longing, dreaming, and a bit of loneliness, I kept remembering the truths that root and guide me.”

She continued. “I am a dearly loved daughter and friend. I do not long for just anyone to fill the chair next to me or hold the light near my front door. I may be single, but I am not alone. I am a child of God—a follower of Christ—, and I trust in the plans He has for me. It is these truths I tried to reflect in the songs bridge and chorus: Its not about being alone; I can make it through life on my own. But I know that I would be a wife who loves for life.”

“Please” is more of an upbeat track that begs a former love to let her go. A conflicted song, Thompson sings in the midst of horn features, “Please let me go/Please come and hold me/Please can I go.”

To learn more about Tiffany Thompson, visit her Web site and watch her music video for “Please” below. She’s currently featured on Reverb Nation where you can download her song for free. Click here to register and download her single, “Till That Day Comes” on the current contenders tab.

[youtube=http://www.youtube.com/watch?v=83wWutQm38M]

Recommended: For fans of Colbie Caillat, Priscilla Ahn, Meiko.

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Features First Person

You Sing, I Write’s Top 5 Moments of 2009

Photo Credit: Wendy Hu

As 2009 rolls to a close all the major publications and music sites are doing year end and decade album favorites. While I’ve considered doing a similar write-up, I really feel that the results are completely subjective. Who’s to say what the No. 1 album of the year is? We all have different music taste and while my favorite album may be within the country genre, you might disagree.

Instead, I’ve decided to pick my top 5 moments of 2009. Whether it was traveling on my own to a festival or interviewing one of my favorite bands, since you’ve all been following my adventures on the blog and Twitter I thought you’d be interested in some of my favorites. I’d absolutely love to hear which show or interview you’ve enjoyed reading about in the comments. 2010 will be a big year for You Sing, I Write and I cannot wait to share it with you. Thanks so much for your support over the years. Without your continuous comments and feedback, You Sing, I Write wouldn’t be what it is today.

Top 5 Music Moments of 2009

5. Becoming a Country Music Fan

This may seem peculiar as a top moment, but since attending the CMA Music Festival in Nashville, Tennessee, in June I have become a country music addict. Whether it’s subscribing to numerous country newsletters or watching music videos on CMT and GAC, I can’t get enough! While I’m sure Taylor Swift had something to do with it, I’ve come to realize that the country genre is unlike any other.

The community between artist and fan is phenomenal and even the press are extremely welcoming. I remember my first night in the CMA press conference and being extremely nervous because the biggest country stars would be there for interviews. Martina McBride, Rascal Flatts, Brad Paisley! A Jersey girl covering the Nashville music scene, I was definitely a country newbie. I kept raising my hand throughout the night in hopes to squeeze a question in and quickly learned you have to be aggressive and shout out your questions to the artists. Lucky for me, Darius Rucker noticed my continuous unsuccessful attempts and while the PR person was ushering him off the stage he pointed to me and said, “You’ve been so patient this whole time. What’s your question?” I was shocked and humbled.

Later that night, the concert at LP Field was postponed three hours because of a storm, and Rucker was mingling with fans in the rain until the show continued. I don’t know many artists who would wait alongside their fans for three hours in the rain. This is just one example of many in how I fell in love with country music. Interviewing Martina McBride, Holly Williams, David Nail, Taylor Swift and Jake Owen (pictured above) are moments I’ll never forget.

4. Festival Coverage

From past internships at MTV and Rolling Stone, I was always super jealous of the editors who traveled the country and covered festivals like South By Southwest and Lollapalooza. While I always aspired to work for a publication that would send me for free, I never fathomed attending one for myself. However, this was the case of South By Southwest.

Having been laid off at my full-time job back in February and becoming frustrated with the job search, I decided March needed a change of scenery. After talking to a fellow Jersey girl who was looking for a roommate in Austin, Texas, and being promised that I’d be able to purchase a badge when I arrived, I decided, on a whim, to attend South By Southwest.

My first trip anywhere by myself, I hopped on the plane a bit skeptical, but extremely excited nonetheless. I set up a few interviews for the blog and wound up covering my adventures for Marie Claire. By far one of my most memorable life experiences, South By Southwest was the start of my festival-filled year. The Country Music Festival and All Points West soon followed where I traveled with friends to Nashville and later Liberty State Park to interview some incredible up-and-coming bands who later exploded onto the music scene. For a music journalist, there is nothing better than that.

3. Attending Zootopia, Jingle Ball and the VMA’s

If you told me 10 years ago that I’d be attending and interviewing the performers of New York ra
dio station Z100’s Zootopia and Jingle Ball concert I would have never believed you. I grew up listening to Z100 and would frequently call to win tickets to their two biggest shows of the year. To be backstage and in the press ro
om interviewing the bands before they took the stage was incredible and something I could only wish for as a child. Now, if only one of the bands there were the Backstreet Boys my life would be complete!

As for MTV’s Video Music Awards, it was always a dream to attend and witness one of the most talked about award shows live. Whether it was being part of Taylor Swift’s performance or talking to the artists on the red carpet, the VMA’s really were exactly what I dreamed them to be. Although, I never imagined all the drama that one artist (ahem, Kanye) could create. A memory nonetheless. From Zootopia to the VMA’s, both events deepened my life motto to follow your bliss.

2. Hosting a benefit concert for To Write Love On Her Arms with Monica

I talked about our benefit concert for TWLOHA last week and how it started with an article I wrote three years ago in college. While depression, self mutilation and addiction continue to be taboo topics, the word is slowly getting out. It was our hope to present awareness to these issues through music. Throughout our planning over the past few months, we often said the only thing we couldn’t control was the weather and that proved to be true when the blizzard of 2009 reigned on us last Saturday afternoon.

I’m a huge believer in everything happens for a reason. So, when the weather forecasters predicted 10 inches of snow I was hoping mother nature would prove them wrong. Unfortunately, this wasn’t the case. With two band cancellations and constant messages from people saying they wouldn’t be able to make it, we were a bit worried. But, there is no person I could have relied on more in a time of crisis than Monica. We both dealt with our frustrations and with the help of Chloe from TWLOHA found a last minute performer to the lineup.

Despite the snow, we drew over 100 people to our benefit concert (including founder Jamie Tworkowski!), raised hundreds of dollars for TWLOHA and introduced the crowd to four new artists who are sure to make waves in the music scene. Knowing that so many would risk their lives and make the trek in a blizzard for a worthy cause was humbling and we were extremely grateful.

1. Visiting Graceland

I’ve been listening to Elvis Presley for as long as I can remember and it’s always been a dream of mine to visit his home at Graceland. Just walking through his house and seeing the Jungle Room, countless exhibits and making my way outside to his firing range, stables and memorial was incredibly surreal. He had such an impact on the music world and to be able to experience his sanctuary and place of escape was an experience I will never forget.

What do you think of my top 5 list? I’d love to know what you enjoyed reading this year, whether it be interviews or concert reviews, let me know!

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Features First Person News

The Article That Began It All

While being interviewed recently by Planet Verge about my blog and the benefit for To Write Love On Her Arms this coming Saturday, I was asked how I first became interested in TWLOHA. It’s something I’ve been talking about a lot lately and I thought I’d share my answer with you and the article that started it all below.

You aren’t just another girl writing about “must know” bands; you’re also involved with the organization, To Write Love On Her Arms. Can you tell us about how you first became interested in collaborating with TWLOHA?

I’m a huge Switchfoot fan and it was through them that I first heard about TWLOHA. I can’t exactly remember if it was at a show, or seeing Jon Foreman wearing their T-shirt in photos, but I was curious about the organization and did some research. I really liked the idea behind TWLOHA, presenting hope and finding help for people struggling with depression, addiction, self-injury and suicide, and wrote about them for a paper in college.

From interviewing three girls in college struggling with depression and self-injury, I realized this was an issue that needed to be talked about. I pitched my article to a few of my internships, but for one reason or another they never ran the article. I was brainstorming with my friend Monica of The Jew Spot (who is hosting the benefit show with me) over the summer and we wanted to celebrate our blog anniversaries, but also raise money for a good cause and I suggested TWLOHA. In a way, this benefit is getting word out about the organization where my unpublished article failed.

You can read the rest of the Planet Verge interview with me here.

As for my article, I will post it in it’s entirety below. Submitted to my magazine writing class in December of 2006, I find it strikingly serendipitous that I was writing it just around this time three years ago, don’t you? Read below as I interview three girls who have struggled with depression and self-mutilation as well as a counselor at Rutgers and former TWLOHA staffer.

CUTTING
December 20, 2006

The Dangerous Coping Mechanism
By Annie Reuter

Paige* started cutting the summer of freshman year of high school. For Paige, cutting gave her control. While she typically used a razor, she said once she shattered a mirror and used that. “I hated myself. I liked cutting because I could control how much I bled,” she says.

Her depression began in middle school after her neighbor started raping her when she babysat for his little sister. In middle school Paige was depressed, stopped eating and had poor self esteem. She eventually went with a friend to her youth minister and told him about cutting and that she needed help. Paige’s youth minister accompanied her home to tell her parents, who were in shock. “No one really understands why you cut yourself. No one wants to say anything about it,” she said.

For many, cutting is a way to cope with inside pain or emotional pain, explained Marta Aizenman, a counselor with a practice in Princeton and director of the counseling and psychological services at the School of Environment and Biological Sciences at Rutgers University.

“When a person does not know what to do or how to cope what they are experiencing, their body becomes the vehicle to experience that. It’s similar to how a painter experiences painting. A person uses their body to express what they are feeling and what they are feeling is a lot of negative emotion,” Aizenman said.

While cutting tends to start in adolescents or earlier, it’s also frequently seen in high school and college.

Eventually Paige started counseling, but was reluctant. “I didn’t want to go at first,” she says. “It’s like you’re admitting you have a problem and you want to fix it on your own, not go to counseling.”

Therapy is often a major way to combat cutting. “Therapy is very important here because the result is something the person is feeling and those feelings are a result of something that happened in their life. If they find ways to cope, or process ways to cut they feel better,” Aizeman said. She says cutters should take alternative routes to cutting, such as go for a walk or find other ways to release tension.

While even today cutting isn’t talked about completely, there are organizations reaching out to help others deal with depression. One such organization came about rather unexpectedly, from an article written in Relevant Magazine by Jamie Tworkowski. His story was about one girl, Renee, and five days of her life before she went to a clinic for cutting. Lauren Ranzino, director of counseling and organizations for To Write Love On Her Arms talked of how it all began.

“Basically someone brought Renee to treatment. She was addicted to cutting, attempted suicide and was so bad to the point that they said, ‘We can’t take you, and we don’t have the facilities to take you, come back in five days.’ Jaime asked her if he could write about it in Relevant Magazine and he wrote her story, called To Write Love On Her Arms,” Ranzino said.

A group of people, who now work for the organization, started selling shirts to raise money for Renee’s rehab, lead singer/guitarist Jon Foreman of Switchfoot being the first person to wear the shirt. Anberlin, Underoath, and Memoranda are some other bands that have also been wearing the shirts and involved in the Stop the Bleeding Tour, which brings music, counselors, and awareness to the issue of cutting. “The tour is more doing what we do everyday on the road so people can put a face to everything and talk to us in person and meet counselors in their area who come to the event,” Ranzino said.

To Write Love On Her Arms is mainly based out of their MySpace page, where people can leave comments and emails. “We don’t solicit people. We don’t go and try to find people necessarily. We’ll get emails written or messages on MySpace everyday. People come to us and don’t feel condemned or crazy. It’s a place to find hope, help and healing,” Ranzino says.

Ranzino feels part of the huge response to the organization is the anonymity of everything. “Remaining anonymous in the beginning is a v
ery serene thing because they don’t need to be found out by
their family. We want to know if they want to tell us, but we don’t force anything out of them.” In fact, in many instances, when Ranzino asks who else knows about the person’s cutting, no one else does. “It’s a very secretive thing and for anyone to come to us is an honor and a very unique place to be.”

To Write Love On Her Arms are not trained professionals or counselors and they make sure the people they’re reaching know this. “A lot of what I do is encourage them, tell them you’re not crazy if you go to a psychologist, they’re there to help us cope with things,” Ranzino said. While Ranzino says there are many different reasons as to why someone decides to cut themselves, she feels that at the core of it, people don’t have anyone to talk to about their problems.

This was the case for Emily.

While many events led Emily into experimenting with cutting, one of her reasons was a loss of feeling she had a confidant to tell things to. One of her friends was in treatment for nine months for cutting, depression, and post traumatic stress disorder and her close friends had been superficial and judgmental of that friend.

Emily began cutting when she was 15 years old and cut regularly, at least three or four times a week until July of her sophomore year when she was hospitalized for suicidal thoughts and her parents found out about her cutting. She suffered from anorexia as well, and cutting became a common routine if she didn’t live up to her ideal daily calorie intake. Since then, Emily has gone back to cutting in instances when she’s feeling intense emotions or is upset about making a bad decision. “Basically, if I can’t verbalize, or feel as though the feelings I feel are wrong or inappropriate, I cut.”

Currently, Emily works at a psych hospital and says many of the adolescents and adults she’s come in contact with have problems with self-mutilation. “It’s like people are crying for help, showing that we’re in pain and we need something, anything, and no one wants to talk about what can help us get through it. There is very little research in the psychology literature and people are so ashamed.”

However, Emily is no longer ashamed of cutting. “I don’t want my family to know that I’ve relapsed right now, because I feel like I’ve let them down and it scares them, the whole idea of hurting your own body intentionally. But with friends that I truly trust and with my therapists I am totally open with the fact that I have this maladaptive coping mechanism. It’s what I do. I want help, I want to stop again, but right now, it’s how I deal.”

The years of adolescence are often a hard adjustment for many girls. Confusion of changing bodies, sexual identity, and uncertainty may lead some to cutting. This was the case of Michelle**, 20, who started cutting in eighth grade. “A lot of it is tied up with development and sexuality, but I had been feeling depressed and unsure about myself and where I was going in life independently of that.” Luckily for Michelle, in ninth grade she found a group of friends who helped her feel less depressed and her cutting decreased. “Cutting became a way for me to calm down from specific stressful situations instead of a gesture of depression.”

However, as her academic pressures built up throughout high school she became more dependent on cutting to focus and get through long nights of work. “I would feel lots of anxiety about starting a paper or being able to finish all my work on time, and cutting myself would help me feel calmer about it all,” she says. Once she entered college she continued cutting, with more intense periods around finals, but she has decided to stop cutting.

“Taking the semester off and admitting this is a real problem in my life has dedicated me to that course of action. My boyfriend and the friends who know I cut are proud of me for this, and their support has been incredibly helpful. I’ve realized I can’t keep dealing with my emotions in such an indirect, self-destructive manner, and that cutting is preventing me from achieving the happiness and confidence that I want in my life. I know I can stop; I have always known that once I decided to stop I would stop.”

In order to change any behavior, including cutting, the person doing harm to herself has to want to change. While it is proven that counseling can help, the person has to decide, like Michelle, on her own that it is time to stop. With organizations such as TWLOHA and more women speaking out about their experiences cutting, society may be able to get over its fear of self-mutilation through spreading awareness and understanding.

*Wishes to use first name only
**Name changed upon request

Related Links:
Two Year Blog Anniversary/Benefit Concert Saturday!
You Sing, I Write + The Jew Spot Present A Benefit For TWLOHA
You Sing, I Write Celebrates Two Years
Why Benefit To Write Love On Her Arms?

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Band to Watch: Wes Tucker & The Skillets

Wes Tucker & The Skillets mix solid musical interludes with memorable lyrics on latest release, The Scorpion and the Dove. The 13-track album is the Virginia-based band’s third release and features versatile musical arrangements. Having been praised by critics and fans alike, The Scorpion and the Dove impresses with remarkable guitar riffs and meditative, socially conscious lyrics.

While their music can be described as rootsy rock, certain tracks introduce a jazzy and soulful vibe while others share a country sentiment with harmonica, organ and tambourine as can be heard on “Let It Ride.” The moving “What You Stole” begins the album with a catchy chorus and fitting musical accompaniment. A solid mix of ballads and rock tracks, it is often the guitar interlude that stands out to the listener, “What You Stole,” being no exception. Mid-song instrumental features leave room for the guitarist to shine.

“Three Yellow Roses” is a beautiful ballad about lost love with light guitar finger picking. “Loving can leave you as fast as it came/But all the gold in the world can’t buy back your day . . . You were always on my mind/Like a picture that I tried to hold on to/But even memory fades and/I can’t delay the day,” Tucker sings.

On many tracks, it is the guitarist that leaves the biggest impact on the listener. “Good To Go” is one example. With a slick and powerful electric guitar feature mid-track, the song quickly transforms and showcases an edgier side than witnessed on previous numbers. By far the stand-out song on the album, “Good To Go” exemplifies the talent within Wes Tucker & The Skillets.

Softer ballad, “Sad and Proud” switches gears from the intensity and guitar riffs of “Good To Go.” With Tucker singing poignant lyrics, the listener witnesses a tale of hope and, partly a therapy session. “We just can’t explain/All the secrets that we keep/And my confessions, they don’t even make a sound/No one can hear you when you don’t weep/You lock it up you store away your pain/Like your burdens are your own/You find out you can’t carry all that weight by yourself/Sad and proud/Remember that no matter where you are/You’re not alone.”

While each track stands well on it’s own, the main focus throughout most songs is the guitar accompaniment. Whether it’s energetic electric guitar riffs or soft finger picking on a more somber ballad, the guitarist tells a tale of his own. Perfectly complimenting each song, the vocals and music embody one another well.

A melodica accompanies “Beloved One,” a beautiful ballad of a man confessing his love. “Sometimes mountains crumble even diamonds fade/But the love you give is the life you save,” Tucker sings. “Let Me Know” is jazzier and more soulful than previous tracks. In fact, it almost sounds like an entirely different band at first listen. But the listener need not be alarmed, Wes Tucker & The Skillets remain and continue to showcase their talent throughout. For more on Wes Tucker & The Skillets, be sure to visit them on MySpace.

Recommended: For fans of Hootie and the Blowfish, Dave Matthews, The Wallflowers.

Related Links:
Artist to Watch: Mike Posner
Band of the Week: Hotspur
Artist of the Week: MoZella
Band of the Week: Sherwood

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Artist to Watch: Mike Posner

Mike Posner has been making waves in the music scene. Garnering attention from music fans and record label executives alike, the Duke University senior has had quite a year. After releasing his debut mixtape, A Matter of Time, in March he was scouted by numerous labels, eventually signing with J Records.

Not your average college student, Posner spent most of January in his dorm room where he wrote, produced and recorded every track on A Matter of Time. On the weekends, instead of unwinding at the typical college party, he spends his time touring. Posner’s MySpace bio provides a glimpse into his busy schedule:

“Thursday and Friday I performed in Detroit. Saturday I performed at the University of Dayton. I had three finals on Tuesday, a show at Duke Wednesday, did a song with Wale and 9th Wonder Thursday, and Friday I had a meeting with Jay-Z.”

By the looks of it, Posner won’t be slowing down anytime soon. While he embodies a certain Justin Timberlake quality, Posner is as versatile as they come. He is able to mix and sample tracks from acts like John Mayer (listen to video below) and The Fray to older classics like Rickie Nelson’s “Traveling Man” effortlessly, all while putting his own unique spin on each.

“Still Not Over You” samples The Fray’s hit single, “Over My Head (Cable Car)” from the soft vocals to light strokes of the piano before Posner adds his lyrics and club beats to the track. Featuring Eric Holljes, “Still Not Over You” is smooth and emotive while Posner sings, “You were my first girl/So won’t you be my last girl.”

Featuring guest appearances from Kid Cudi, Bun B, Big Sean, GLC, 3Oh!3, Freddie Gibbs and XV, Posner’s upcoming 2010 release, One Foot Out The Door, is sure to please listeners. Check out his song, “I Don’t Trust Myself” below and be sure to visit Mike Posner’s MySpace or Web site where you can download the album for free.

[youtube=http://www.youtube.com/watch?v=M_Pn_NKVgAw]