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News

Free Album Download From Vanguard Records

Who doesn’t like free music? Vanguard Records is spicing up this holiday season with a free album download. A sampler of talented up-and-coming artists as well more notable musicians who have been rapidly climbing the charts, there is much to offer on the 16-track release.

Fellow blogger and radio host of Lyrical Venus, Heather Miller-Rodriguez, sent me the link last night and I’ve been listening all afternoon. While the sampler isn’t solely holiday music, its a solid mix of eclectic and extremely talented singer-songwriters.

You might recognize a few names from my blog coverage including Joshua Radin, Serena Ryder, Meiko, Brett Dennen and Katie Herzig. Additional contributors include Josh Ritter, Dar Williams, Greg Lasswell, Brandi Carlile and more.

To download the sampler click here. Love to know your thoughts!

Related Links:
Q&A; with Brett Dennen
Q&A; with Joshua Radin
Q&A; with Meiko
Q&A; with Serena Ryder

Categories
Artist of the Week

Artist of the Week: Akiva

Long Island based singer-songwriter Akiva has a unique and versatile style of music that is showcased well on his third studio album, If I Didn’t Work Nights/The Daylight. The two-disc release features 14 songs ranging from piano infused tracks to folk based ballads bringing to mind popular artists including Gavin DeGraw and Brett Dennen.

Having opened for acts like Rusted Root, Josh Kelley, Toby Lightman and more, Akiva is well on his way. Throughout If I Didn’t Work Nights/The Daylight Akiva displays his comical side on track “Junk In the Trunk” as well as his sensitive lyrics on ballad “Distant Love.”

First single off the album, “I Keep Calling You” has already been picked up by local radio stations. With soulful and sultry vocals and fitting piano accompaniment, Akiva is well on his way. “I keep calling you but you’re not home/And I need to get back into your heart and your home/I’m no good by myself/I’m a mess on my own/Baby girl, you got your point across now pick up the phone,” Akiva sings over horn arrangements.

“Heart In a Bind” isn’t a huge departure from “I Keep Calling You.” With similar piano accompaniment, the added bell and percussion arrangement is the only aspect that differentiates this song from the previous. Perhaps this is what Akiva was going for because next song, “Junk In the Trunk” is a complete surprise. The slow rap like chant of his lyrics and choir component awaken the listener and make him pay close attention to the tale within the song.

“Mississippi” is another striking number. Embodying a certain jazz feel, the song demonstrates Akiva’s willingness to shake things up and differentiate himself from other artists. With delicate fingerpicking on acoustic guitar and banjo as well as light piano accompaniment, the listener is transported to the south. A soulful and laidback number, it is easy to picture Akiva scatting in a jazz club. A much slower track than previous songs on the album, this is a standout number.

Just when the listener thinks he figured Akiva’s music out he is quickly proven wrong. “Figment on the Fringe” is a folk jazz number bringing slight reference to the likes of musical troubadour Brett Dennen. Another highlight on the album is “Distant Love,” a stripped down and intimate song with little musical accompaniment

Second disc, The Daylight represents more energy than If I Didn’t Work Nights. “Headlights Out” has upbeat percussion and electric guitar accompaniment while ballad “You Never Know” embodies fitting percussion rhythm and emotive lyrics of love.

While The Daylight only holds four songs, it might have been a better idea to merge these tracks with the rest of If I Didn’t Work Nights. Not a huge change between both discs, instead of having two separate albums, perhaps a full album and additional EP would have made more sense. Either way, there is enough versatility within each album for the listener. Whether it’s slow ballads or more upbeat jazz features, Akiva demonstrates his promise throughout both. Visit Akiva on MySpace for more.

Recommended: For fans of Gavin DeGraw, Brett Dennen, Jason Mraz.

Related Links:
Artist of the Week: David Ryan Harris
Artist of the Week: Jacob Vanags
Band of the Week: Hotspur
Artist of the Week: MoZella

Categories
Q&A

Which Jingle Ball Artist Are You Most Interested In?

This coming Friday I’ll be covering New York radio station Z100’s annual Jingle Ball concert. I have access to the press room for artist interviews throughout the night as well as tickets to the show, so be sure to follow me on Twitter for up-to-the-minute exclusives.

The show will be held at Madison Square Garden and includes performances by John Mayer, Taylor Swift, Justin Bieber, The Fray, Boys Like Girls, Owl City, Kris Allen, Jay Sean and more. I’m not sure how many questions I’ll get in for each artist, so in this week’s poll I want to know which artist you’re most excited to read about. Feel free to leave additional suggestions in the comments.

Which Jingle Ball Artist Are You Most Interested In?

John Mayer
Taylor Swift
Justin Bieber
Kris Allen
Other

Categories
Song of the Week

Saturday Song Addiction: Eclectic Edition

Australian band The Temper Trap have been garnering much attention as of late. With catchy music and memorable videos, the band is making their mark in the US. While “Sweet Disposition” is picking up steam on rock radio and television, latest single “Fader” is sure to reach similar success. Watch below and see for yourselves.

[youtube=http://www.youtube.com/watch?v=L18tjO2GYnU]

Canadian seven-member ensemble, Down With Webster has been making music since meeting in grade school 10 years ago. Having played the Vans Warped Tour and recently opened for Forever the Sickest Kids, the band is well on their way. To listen to new single, “Rich Girl$” via Quicktime click here. For Windows, here.

Teron Beal has written for many notable artists including Jennifer Lopez, Kelly Rowland, Mya, Deborah Cox, Jamie Cullum and Michael Jackson. Now focusing on his solo career, Beal is readying the release of his first album in early 2010. Watch and listen to first video, “Dance At My Funeral” below.

[youtube=http://www.youtube.com/watch?v=YQV5puIEXhE]

Categories
News

Introducing Initials

Initials is a new all-star group featuring Fred Mascherino (Taking Back Sunday, The Color Fred, Breaking Pangaea) Andy Jackson (Hot Rod Circuit, Death In the Park) and Steve Lucarelli (ex Once Nothing). Most recently added to the lineup is drummer Josh Eppard (ex Coheed & Cambria).

Demo, “The Hills of Birmingham” is a promising track with familiar vocals from Mascherino, soaring guitar features and solid percussion accompaniment. “I don’t want to be the one to let you down/I heard six words you said/We’ll sleep when we are dead,” Mascherino sings throughout the chorus.

While the song is undeniably catchy, it doesn’t embody a distinctive sound to differentiate them from other up-and-coming acts today. Regardless, Initials are sure to satisfy former fans of Mascherino, Jackson, Lucarelli and Eppard.

For more on Initials, be sure to visit their MySpace and read a recent Alternative Press interview here.

Categories
Features

Band to Watch: Wes Tucker & The Skillets

Wes Tucker & The Skillets mix solid musical interludes with memorable lyrics on latest release, The Scorpion and the Dove. The 13-track album is the Virginia-based band’s third release and features versatile musical arrangements. Having been praised by critics and fans alike, The Scorpion and the Dove impresses with remarkable guitar riffs and meditative, socially conscious lyrics.

While their music can be described as rootsy rock, certain tracks introduce a jazzy and soulful vibe while others share a country sentiment with harmonica, organ and tambourine as can be heard on “Let It Ride.” The moving “What You Stole” begins the album with a catchy chorus and fitting musical accompaniment. A solid mix of ballads and rock tracks, it is often the guitar interlude that stands out to the listener, “What You Stole,” being no exception. Mid-song instrumental features leave room for the guitarist to shine.

“Three Yellow Roses” is a beautiful ballad about lost love with light guitar finger picking. “Loving can leave you as fast as it came/But all the gold in the world can’t buy back your day . . . You were always on my mind/Like a picture that I tried to hold on to/But even memory fades and/I can’t delay the day,” Tucker sings.

On many tracks, it is the guitarist that leaves the biggest impact on the listener. “Good To Go” is one example. With a slick and powerful electric guitar feature mid-track, the song quickly transforms and showcases an edgier side than witnessed on previous numbers. By far the stand-out song on the album, “Good To Go” exemplifies the talent within Wes Tucker & The Skillets.

Softer ballad, “Sad and Proud” switches gears from the intensity and guitar riffs of “Good To Go.” With Tucker singing poignant lyrics, the listener witnesses a tale of hope and, partly a therapy session. “We just can’t explain/All the secrets that we keep/And my confessions, they don’t even make a sound/No one can hear you when you don’t weep/You lock it up you store away your pain/Like your burdens are your own/You find out you can’t carry all that weight by yourself/Sad and proud/Remember that no matter where you are/You’re not alone.”

While each track stands well on it’s own, the main focus throughout most songs is the guitar accompaniment. Whether it’s energetic electric guitar riffs or soft finger picking on a more somber ballad, the guitarist tells a tale of his own. Perfectly complimenting each song, the vocals and music embody one another well.

A melodica accompanies “Beloved One,” a beautiful ballad of a man confessing his love. “Sometimes mountains crumble even diamonds fade/But the love you give is the life you save,” Tucker sings. “Let Me Know” is jazzier and more soulful than previous tracks. In fact, it almost sounds like an entirely different band at first listen. But the listener need not be alarmed, Wes Tucker & The Skillets remain and continue to showcase their talent throughout. For more on Wes Tucker & The Skillets, be sure to visit them on MySpace.

Recommended: For fans of Hootie and the Blowfish, Dave Matthews, The Wallflowers.

Related Links:
Artist to Watch: Mike Posner
Band of the Week: Hotspur
Artist of the Week: MoZella
Band of the Week: Sherwood

Categories
News

Sinead O’Connor and Mary J. Blige Join Forces to Combat Sex Trafficking with New Single

It’s not every day that an artist donates all the proceeds of her song to charity. However, “This Is to Mother You,” a joint venture between Sinead O’Connor, Mary J.Blige and Girls Educational & Mentoring Services (GEMS) is doing just that.

GEMS is a New-York based organization with the mission to empower girls and young women who have experienced sexual exploitation and trafficking and rescue them from the streets. It is the only organization in New York and the largest provider of services in the country to sexually exploited and domestically trafficked girls and young women.

“GEMS serves girls ages 12-21 who have been victims of the commercial sex industry and has been working for the last 11 years to provide services, housing, counseling, etc. but to really change public opinion and perception on who victims are, what they need, what they deserve,” said Rachel Lloyd, founder and executive director of GEMS. “It’s easy for people to forget that’s what is happening to American girls in our country. The song is [in part] to raise support for the program, but is really about raising awareness on this issue.”

“This Is to Mother You,” a powerful ballad written by O’Connor features Blige and introduces Martha B., a member of GEMS. Originally released by O’Connor in 1997, the song has been remastered and produced by Doc McKinney and Ali Shaheed Muhammad.

“When I saw the lyrics I fell in love with the song,” said Blige. “All I ever wanted to do is encourage women and know they could make it if I could make it.”

O’Connor agreed. “I think the work GEMS does is fantastic. I hope it inspires people in America to really take this message onboard. But not only in America, in other countries like Ireland and all around Europe because obviously, these are issues that affect people all over the world. Hopefully what will come out of this is inspiration. It’s a real honor for me and a subject I can identify strongly, being a survivor myself.”

A survivor led organization, GEMS’ philosophy is about survivor voice, and “This Is to Mother You” speaks directly to the cause. The track introduces Martha B., a survivor and member of GEMS.

“The song speaks to the alumni, the survivors. It speaks directly to what we’re trying to put out there: letting girls that don’t know yet that they are going to be survivors. That we’re here to mother them, we’re here to support them, we’re here to love them and they’re not alone in this world. We’re survivors. We’re fighters and we will overcome.”

Production-wise, Martha said being in the studio with Blige was a beautiful experience and the track is to mother all the girls that are still in the streets, juvenile facilities and high schools. “The ones that the pimps haven’t gotten to, the ones the pimps are working on, the ones that the pimps have and the ones who have gotten away from their pimps. It’s for everybody. You’re not alone. I’m here, I love you, I care about you. It’s a powerful message and I’m very honored to be a part of this whole experience.”

“This Is to Mother You” is available for download today, where all the proceeds go directly to GEMS. Purchase the track on iTunes here. For more on GEMS visit their Web site.

Categories
News

Two Weeks Until You Sing, I Write + The Jew Spot Benefit For TWLOHA!

We’re just a little over two weeks away from the official two-year blog anniversary and benefit concert for To Write Love On Her Arms! The show will be Saturday, December 19th from 6-11pm at Don Hills at 511 Greenwich St. Have you RSVP’d yet? You can RSVP here on Facebook as well as purchase your tickets here.

Monica and I are psyched for the show and I hope you are too. We have some awesome auction items including autographed CDs by John Mayer, Ingrid Michaelson, and Jack’s Mannequin as well as a pretty sweet Switchfoot prize pack including an autographed album, DVD and poster. We’ll have some special guests and of course great performances by Hotspur, Love Automatic, Tor Miller Band and The Ramblers.

Doors open at 6 and you’ll want to get there early as the show starts promptly at 7pm with what’s sure to be a memorable set by The Ramblers. (Seriously…we really mean 7).

Guest of a Guest was nice enough to promote the show in their December calendar and if you’d like to promote as well, feel free to e-mail me for the official flier. Don Hills holds 600 and we’re expecting a sold-out crowd, so buy your tickets early!

To Write Love on Her Arms is a non-profit movement dedicated to presenting hope and finding help for people struggling with depression, addiction, self-injury and suicide. TWLOHA exists to encourage, inform, inspire and also to invest directly into treatment and recovery. For more information, visit TWLOHA’s Web site here.

Categories
Artist of the Week

Artist of the Week: David Ryan Harris

A friend and former colleague suggested that I might like David Ryan Harris. So, when I found out he’d be performing at Rockwood Music Hall November 20th, I decided to check him out and was truly blown away. The venue was packed to capacity and a line formed outside with eager concertgoers hoping to gain a coveted spot inside. When they couldn’t, they went next door to watch the show broadcast live via video screen.

Harris is well known for lending his guitar skills and vocals to John Mayer, Dave Matthews and Santana on tour. Perhaps it was only fitting that one of the songs he briefly covered during the night was Mayer’s “Your Body Is a Wonderland.” While he has shared the stage with many notable performers, Harris demonstrated his prowess as a singer-songwriter throughout his set.

With a distinct and soulful flavor, Harris brings to mind classic Motown and R&B; performers. Tracks like “Yesterday Shutting Down” showcased his powerful vocals while “Still Be Loving You,” a moving ballad written for his mother, touches the listener on a more personal level. While performing “Yesterday Shutting Down,” Harris led a slow buildup within the tale of the song before belting, “I wanna move on with the rest of my life.” With appropriate musical accompaniment and groove, the listener couldn’t help but tap his foot along.

“Sweetest Berry” pleased concertgoers as Robbie McIntosh took the stage and wowed the crowd with his impressive guitar chops. Always the versatile musician, tracks like “Slow Train Moving” showcase Harris’ soulful side while “Crocodile Lake” is more of an upbeat jazzy number with fitting percussion and electric guitar.

With simple guitar finger picking and intimate lyrics, “For You” is a beautiful ballad that brings reference to fellow up-and-coming artists like Tyrone Wells and the likes of the more legendary Marvin Gaye. Truly an artist to witness live, Harris’ MySpace doesn’t do him justice. Catch him live and see for yourself.

Recommended: For fans of Marvin Gaye, Tyrone Wells, Usher.

Related Links:
Artist of the Week: Jacob Vanags
Band of the Week: Hotspur
Artist of the Week: MoZella
Band of the Week: Sherwood

Categories
CD Reviews

Album Review: Laura Meyer’s “Miles From Nowhere”

Laura Meyer‘s Twitter bio describes her best: Globe-trekking folk-rock poet. The New York-based folk-rock artist recently completed a 38-day, 34-show tour across the US and will be back on the road in early December. It seems the tour bus is truly her home and she’s at ease at any locale — whether it’s performing in Dublin for over 10,000 fans at the Telluride Bluegrass Festival or in New York at the intimate Rockwood Music Hall.

It is perhaps no wonder that Meyer’s latest release, Miles From Nowhere was inspired by her time spent on the road. The 20-track album takes the listener on a journey throughout the 40,000 miles Meyer has traveled. With detailed scenic description and continuous alliteration, Miles From Nowhere grabs the listener’s ear and takes him to a new destination.

It’s not often that an artist can transport the listener to another time and place, but on Miles From Nowhere, Meyer succeeds. Whether she is singing about New Orleans on the rustic opening track, “Katrina, Katrina” or her beloved home on the colorful “Back In New York,” each song is distinctly different from the previous.

An old soul, it is easy to envision Meyer performing at folk festivals, for it is her lyrics that stand out most. The way she imparts constant emotion and vivid imagery throughout each track is remarkable, bringing to mind Joni Mitchell with her vocals and distinctive guitar style. Additionally, the occasional angst shown in edgier tracks like “Miles From Nowhere” and “Chelsea Hotel” exemplifies Alanis Morissette circa her Jagged Little Pill era.

Miles From Nowhere progresses naturally from song to song, despite obvious differences in tone throughout each new track. The softer “Katrina, Katrina” transforms into the edgy title track extremely well while the dark and somber “Chelsea Hotel” and it’s faster guitar picking segues equally fittingly into the love story of “New York, New York.”

Recorded in one session, Miles From Nowhere alternates solely between acoustic and electric guitar and Meyer on vocals. The album is simple, and not overproduced. In fact, it’s as if you’re receiving a private concert by Meyer in your living room. Her songs are incredibly honest as she opens up her diary to the world. “I trust the universe takes care of me/But sometimes my trust is just so hard to believe,” she sings on “Night Drive.”

Much of the album deals with the uncertainty of love. “The Ocean” embodies a spoken word segment on love and is a welcomed change while “New York, New York” speaks of the uncertainty in relationships. “I’ve always felt like New York is a yo-yo/Tied round my finger I can’t throw her away/But now I see after coming and going/New York’s the only one who ever stays/I’m just the toy in her hand/Like a boy who thinks that he’s a man/I’m just the toy in her hand/She throws me away and I go back again and again/I’ve always felt like love is for strangers/Soon as you know it, it goes away/I’ve tried to love him despite the danger/And in the end only love remained,” she sings.

Whether it’s her intricate finger picking or moving lyrics, Meyer is one folk-artist who deserves your attention. Visit her Web site and if you like what you hear, be sure to catch her on tour in December and January.

Recommended: For fans of Norah Jones, Joni Mitchell, Ingrid Michaelson.