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Features Interviews Q&A

Andrea Bocelli

Photo Credit: Matthew Arnold

Two nights before his legendary free Central Park concert, famed tenor Andrea Bocelli opened up about his life to a packed audience at Walter Reade Theater in Lincoln Center. Part of TimesTalks, New York Times culture reporter Robin Pogrebin interviewed Bocelli while his interpreter assisted with translation.

At times, Bocelli surprised the audience with tales of stage fright and his previous career as a lawyer. Additionally, he hinted at the production of Thursday’s concert and revealed that he will perform four songs in English for the first time.

While Bocelli has played for millions, he admits he’s terrified to sing live. He said concerts are always a terror and “from the stage, an audience is for me like a monster.”

“I’m very nervous always. But, I’m nervous when I have to go on stage to sing, not to speak. I’m nervous because I would like to [always] give my best and that’s impossible because every time something happens. If I listen to my performance after, I’m never content so I decided not to listen to it for this reason,” he said.

Though he states “opera is the paradise of music,” he didn’t always know it was his destiny. Instead, he studied to be a lawyer and worked as a court appointed defense attorney. When Pogrebin asked him why and when he decided to pursue music instead, he joked, “When I realized that I cannot defend anyone without singing, I better not defend anyone.”

Comedy aside, Bocelli thought for a moment before he concluded, “Honestly I don’t know why I did it. Life is a strange adventure. Nobody knows the future. I never tried to know my future and I accepted everything that happened in my life.”

As his popularity ensued, he faced a new challenge: fame.

“Fame is something strange. It begins as an accident. At the beginning it’s something curious, it’s something fun. But then it becomes sort of a habit because it gives but it also takes away. Everything started in a flash. From one day to the next I was no longer the unknown country boy that I actually still am,” he said.

“I have to be honest; nobody can say that they are unhappy to be famous. The most important thing that it takes away is privacy . . . fame and notoriety do not mean happiness. Wealth, fame they do not make you happy. There are other things, way more important things in life.”

Now a household name, it wasn’t always that way. Hard work and optimism are qualities that led Bocelli to where he is today.

“Talent is a rebel. It cannot be kept in prison. My parents, for instance, had to wait quite some time to see my talent recognized. There was a time when people used to say, ‘I guess you have to recognize he’s only going to be singing in a piano bar and some weddings, there’s no more you can do,’” Bocelli recalls. “You need to be optimistic because if the talent is genuine it will come out and it will be recognized. If you are sincere, if you don’t wear any masks, if you don’t try to be what you are not, then you will be successful. Things will work out.”

Andrea Bocelli performs Thursday evening at Central Park with the New York Philharmonic, conducted by Alan Gilbert, with appearances by Celine Dion, Tony Bennett, Nicola Benedetti, Chris Botti, David Foster and more.

You can read this article, originally posted on CBS Local.

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Artist of the Week Band of the Week

Band of the Week: Elliott Brood

Last weekend, I caught Toronto trio Elliott Brood‘s phenomenal performance at the Emerging Music Festival in Canada.  While the four-day festival boasted numerous French-speaking acts, frontman Mark Sasso asserted, “In English or French, we just want you to dance.”

And dance they did.

Perhaps the most energetic crowd of the festival, the audience were on their feet until 2 a.m. stomping and clapping along. With rousing banjo and harmonica coupled with Sasso’s raspy Dylan-esque vocals, the band transformed the church where they played into a loud honky tonk where fans drummed along during their set on makeshift tambourines the band handed out.

Standout tracks like “Fingers and Tongues” impressed while banjo driven “Write It All Down For You” featured heavy hitting percussion alongside Sasso’s relentless singing.

“It feels really nice and hot in here. That’s how rock shows should be,” Sasso commented.

With intricate finger picked guitar and the band’s rich harmonies, their alt-country rock & roll satisfied as the enthusiastic audience hung onto every note played.

Elliott Brood’s new album, Days Into Years, is due out Sept. 27. For more on the band, visit their Web site. Watch them perform “Miss You Now” below live in studio Q from their Polaris Prize nominated album Mountain Meadows.

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Song of the Week

Song of the Week: "Someone Like You"

I haven’t been able to get Adele’s current single, “Someone Like You” out of my head for the past week. The beautiful, heartbreaking ballad showcases her powerful vocals while the lyrics strike a chord.  Currently No. 1 on Billboard‘s Hot 100, watch below as Adele tells the story behind the song and performs it live in her home.

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Concert Reviews

Teletextile, Minerva Lions Impress at Backyard Brunch Sessions

Photo Credit: Dominick Mastrangelo

Last month, I headed to Williamsburg for Dave Chaitt’s Backyard Brunch Sessions. Founded and hosted by Chaitt, every few weekends in the summer he invites friends and music industry enthusiasts to his apartment in Brooklyn for homemade breakfast and an unplugged set of music. Since the weather that weekend called for rain he moved the show from his backyard to The Richardson, a nearby bar.

Teletextile took the floor first with beautiful, ethereal vocals from singer Pamela Martinez. Throughout her set she alternated on harp and accordion.

“This is my accordion playing debut song so I’m getting excitingly nervous,” she said before the band segued into “Distant Places.” As her voice reverberated throughout the back room, it was hard to believe she had never played accordion live before.

The remainder of the band’s set featured breathtaking harp features and impressive banjo and mandolin accompaniment. To listen to Teletextile’s complete performance by NYCTaper click here.

Minerva Lions were up next and transformed The Richardson to another time period with their soulful harmonies and a solid cover of Sam Cooke’s “Bring It On Home To Me.” The band performed songs off their debut EP as well as three unreleased tracks. To listen to their set click here.

For additional photos and to read more about the Backyard Brunch performance, click here.

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Concert Reviews Festivals

Akron/Family, Elliott Brood Electrify at Emerging Music Festival

Over the weekend, thousands of music fans trekked to Rouyn-Noranda, a small Québec mining town north of Montreal, for the Emerging Music Festival. In its ninth year, the festival showcased numerous Canadian acts, many alternating between English and French during their sets.

Throughout four days, 60 bands performed in local bars, restaurants and theaters, some who drove several hours just for a 30-minute slot onstage. A communal environment, the bands remained in town for the weekend and it was common to attend a show and stand next to the artist you saw perform the day before.

The festival kicked off Thursday night simultaneously at an outdoor stage on Seventh Street and at local church Agora Des Arts, allowing attendees to run back and forth across the street to witness multiple acts.

Montreal rockers Passwords took to the outdoor space, where locals congregated. Both young and older audience members were taken by the aggressive, lush set, which served as an impressive introduction of what to expect in the upcoming days.

Across the street in an old church, eerie red lighting surrounded the ethereal Muse Hill during their set, which blended jazz, folk, and country undertones. The unique performance included an interview with Hunter S. Thompson blasting from speakers alongside Juno-nominated saxophonist Chet Doxas. The band transformed the church into a 50s jazz revival with a solid cover of Jimmy Giuffre’s “The Train and the River.”

For my complete review, visit Billboard Pro.

Categories
Features Festivals

Introducing: Emerging Music Festival

The Emerging Music Festival began nearly 10 years ago with a group of friends and a desire to witness live music locally. Living in Abitibi-Témiscamingue, a small city 700 KM from Montreal, it was always a trek to catch a concert. So, in 2003 these friends launched the first edition of Emerging Music Festival in their hometown.

Now in its ninth year, the Emerging Music Festival boasts 60 bands, all who perform in local bars, restaurants and theaters. While last year brought 17,000 music fans, co-founder Jenny Thibault hopes 2011 will see an increase due to big Thursday and Saturday night shows and an electronic picnic held at a nearby lake. Thibeault is proud of the festival’s intimate nature: fest venues hold no more than 400, which allows artists to easily communicate with fans.

“[It’s] like a big summer camp for the music industry,” Thibault says of the fest, which has been described as a Canadian mini-SXSW. “At the end of the summer, you [attend] the Emerging Music Festival to be up-to-date about what’s going on in the music scene in Europe, Quebec and Canada.” In an interview with Billboard Pro, Thibault explains how the staff selects the line-up, why the fest showcases independent acts, and what can be expected at the festival.

For my Q&A with Jenny Thibault, Co-Founder of Emerging Music Festival, visit Billboard Pro. Be sure to follow me on Twitter as I’ll be headed to Canada Thursday to cover the festival.

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Artist of the Week Band of the Week

Band of the Week: Mike Mangione & the Union

Earlier this month, I caught Mike Mangione & the Union‘s performance at Real Madrid soccer stadium while in Spain covering World Youth Day. The six-piece band traveled from Chicago and played several showcases throughout the week and I was lucky enough to catch them one of my last days there.

Frontman Mangione has a powerful stage presence and captivated the stadium filled with people from countless countries who most likely didn’t understand every word sung. But, good music transcends language barriers and he had the stadium clapping along throughout the set and at times even singing along.

Songs like the catchy “Darling Little Sister” impressed with violin and cello accompaniment while Mangione’s soulful vocals satisfied. In fact, Mangione brings slight resemblance to Ray LaMontagne with his deep and raspy singing style. After joking that he and violinist Kristina Priceman wrote the song in 1965, Mangione & the Union segued into a solid cover of Bob Dylan’s “Tombstone Blues.” With fast paced guitar and percussion, the energetic number showcased the band’s talent.

“It’s hot. We’re gonna sweat and it’s gonna feel great,” Mangione told the crowd. The thermometer hit the upper 90s throughout his set, so he wasn’t kidding.

Poignant ballad, “You Were Beautiful Once” followed soon after while Mangione’s heartfelt vocals and soaring guitar accompaniment led the track before the band ended their set with the bluesy “Somewhere Between.” With heavy hitting percussion, haunting string accompaniment and riff ready guitar parts, Mangione & the Union left Spain with hundreds of new fans.

To listen to Mike Mangione & the Union, be sure to visit their Web site. You can watch my interview with him below and see some of the band’s performance.

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Song of the Week

Song of the Week: "I'm Gonna Love You Through It"

Earlier this summer, Martina McBride performed the debut song off her upcoming album, Eleven, at CMA Music Festival in Nashville. An emotional ballad about cancer, she told the crowd of thousands, “Every 10 years or so you hear a song that grabs you and won’t let go. I feel like [“I’m Gonna Love You Through It”] is going to lift some people up.”

With her powerful vocal range and poignant lyrics, the audience was silent as she sang every word. Chills ran down my back as I listened to the heartfelt and relatable lyrics.

News anchor Katie Couric, ‘Good Morning America’ co-anchor Robin Roberts, musician Sheryl Crow, co-host Hoda Kotb and more share their stories of surviving cancer in McBride’s powerful new music video. Watch it below.

http://www.youtube.com/watch?v=WxIt70j_SPk

Related Links:
Q&A with Martina McBride
Martina McBride and Former Miss America Speak Out on Domestic Violence
CMA 2009: Six Artists to Watch
CMA Music Festival Recap

Categories
Features

Artist to Watch: Trent Dabbs

Over the past few years, Trent Dabbs‘ name has come up in conversation multiple times. In addition to his talent as a solo artist, the Nashville-based singer-songwriter has collaborated and co-written with many artists including Mat Kearney, Dave Barnes, and Matthew Perryman Jones, and tours frequently with Ten Out of Tenn, a compilation of Tennessee based artists who tour and record together.

His sixth full length record and latest release, Southerner, encompasses 10 standout tracks. Blending folk, rock and alt-country, the LP has much to offer listeners. Album opener, “Leave to See” kicks things off with soft acoustic guitar before Dabbs’ deep and soulful voice enters. He sings of leaving the world behind and his Website states that the track “describes the paradox of more clearly seeing your home from a different place, a different perspective.”

Ballad “Keep Me Young” follows suit and strikes a chord with soaring piano accompaniment and powerful backing vocals. A song detailing how his love keeps him young, he explains how being with her satisfies. “If I go out tonight to keep in touch with them/What am I giving up trading in for the rest of it/What am I looking for when it’s you that keeps me young,” he sings.

Standout track, “Don’t Blame Love” has a Roy Orbison feel with 60s inspired guitar licks and backing percussion while his ethereal vocals continue to set him apart. Next song, “Catch Me Up to Speed” further showcases his higher vocal range with atmospheric music accompaniment. Delicate strokes of the piano and soft guitar strumming flush out the track.

Many of the tracks embody striking musical influences. On the heavier “Neil Young” Dabbs laments, “A lot of things ain’t what they used to be/Can’t pick up the sound the ones before us leave/It won’t reach the heart if it ain’t in the blood/I want to be somebody’s Neil Young.” With soaring electric guitar and a quickened percussion beat, he gets his point across.

While certain tracks sound familiar, like “Follow Suit,” others have apparent originality. “Me & God” boasts emotional lyrics and deeper vocals from Dabbs. With light acoustic guitar finger-picking and his heartbreaking and honest lyrics, it is this track that showcases his vulnerability best.

For more on Trent Dabbs, visit his Web site and if you like what you hear, be sure to download a copy of Southerner below.

Categories
Concert Reviews

Kenny Chesney Wows Record Country Crowd at New Meadowlands

No amount of rain could deter country fans from witnessing a landmark performance by Kenny Chesney this past weekend. Already the genre’s top touring act, Chesney surpassed the previous 1983 record of most country tickets sold in the New York/New Jersey area, according to a representative for Chesney, when he played the New Meadowlands Stadium in East Rutherford, New Jersey on Saturday.

The previous title was held by Willie Nelson, Waylon Jennings, Merle Haggard and Linda Ronstadt, who drew more than 51,000 in 1983. Chesney’s show Saturday with Zac Brown Band, Billy Currington and Uncle Kracker exceeded 1983’s record with 55,239 tickets.

Not an easy feat, Chesney proved just why he’s a must-see act for country fans. Performing for well over two hours, his electric live show impressed. Remarkably personable, he told many of the stories behind his songs and then dedicated each track to audience members in similar situations. There were songs about following your dreams, including the energetic “Big Star,” to every form of love imaginable. Love at first sight (“Anything But Mine”), love that’s not good for you (“You and Tequila”) and love of football (“Boys of Fall”).

For my complete review, visit Rolling Stone.