31 Days of Women: The Reckless Electric

Reckless Electric

Credit: Kyle Dean Reinford

The Reckless Electric dropped their debut album, Comeback, earlier this month and they’ll celebrate today in Nashville with a release party at 6 p.m. at the 5 Spot. Made up of Mary Bragg and Becky Warren, the duo have already received rave reviews from Rolling Stone and The Bluegrass Situation.

Both solo artists and songwriters, the two friends joined forces for a fun release that showcases their standout songwriting and plenty of electric guitar features.

“With their new joint project, they wanted to get a little less serious and have a plain old good time – all while proving that they’re a force to be reckoned with,” Rolling Stone writes.

This fun side can be heard on the infectious “Ice Cream and Liquor.” As Bragg tells The Bluegrass Situation, the song came from a comment Warren made during a co-write.

“We wrote this song just after we declared ourselves a band whose motto would be to do fun things and nothing else,” Bragg tells the publication. “After finishing a different, much less fun song we’d been working on for weeks, Becky said, ‘Didn’t you say you had some ice cream?’ ‘Yeah,’ I said, ‘and liquor to go with it.’ She said we should write that song; I thought she was kidding. This was the start to a new way of us writing together — fast, hilarious, at times ridiculous.”



Other songs, like the title track, highlight Bragg’s breathy vocals and some rollicking guitar parts while the gritty “Straight A Girls” puts an edgy and unique spin on being a good girl. I’ve interviewed Bragg several times over the years and during a chat for Nash Country Daily, she told me the importance of honesty in songwriting.

“When I first came to Nashville, I just wanted to write great songs,” she told me. “In pinpointing sadness, which can often feel isolating, we’re telling that listener out there, ‘Hey, you’re not alone. You’re not the only person who’s felt invisible in a sea of 8 million people in New York City. You’re not the only person who’s lost a parent.’ That’s the beauty of music—that people can feel comforted by hearing someone else’s pain, which might be much like their own. Every now and then, somebody’s listening close enough where they’re like, ‘Oh, man. That really got me just then,’ and that’s the moment that I’m always looking for.”