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CD Reviews

Album Review: Kanye West’s “808s & Heartbreak”

Possibly the most hotly debated release of 2008 was Kanye West‘s 808s & Heartbreak. I’ve been listening to the album off and on since the November release, in hopes that it would grow on me and I’d find some rare gem or piece of inspiration behind it. Alas, I’m still quite dumbfounded and undecided. There’s no party without one of Kanye’s club hits, whether it be “The Good Life,” “Stronger,” “Gold Digger,” etc. but this album lacks the energy and fun vibe that West is known for.

Using T-Pain’s technique for Auto-Tune, 808s & Heartbreak introduces a new side of West. His usual cockiness and danceable tracks are now masked by robotic-like vocals and even more somber lyrics. While the album lacks many of his club-thumping hits from the past, current singles “Heartless” and “Love Lockdown” have been gaining heavy rotation.

Understandably, West has had quite the emotional year. With the death of his mother and a broken engagement, his album, aptly titled 808s & Heartbreak, brings about a side many haven’t seen before. Whether he’s lamenting about his life on opening track, “Welcome to Heartbreak” (“My friend shows me pictures of his kids/And all I could show him was pictures of my cribs/He said his daughter got a brand new report card/And all I got was a brand new sports car”) or how past girlfriends have done him wrong — see most of the album — if one thing is certain, this is definitely not your typically confident, entertaining Kanye West. Though, not necessarily a bad thing.

West distinguishes himself on 808s & Heartbreak. Sure, it’s a breakup album but this record exemplifies that even world renown musicians like West don’t always have it so easy. West opens up and shows listeners that he is just like them — struggling with death, heartbreak and questioning it all the while, albeit with a more luxurious lifestyle. He is dealing with heartache the only way and best way he can — by immersing himself into his music, giving the listener and the world a little more of himself.

As depressing as the record may sound on the surface with titles like “Welcome to Heartbreak,” “Heartless” and “Bad News” West does bring about some surprises. Six-minute long track “Pinocchio” exemplifies his powerful live performance as well as his complete honesty in the heartfelt song. A man of his word, he has told fans and media alike that he wants to reinvent the industry and be “the next Elvis.” While he hasn’t accomplished that goal just yet, 808s & Heartbreak proves that he’s willing to take the plunge and try something new, regardless of what critics or fans think, once again differentiating himself from the crowd.

What are your thoughts on Kanye’s new album? I’d love to hear what you think.

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CD Reviews

EP Review: Wide Eyed Sleeper’s “Choking on Menthol”

Wide Eyed Sleeper’s most recent EP, Choking on Menthol might be the most versatile record I’ve heard this past year. Each song is entirely different from the previous and it’s hard to classify exactly what genre the band fits into. Varying from a Foo Fighters rock vibe to a mix of indie, pop and even a little country intertwined, Choking on Menthol has a lot to offer for a five song disc.

Not newcomers to the music scene, band Wide Eyed Sleeper is made up of frontman Brett Ryan Stewart, guitarist Chris Tench, bassist Doc Downs and drummer Kevin Cuchia. Each member has had varying success on their previous endeavors, whether it was a well-received solo album or earning a 2007 nomination for IAC.com’s Indie Song of the Year. The four have combined their talents for an all-around solid release.

Having shared the stage with bands, such as The Strokes, Van Halen, No Doubt, Rush, and Brad Paisley to name a few, Wide Eyed Sleeper shows much promise and Choking on Menthol won’t disappoint. Recorded in Stewart’s home studio, the original plan was to make a follow-up to his debut album. However, once his band came together and the writing became communal, they decided to make the project a band effort.

Opening track, “Let Me Down Again” has that Foo Fighters rock anthem feel, as frontman Stewart’s vocals sound strikingly similar to that of Dave Grohl’s. Even the musical accompaniment is guitar heavy, making it easy to imagine an arena filled with fans singing along.

Title track, “Choking on Menthol” has more of a country vibe to it. Wearing his heart on his sleeve, Stewart sings, “I used to want to talk to you for hours/But now I’m not so sure that you even hear my voice/Oh, I don’t see the point of love.” Narrating the emotionally-filled ballad, he later sings “Oh, I don’t see the point of love/It never lasts that long/Oh, I don’t see the point of love/We’re still going to die alone” as his lyrics play on the listener’s heartstrings.

While “Choking on Menthol” and “Left to Write” are slower ballads, “Wake Me Up” is an edgier track with fitting guitar accompaniment. The music is rougher than heard previously on the album, but suits the band well. Singing, “Wake me up when the revolution comes,” if anything is certain, Wide Eyed Sleeper won’t be in a slumber for too much longer after this release.

You can also read this review first posted on ReviewYou.com.

Be sure to check out Wide Eyed Sleeper on MySpace and listen to songs featured on the EP I wrote about above.

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CD Reviews

EP Review: David Kitchen’s “Underground”

Though it’s only five tracks, there is much depth to David Kitchen’s latest EP release, Underground. While Kitchen describes his EP as “post modern melodic guitar pop,” there is a bit of an acoustic, jazzy, roots rock combination throughout. On his upbeat title track, the D.C.-based singer-songwriter’s vocals are slightly reminiscent to that of Jakob Dylan’s. With Gin Blossoms-esque musical accompaniment down to the solid guitar interludes, “Underground” is one of those songs that is sure to be stuck in your head long after the track is over.

“Mean Old Mister Gravity” is the most unique sounding song on the EP. Seemingly taking the listener back in time, the song has that classic feel with saxophone and flute interludes. A bit jazzy, the piano features throughout the song are strong, but never overpowering the light flute and edgy saxophone sound. Kitchen’s voice blends well in this song, and the constant repetition of lyrics, “Mean old mister gravity/Don’t bring me down, down, down” and “I want that weightless feeling again” fit well into the song.

Underground segues nicely to soft ballad, “Find Our Way.” With a light drum beat and guitar strumming, the song draws the listener into Kitchen’s heartfelt lyrics. He opens the song singing, “If you came to me, I wouldn’t hide/Set aside my pride and stand beside you/It may never be the way it used to be/And it’ll take some time, but surely we will find our way.” “You Know That I Will” is the next ballad showcased on the album with a bit of an edgier sound and strong guitar interludes. With lyrics, “If I can make time stand still/You know that I will” you feel the longing in Kitchen’s vocals.

“Remembering” picks up the pace from the previous two ballads and ends Underground on a high note. Having been writing and performing for over three decades, Kitchen is showing no signs of slowing down and this EP only demonstrates his versatility. Whether he’s pouring out his emotions in “You Know That I Will” or shredding throughout rock-hard guitar interludes, each track peaks the listener’s attention.

You can also read this review on ReviewYou.com.

Be sure to check out David Kitchen on MySpace and listen to songs featured on the EP I wrote about above.