(Photo credit: courtesy Kimbramusic.com/ Dana Pleasant Photography)
Long before Kimbra met Gotye she was a huge fan of his work. The self-proclaimed “fan girl” covered his songs at bars in Australia. After meeting him through her producer, Gotye called her up to see if she’d be interested in singing on his song, “Somebody That I Used To Know.”
“And the rest as they say is history,” she told me earlier this year.
Last night that very track was recognized at the GRAMMY nominations concert for Record of the Year and Best Pop Duo/Group Performance. When asked if she thought the song had a chance to be nominated Kimbra revealed her shock at the question.
“I haven’t really thought about it actually,” she confessed. “It’s crazy to think that it could be a possibility to even be up for a GRAMMY. I have no idea. We’ll see.”
Last year I interviewed this act as a preview to CMJ. Unfortunately I never caught a show so I made it a point to witness them live this time around. Performing for WFUV’s showcase at the Living Room, Savoir Adore revealed their impressive harmonies alongside foot stomping rhythms and catchy lyrics.
Playing many tracks off their new record Our Nature, the band hushed the packed room as their soaring vocals echoed throughout the venue. Songs like “Sea of Gold” and title track “Our Nature” make the Brooklyn based band an act to watch.
2. Wax Poetic
That same night Wax Poetic took the stage at the Living Room. With sultry vocals from lead singer Sissy Clemens I couldn’t help but think of Amy Winehouse. Alongside gritty guitar and jazzy percussion features the band stood out. Not to mention their memorable lyrics. The introspective “Beautiful” struck a chord with lines like, “The darkest corners of my life can’t always shine a light.” Meanwhile, the sultry “No Escape” captivated before “On A Ride” (also the title track to their latest album) closed the set.
Perhaps my favorite part of CMJ was seeing TV darling Suzanna Choffel perform in the flesh. Having written about her as a contestant on The Voice singing cover songs it was refreshing to hear her original music. Her set at ZirZamin was a southern fused jam which showcased her bluesy and at times raspy vocals. While some tracks featured her rock style others had a slight island feel.
“This is what I hope I don’t do while walking in the streets of New York,” Suzanna said while introducing her song “Stumble.” “I have bad ankles and don’t do heels. Cowboy boots are good, sneakers are better.”
With a solid instrumental breakdown and her come-hither vocals the track impressed. Meanwhile, the poignant “Hello Goodbye” struck a chord. Written in memory of her favorite club Momo’s in Austin, Texas, the stripped down track showcased her vocals.
She couldn’t end the night without talking of her time spent on The Voice. “I’m on a little show maybe a couple people like it, it’s called The Voice,” she said. “Unfortunately I don’t do original music [on The Voice]. I think there should be a show called The Song,” she added before closing the set telling concertgoers to “Stay tuned to NBC for yours truly.”
I’ve caught Bess Rogers several times live over the past few years and her angelic vocals never cease to amaze me. Her intimate set at Rockwood Music Hall had the packed room mesmerized. If you weren’t there, you may recognize her voice from the Cherrios commercial as she recently wrote a new jingle for them as well as new single “The Perfect Day.”
Her set included a combination of older fan favorites and newer tracks from her album Out of the Ocean. Fun numbers like catchy “Math & Science” had the crowd tapping their feet along while the beautiful “In the Waves,” a track about a mermaid calling her love back to the water, showcased Bess alone on vocals and guitar before added piano parts.
I interviewed Kimbra the day of her first of two sold-out performances at New York’s Webster Hall. Having skyrocketed to popularity in the U.S. after her feature on Gotye’s “Somebody That I Used To Know,” the 22-year-old finds herself on her first U.S. headlining tour.
Her set that Friday was nothing short of jaw-dropping. Dressed in a multi-colored tutu, Kimbra pranced around stage with a sense of ownership. Her lively performance captivated and whether it was her more upbeat numbers or slowed ballads that hushed the room like “Two Way Street,” her soulful vocals were memorable. Catch her live while you still can!