Categories
CD Reviews

What Are Your Favorite Albums and Songs of 2008?

I know all the music bloggers and magazines have been writing about their favorite albums, songs and moments of 2008, but instead of reading another journalist’s massive “best of” list for 2008, I’m more curious to know YOUR favorites. Was there an album you continually had on repeat in your car or your iTunes play list? What song could you absolutely not get out of your head no matter how hard you tried? What about your least favorite song you seemingly couldn’t escape from wherever you went — be it your drive to work, shopping at the mall or at your favorite bar? I’d love to read your “best of” lists! Plus, it’ll give me some new music to listen to as I ring in 2009!

Below, I’ll post some of the music I’ve featured on my blog this year — hinting at 10 of my favorites to give you some possibilities of new music to check out for yourself. Take a listen. I think you’ll enjoy them as well.

Brent Shuttleworth‘s video for “When I Reach California” below.

[youtube=http://www.youtube.com/watch?v=FT-MlVxQcoc]

Joshua Radin – “I’d Rather Be With You” listen here.

Jason Reeves – “You In A Song.” For Windows click here, for Quicktime click here.

Brett Dennen‘s music video for “Make You Crazy” featuring Mandy Moore below.

[youtube=http://www.youtube.com/watch?v=F58TfYHqLak]

Passenger – “Night Vision Binoculars” check out here.

Pete Murray performing “Opportunity” live below with John Mayer or check out the music video here.

[youtube=http://www.youtube.com/watch?v=ynnKd18eCJU]

Serena Ryder – “Brand New Love” here. For Windows users you can listen here.

Sia performing on Late Night with Conan O’Brien. For Windows. For Quicktime.

Theresa Andersson‘s video for “Birds Fly Away” recorded live in her kitchen.

[youtube=http://www.youtube.com/watch?v=vMXqn42AykM]

Lastly, Ray LaMontagne‘s “You Are the Best Thing.” You can listen to it here for Windows Media or here for Quicktime if you haven’t yet.

What do you think? Can’t wait to read your lists! HAPPY NEW YEAR!!!

Categories
Concert Reviews

Singer-Songwriters Jason Reeves and Tyrone Wells Entertain Crowd with Intimate Tales and Stellar Performances in Hoboken

Despite the holiday weekend, concertgoers flocked to Maxwell’s Saturday for an intimate night of music. While it’s uncertain who the main draw of the night was — Jason Reeves or Tyrone Wells — it is evident that at the end of the night, all walked away fans of both performers.

Jason Reeves took the stage shortly after 7 p.m. with ballad, “Pretty Eyes.” Since the release of his album, The Magnificent Adventures of Heartache (and other frightening tales…) last month, I’ve been awaiting his local performance and he didn’t disappoint. His album has that acoustic singer-songwriter feel, but in person the musical accompaniment is much richer. Between acoustic, electric and bass guitars, as well as keyboard and light percussion features, the backing band only accentuated Reeves’ vocals during their nearly 40-minute set. Additionally, his onstage banter with the audience brought each song to life.

Before introducing second song of the set, “You In A Song,” Reeves told the crowd, “Don’t be afraid to sing along if you know the words. And if you don’t, make up the words, I won’t be able to tell.” Definitely livelier than the album version, Reeves’ band had many in attendance bobbing their heads and singing along throughout his set.

(To listen to “You In A Song, “for Windows click here, for Quicktime click here.)

“Anybody here from New Hampshire?” Reeves asked the room to which one fan yelled, “I’m from Toronto, Canada!” Before playing, “New Hampshire,” Reeves joked with the fan, saying, “Toronto is pretend New Hampshire in this next song.” With intriguing keyboard effects, the song was solid and had many intently watching the stage throughout additional drum and guitar interludes. Highlight of the song was when Reeves alternated from acoustic to electric guitar, awing the crowd with his prowess as he played. Screams could be heard from the audience and I couldn’t help but wonder if this is what it was like seeing John Mayer play before he began selling out stadiums. Definitely an artist to watch; I’m curious to see where Jason Reeves will be in a few years.

The rest of his set was solid and a bit reminiscent to story-time as Reeves told the crowd the meaning behind his next few heartbreaking songs. “This song is about my two least favorite words ever, especially when they’re put in a sentence together,” Reeves said. “If you’re breaking up with someone, whatever you do, don’t tell them that you want to be just friends because that’s bullshit,” he continued before introducing next track, aptly titled, “Just Friends.” Seeing him perform this song live, the listener felt the tension and anger more than listening to the album could ever get across.

Soon after, Jason and his band began singing the first few verses of “Reaching” a capella before his two band members exited the stage, leaving him to end the night onstage solo. His voice blending well with his guitar, Reeves walked away from the microphone to sing a few lines to the crowd. An intimate gesture, the room grew silent to hear him clearly.

Introducing last song of the night, “Gasoline,” Reeves told the crowd, “I’m not a mean and evil person, but sometimes people do something so messed up that you can’t help but get them back. For me, the best way to get back was to write a song about them,” he said before continuing his tale. “When you sleep with your boyfriend’s best friend, I don’t understand what else you’re supposed to do,” he said to a shocked crowd. “This is the super mellow version of the song. It’s no less angry.” Playing onstage alone, you could hear the angst in Reeves’ lyrics and guitar accompaniment. Most definitely the edgiest song of the night, words like, “She’s covering my heart with gasoline/I’m going down much faster than anything I’ve ever seen/Gasoline/She’s a heartless bitch, telling me to keep my mouth clean” told the story in itself.

Tyrone Wells followed Reeves’ set and proved to be just as good a storyteller. Wells’ nearly hour-long set impressed, as he had many in attendance singing along to fan favorites including, “Falling,” “Dream Like New York” and “Baby Don’t You Change.” In addition, Wells surprised the crowd by beat boxing. “Hoboken is bringing the old school out in me,” he told the crowd. “That was a turn table in case you were wondering.”

Reeves re-entered the stage, accompanying Wells on “Give Me One Reason,” a song they co-wrote together. By the end of the night, Maxwell’s was buzzing with excitement as lucky concertgoers stuck around to meet and chat with each artist. On tour until the end of the month, Reeves and Wells show no signs of slowing down.

Watch the video of Jason and Tyrone playing “Give Me One Reason” below.

[youtube=http://www.youtube.com/watch?v=aE-vEc55ODM]

You can read this review on Filter also. Be sure to check out both Jason Reeves and Tyrone Wells on MySpace. If you haven’t yet, you can read my interview with Jason from a few months ago here.

Special thanks to Deana Koulosousas for the great live shots of the show Saturday night!

Categories
Interviews

Jason Reeves

Singer-songwriter Jason Reeves is perhaps most known for his co-writing efforts on MySpace sensation Colbie Caillat’s debut album, Coco. But not for too long. While Colbie’s radio hits “Bubbly” and “Realize” were co-written by Reeves, his major record debut will surely earn him a reputation of his own. Being released digitally August 12 and in stores September 9, The Magnificent Adventures of Heartache (and other frightening tales) is sure to impress. If you haven’t yet, be sure to check Jason out on MySpace and to learn more on the singer-songwriter and his upcoming album, read below for my email interview with him. I’d love to hear what you think!

Tell me about your album, The Magnificent Adventures of Heartache (and other frightening tales). Did you go into the studio with a certain concept for the album?
I didn’t go into the studio with a direction at first. I was just writing about what was happening to me in my life and in my imagination and it all came together like a strange unorganized puzzle.

I love your single, “You In A Song.” What was the inspiration behind it? (To listen to it for Windows click here, for Quicktime click here.)
“You In A Song” was inspired by me always having to leave wherever I was. It’s a song about somebody you love being stuck in one place, while you are stuck on the move. With the sentiment that you can take them with you wherever you go in a song.

What is your typical writing process like? Do you carry a pen and paper wherever you go?
There is no certain way or process to writing for me. Every song comes out of somewhere else in a different way. It’s random really. And I do carry around pens and paper though. I wish I had a typewriter that fit in my pocket though, because they’re much more fun to write with.

Do you have a favorite song on your album?
I don’t have a favorite song because to me they’re all one big song telling the story that is the record. Without the others, each song would not be the same.

How was the recording process different, if at all, on this album than your previous albums?
This is actually my fifth album, if you count the Hearts Are Magnets EP as one. And the last two have been very different because they were made in California at Revolver with Mikal Blue. Before that I was making them in a basement in Iowa. There’s a limitless feeling now because of all the incredible musicians I’m lucky enough to play with. With the new one though, I was getting a lot more comfortable in the studio. It takes a long time to learn how to record your music the way it is in your head. I feel like I’m getting closer to the two being the same.

I love that one line in “Never Find Again” — “You still say that love is nothing like it should be/Isn’t like the movies where everything goes right…” What were you thinking when writing the song?
That song is about the fear of falling in love and how one person is always more afraid than the other. I wanted to make it an argument between the two people. One scared as hell and one completely fearless, or at least on the surface.

Two of your songs are a bit shorter and different from the others: “Sunbeam Lights” and “The Fragrant Taste of Rain,” where you talk throughout, almost a slow rap-like part of the song. Both seem like they end with an open ended question. How did these two songs come about and how do they relate to the rest of the album?
Those two songs are transitions of sorts in the story. Just as every song is, but they are specifically meant for that. To bridge the stages I guess. And they came out randomly in the studio, just messing around and capturing accidents on the microphones. “The Fragrant Taste Of Rain” is simply a one take of me singing/saying a poem I’d written while playing an extremely old piano from the 1800’s. I had no idea what I was doing and I like that about it.

Your songs are very optimistic and relatable and just have so much honesty. I read a quote from Colbie Caillat talking about co-writing with you on her last album and she said, “Jason is a total, hopeless romantic. So he’ll have an idea for a song, and it’ll be about love.” Where do you draw your inspiration from?
I think I’m more of a hopeFUL romantic. But inspiration comes from every little thing. Everywhere and always. Mostly falling in and out of love.

Do you draw more inspiration for lyrics by being in a relationship or after a break-up?
Both situations are amazing for writing because they’re opposite highs. One being very up and one being very down. The heaviest songs come from the break-ups though.

Tell me about working with Colbie Caillat. You helped writing on much of her album, Coco, including current radio hits, “Bubbly” and “Realize,” what was that like?
Writing with Colbie is my favorite. She was my first friend when I moved to California and we started making music the first night we met. It just feels so natural and easy with her.

MySpace and iTunes have spread quite a buzz about you, how has that affected your career?
Myspace and iTunes have been incredibly important in getting my music out there. And they’ve both been great to me. It’s so overwhelming how quickly the internet changed the whole music game. There are completely different rules now, and they are continuously changing.

What is your advice to aspiring singer-songwriters?
My advice to anybody is that you cannot be impatient with your dreams. It takes a great deal of time and work to get to where you want to be. And you have to give all of yourself to it.

Have you always wanted to be a singer-songwriter?
I didn’t want to write songs until I was 17. I got an acoustic guitar for my birthday and was just discovering Bob Dylan and James Taylor.

What would you be doing if it wasn’t for music?
If it wasn’t for music, I’d be building ewok villages in the woods and taking and painting pictures for the overwhelming grace of the world.

How would you describe your music to someone who has never heard it before?
I would say it’s new folk. And that it’s honest.

Categories
Song of the Week

Song of the Week: “You In A Song”

Ever since I received a copy of Jason Reeves’ upcoming album, The Magnificent Adventures Of Heartache (and other frightening tales…) for review in the mail I cannot stop listening to it! Especially song, “You In A Song” — his first single to be released from that album. His honest lyrics and acoustic guitar playing just make me keep the song on repeat for hours. You may recognize Jason from some of the songs he has co-written on Colbie Caillat’s debut album, Coco such as radio hits “Bubbly” and “Realize.” Check out a stream of his song “You In A Song” below. And check back in a week or so for my interview with Jason!

For Windows click here.

For Quicktime click here.