Categories
Interviews

Hello Tokyo

With their first full-length album, Sell The Stars, expected out in April, Kat explained how it all began – interestingly enough in a coffee shop and music store. She spotted John while in a coffee shop and eventually they started writing music together. Soon after, she met Sam at a music store and the three began playing shows and house parties before deciding to make Hello Tokyo a priority.

Below is my interview with Kat. I especially like her answer to how she describes her music. What do you think? Be sure to check out Hello Tokyo on MySpace and their latest music video for “Radio,” filmed at the infamous Sunset Sound in Hollywood.

Being a Jersey girl, did you decide to move to Brooklyn to start the band?
I am a Jersey girl and my band mates, at times, find me very annoying (especially when I tell them that no one drives better than Jersey drivers – I think only Jersey people understand this fact). I moved to a town in Maryland, right outside of DC, in ’98 with my entire family. I was in and out of school for about three years. Nothing I was doing with my life really made sense or mattered to me. I always looked to writing and singing as an outlet but never really took myself seriously until I hit a wall with my studies and family and just kind of stepped back and reassessed my priorities.

I started auditioning for any music projects I found in the classified ads around town and slowly found myself busier and busier with various musical endeavors. John really encouraged me to focus on writing more and so we just started working together and eventually Hello Tokyo was formed. John and Sam grew up together and reconnected soon after the band was formed. When we found out about his incredible drumming skills, we asked him to join. I decided to make a move to NYC in ’04. Living in NYC was something I wanted to do for a long time and it just seemed like the right time to do it. I continued to work with John and Sam and traveled back and forth from DC to NYC almost every weekend for two years until they both moved to NYC. The rest is history.

What can be expected from your first full-length CD?
A very different sound. We had the luxury of time and focused on a lot of things we never really had the chance to focus on before, like adding more keyboards, re-writing parts that we thought could sound better and just allowing each song to develop into something we felt 100% about. The songs were written without industry goals and really came from the heart, they’re honest and different and something we’re really proud of and can’t wait for all our fans to hear.

What was the process of recording your album?
We recorded half of the songs at Chicken Water Studios in Brooklyn, NY and the other half at Music Mania in Greensboro, NC. Originally this release was going to be another EP but we were encouraged to do a full length since we had a bunch of material to work with so our release date kept changing every time we added a new song to the album. It was kind of annoying but we couldn’t turn away from some of the songs we felt really good about so we stuck it out, worked our butts off and now it’s complete and sounding over and beyond what we had originally expected.

I read that you re-recorded “Radio” in the same studio as Maroon 5 and Goldfrapp, how was that?
I think for me personally, re-recording “Radio” at Sunset Sound in Hollywood was one of the best experiences I’ve had in Hello Tokyo. Greg Richling, a super amazing producer in Hollywood, heard about our band and asked if we’d be interested in recording “Radio” with him. We had originally recorded “Radio” a long time ago with a completely different line up at a low-budget studio. We were poor, unsure of ourselves and to be honest, not really ready to record.

Greg really loved “Radio” and wanted to re-record it at Sunset Sound so we jumped at the opportunity. We flew out to Los Angeles last summer and found ourselves in a really awesome situation recording in a studio that was built for Prince during his Purple Rain sessions and also where Led Zeppelin, The Doors, Janis Joplin, Rolling Stones, Tom Petty, to name a few, recorded. We said hello to Alison Goldfrapp and Will Gregory of Goldfrapp, looked like a bunch of dorks, and some of the members of Maroon 5 were recording right next door.

What is the inspiration behind your music?
Most of the inspiration comes from basically living life, how sometimes it’s difficult to do even the simplest things, and the struggle to hold on to some form of hope. It also comes from our experiences while listening to our favorite bands and the emotions and memories, good and bad, they evoke. Music that makes my tummy leap. Blur, REM, U2, Oasis, Fugazi, Jesus Jones, Blondie, Metric, Muse and more recently Kings of Leon and Rilo Kiley are a few bands that have influenced Hello Tokyo’s musical direction.

What is the music writing process for Hello Tokyo?
We write all our songs and the process varies. John comes up with some sweet guitar parts or a funky bass line and I’ll put a melody to it, eventually lyrics. Sometimes, I’ll just freestyle like Jay-Z or Lil Kim or Run DMC or like Leslie Hall and start putting words together on a beat and just come up with a melody off the top of my head. John later adds some meat and Sam, of course, adds the sauce with his sweet drum skills.

Can you tell me a little bit about being featured in Fashion Fights Povertys 2007 look-book?
The Fashion Fights Poverty Look Book is a style guide supporting a community development through ethical fashion. We were a
sked to represent the New York City edition of the 2007 Look Book which we were more than happy to be a part of. You can get more information about the organization and book here.

What are your plans for 2008?
We’re definitely planning to tour this spring/summer and also releasing a couple more music videos. We have tons of unreleased songs we’re planning on recording for our next album this year. Most importantly, we are going to keep the momentum and keep moving forward.

How would you describe your music to someone who has never heard it before?
It’s hard to describe, I think it falls along the pop/rock genres but it has its own place. I would say our music is like if The Big Bopper came back to life and had a kid with Fiona Apple, whose kindergarten teacher was Patsy Cline and school principal was Chewbacca.

Categories
Concert Reviews

New Jersey Welcomes Brooklyn-based Band, Hello Tokyo

Many people often forget about the New Jersey music scene being that New York is a train, bus, ferry or car ride away. Sure we have the greats – Bruce Springsteen and Bon Jovi and you can’t forget Frank Sinatra was born here also. Indie-band Thursday as well as current teen pop sensation the Jonas Brothers are all Jersey natives too. Even Jimmy Eat World sings “I’m a New Jersey success story” in one of their songs, “Big Casino” from latest album, Chasing This Light, despite being from Arizona.

Often, it’s not just these bands, but the venues that encompass New Jersey that makes for a great place to discover new bands. Starland Ballroom in Sayreville always has a great, for the most part extremely eclectic, tour line-up. Even Rutgers in New Brunswick puts on good shows, both on campus and at The State Theater on George Street. And then you can’t forget about Giants Stadium which hosts the Bamboozle Festival in May, the many concerts that go on at Continental Airlines Arena or even down in Asbury Park.

Hoboken is also a great live-music spot, especially Maxwell’s, where I was Friday night covering Brooklyn-based band Hello Tokyo. Although they may be based in Brooklyn, lead singer Kat is herself a Jersey girl. She told the crowd Friday that she was born in Hackensack and grew up in Wayne. And boy does this Jersey girl know how to sing.

Hello Tokyo is definitely a band to be on the look-out for. Their music has been featured on various MTV shows and they were a part of Fashion Fights Poverty’s 2007 Dress Responsibly Look Book. The female fronted power pop band is an eclectic mix of pop, rock and even dance music, or rather just music that makes you want to dance.

Having been working on their first full-length album, Sell The Stars, due out later this year, their performance Friday night gave a glimpse to what can be expected. While Kat fronted the band on vocals and keyboard, the rest of the band – including Sam on drums, John on guitar and guest performer Michael on bass – greatly accentuated her singing style.

I’m not sure how to best accurately describe their music style to be honest. It’s a mix of many different flavors and styles which definitely helps Hello Tokyo’s live performance and credibility. For more of an idea of their style, check out their MySpace and decide for yourself. And let me know what you think by leaving a comment.

Hello Tokyo played a 40 minute set featuring 10 songs on Friday. While I recognized a few from their MySpace page, such as “The Affair” and “Run To You,” others were a pleasant surprise, like “I Spy” and “Alert the Authority,” which Kat told the audience is a song about living in New York City. You could definitely sense the New York City lifestyle with the fast beat throughout the song as well as when she starts whispering during the song, slowing down the beat and then picking the tempo right back up again. Lyrics such as, “You’ll never save me because I won’t ask you to” definitely gets the independent New Yorker lifestyle across. This song encompasses strong singing on Kat’s part and strong guitar features as well. Hello Tokyo definitely has the blending between singer, drummer and guitarists well polished.

While “Rain or Shine” might have had the best guitar sound of the set, the keyboard feature in the song slowed the night down for a bit, but Kat was able to quickly pick it right back up and continue through the rest of the song. A few of the songs played had longer intros, featuring Kat on keyboard while the rest of the band jammed in the background.

My favorite of the night was “Radio,” which Hello Tokyo closed with. This song, by far, had the most energy of the night and got many in attendance dancing along or tapping their feet and bobbing their heads to the music. You can check out their video for this song on YouTube.

Stay tuned for a complete interview with Kat from Hello Tokyo later this week.

Categories
Interviews

Delirious?

Perhaps most well known as frontman of U.K. Christian rock band Delirious?, Martin Smith has had a huge influence in the music industry over the years. Whether it’s traveling with his band to Cambodia and Rwanda or heading up Compassionart, it is no question that he is changing the way the music industry runs as we know it today. His most recent project, Compassionart, will be hosting a songwriter’s retreat next week where all the proceeds made from every song written will be donated to charity. Martin took some time last week to explain to me the idea behind Compassionart as well as his hopes for the project. You can read the interview below.
For more information on Compassionart, visit http://www.compassionart.co.uk.

What inspired Compassionart?
Well, in the sort of gospel, Christian writers community over the last five years people have been writing together and there has been a lot of cross-fertilization. People have been enjoying that. Historically, people in that scene write songs on their own and that’s been fun. So I thought, let me get some of these guys together under one roof for a week. And let’s write some strong, killer songs, but more than that, let’s try and give these songs away and really sew into some of these social problems around the world.

As a band of Delirous? we’ve been traveling and touring. And we’ve been able to do tours in India and we’ve been to Rwanda, Cambodia and Indonesia and you get to see some amazing things, things that really shouldn’t be allowed to happen in our day in age. So, those things have deeply affected us. We’re just trying to do a little bit and really use the microphone that we have been given to make some noise about these issues.

How did you decide which songwriters to get involved with this project?
It was a pretty easy choice really because we just found our friends. The list could have been massive. We felt it was important to start the first one with people that we knew and trusted that could do this sort of thing. And it’s been an absolute joy to see it come together.

What are your hopes for the overall project?
Our hopes are obviously to come out with 10 – 12 great songs that would become big songs at the end of the day and earn some money. And that money could really come into charity and that will end up being distributed to many different projects. That’s really the aim, we’re in this to try and generate some cash, which is always good to do.

Fifty percent of the proceeds are going to one charity agreed upon by the songwriter while the other 50% goes to what you all decide as a group. Have you chosen which charity to donate to?
That’s correct. We’re actually going to be meeting next week. I can’t believe it’s only a week away now! I want those conversations to happen around the dinner table and for us to get an idea together that we really feel as a team we can put our time and money into. And that may be anything. I want that to come from all the people gathered there and not just from me at this moment in time.

How are you planning on going about writing these songs?
We are all going to come and we are just going to throw ideas into the pot. We’ve got four writing rooms/studios set up and we are just going to go crazy for a week and just bring ideas. Then we’ll meet up after an hour and a half. We’ll play each other’s ideas, and then see who wants to write a lyric for that. It’s going to be crazy. It’s a great experiment and we hope it takes off.

How are you planning on releasing the songs? Are you going to do a compilation album?
We’d absolutely love to put a record out. We can’t plan that too heavily, there aren’t any songs yet. We’re just hoping the songs are great and then we will start thinking, okay we should really record those and then we’ll decide how we do that. It’s the early stages, but I’m amazed that all these great people have given their time to Compassionart.

Do you have a set date to release the songs?
Again, it’s too early. But I would imagine it would take a while longer to let the dust settle and then decide how we’re going to do it. Obviously, we will be on it on quick as we can. And there will be an event that comes out in a week and once the songs are written we’ll want to record them so it’s very exciting.

Overall, what are your hopes for after this week is up?
Our hopes really are that we have some people that are more friends with each other than they were before, that we come out with 12 fantastic songs that people can then go back and start doing in their own gigs and shows and churches, and stuff like that and then the thing will build and build and have momentum and we’ll put a record out. Who knows what the future is? What’s amazing is when you gather people together, then that’s when really the fun starts. It’s when you sit around and you have an amazing group of people dreaming up new ideas and I think that’s probably where the future is.

Do you plan on performing the songs written in the future on your tours?
Yeah, sure. I think, obviously we don’t know how the songs will be. I’m sure there will be certain songs that will come out of there that people will want to immediately start doing live and putting in their shows and that’s probably the way that they will get out initially.

What’s great, and I think this is the big thing to remember in all of this, is that all of us as artists have been doing what we’ve been doing for many years; releasing records, writing songs, touching the earth in some way, but the fun of it is what we do when we come together. To do something together and the sum of all the parts is surely going to be greater and that’s definitely going to be what we can give back to the music world and also to many, many thousands of kids out there that are struggling to get through the night. So it’s very exciting.

Categories
Benefit

Compassionart Donates Songs to Charity

Compassionart founder Martin Smith of U.K. band Delirious? will be gathering 12 of his singer/songwriter friends in Scotland next week with the plan of writing 10 – 12 songs, all of which will be donated to charity. Some of these notable artists include Michael W. Smith, Chris Tomlin, and Steven Curtis Chapman as well as fellow Delirious? band member Stu Garrard.

“All of us as artists have been doing what we’ve been doing for many years – releasing records, writing songs, touching the earth in some way, but the fun of it is what we do when we come together,” Smith said. “I thought, let me get some of these guys together under one roof for a week. And let’s write some strong, killer songs, but more than that, let’s try and give these songs away and really sew into some of these social problems around the world.”

From touring throughout India, Rwanda, Cambodia and Indonesia over the years with his band, Delirious?, Smith has seen “amazing things, things that really shouldn’t be allowed in our day in age,” explaining that these experiences have deeply affected him and his band. “We’re just trying to do a little bit and really use the microphone that we have been given to make some noise about these issues.”

Fifty percent of the proceeds from each song will go to a charity of the individual artist’s choice while the other half will be donated to another charity decided amongst the group. “I want those conversations to happen around the dinner table and for us to get an idea together that we really feel as a team we can put our time and money into. And that may be anything. I want that to come from all the people gathered there and not just from me,” he said.

While it’s still too early to see how and when the songs will be released, whether on iTunes or Compassionart’s website, http://www.compassionart.co.uk/, Smith said he hopes to eventually release a compilation album of all songs written.

So how exactly does one get 12 people to write a dozen songs together in just five days? Smith explained each day, the artists are going to get together and throw ideas into the pot. “We’ve got four writing rooms/studios set up and we are just going to go crazy for a week and just bring ideas. Then we’ll meet up after for an hour and a half. We’ll play each other’s ideas; see who wants to write a lyric for that. It’s going to be crazy. It’s a great experiment and we hope it takes off.”

While it’s uncertain how the week will turn out, Smith said his hopes for the project is that 12 fantastic songs are written which people can start performing in their own gigs, shows and churches as well as earn money, which will be given to charity and be distributed to many different projects. “Who knows what the future is? What’s amazing is when you gather people together, then that’s when the fun starts. It’s when you sit around and you have an amazing group of people dreaming up new ideas and I think that’s where the future is.”

The group of singer/songwriters will be meeting up Jan. 7 – 11. Smith says the concept behind Compassionart is to do something together, remembering that the sum of all the parts is going to be greater. “That’s definitely going to be what we can give back to the music world and also to many, many thousands of kids out there that are struggling to get through the night.”

***Special thanks to Rick Hoganson for setting up the interview with Martin Smith and the photos above of Martin Smith in Cambodia, Steven Curtis Chapman and Michael W. Smith.***

Categories
Features

Music Blogs to Peruse

Working the day after Christmas is always rough. As the year winds down, so does everyone’s work ethic . . . even mine! Everyone is just waiting to be off again in a few more days for New Years and who can blame them? I feel like I’ve been slacking on my blog as well, but I promise that lots of exciting posts are already lined up for 2008! I have a few concerts as well as interviews and album reviews set up in the upcoming weeks so I promise to keep busy and continue posting as much as I possibly can in the weeks ahead.

In the meantime, below are a few blogs/websites I think you music lovers will enjoy. Thanks again for checking out my blog and leaving comments. It means the world to know you all enjoy reading it and I can continue doing what I love! Feel free to leave comments or email me at atreuter@gmail.com if you have any suggestions for the blog. I love hearing from all of you!

Hits from the Blog
For anyone trying to keep up with the latest in the Hip-hop scene, this is the blog for you. Dom, my former music editor of the entertainment section of the paper at Rutgers, sure knows how to write and updates his blog daily, often with various tracks and videos to check out. Definitely sift through his blog for his latest music commentary.

The Jew Spot
For everything crazy, sexy and Jewish. My friend Monica just started up this blog after conquering the world. Well, practically. She is the sole person who put together the Sharsheret Breast Cancer Benefit concert at the beginning of the month which I covered for my blog. The event raised over $700 and featured a group of amazingly talented women performers. Her blog has interviews with two of these female singers, discussing their different styles of music and what it means to be Jewish in today’s world, many of who are breaking the stereotype.

The Daily Vault
This website has it all. Over 5,000 album reviews, interviews and features with various musicians, liner notes, and blogs. You name it, it’s there. I love reading interviews to see what types of questions other journalists ask artists, just to make sure I’m on the same page. I happened to stumble upon a great interview with Jon Foreman of Switchfoot. You can check that out here.

Thanks again to everyone who has been reading, to all the musicians who have taken time out of their busy schedules to sit down and talk with me, and all the managers and publicists who have been able to set up the interviews for me! Hope everyone has been having a great holiday season and that 2008 is even more successful and promising for everyone!

Categories
Song of the Week

My Favorite Holiday Tunes

I finally started to listen to some holiday songs while wrapping gifts this weekend. Besides figuring out that I am by far the worst gift wrapper (you know, the kind that cuts the wrapping paper just about an inch too short so there’s a little strip of box showing underneath), I happened to find an old Christmas CD I must have made back in high school and figured I’d share some of my favorite tunes. So here’s my top 10 favorite holiday tunes, in no particular order.

1. “The Christmas Song” by Nat King Cole
To be honest, I had no clue this was even the name of the song. Possibly better known for its subtitle and opening line – “Chestnuts roasting on an open fire” – Nat King Cole’s calming voice makes everyone want to sit back, relax and drink some eggnog while trying to resist the temptation of opening all those gifts under the Christmas tree.

2. “Let It Snow” by Dean Martin
Another classic holiday song by crooner Dean Martin with lyrics such as “The weather outside is frightful, but the fire’s so delightful/Since we’ve no place to go, let it snow, let it snow, let it snow.” Seriously, who doesn’t love a perfect rhyme scheme repetition throughout a song? I think every song should be entirely made up of clever rhymes.

3. “Sleigh Ride” the instrumental version.
I think all those years of playing “Sleigh Ride” on my clarinet throughout high school finally has grown on me. It really is a quality song. I really like Relient K’s version as well…you can check it out on their MySpace

4. “Wonderful Christmas Time” by Paul McCartney.
From the catchy intro McCartney has me hooked. Everyone should simply have a wonderful Christmas time.

5. “Last Christmas” by Wham!
Possibly one of the more depressing holiday songs, Wham! demonstrates how horribly heart-wrenching it is to have your heart broken on Christmas.

6. “All I Want for Christmas is You” by Mariah Carey.
This may be my favorite Christmas song. The lyrics, the rhythm. Maybe it’s just the hopeless romantic in me, but every time I hear this song I just can’t help but sing along regardless where I am.

7. “Merry Christmas, Happy Holidays” by N’Sync.
Okay, okay. You can make fun of this choice, but remember I grew up during the boy band era. This song just can’t help but get you into the holiday spirit. The piano introduction, the up tempo beat throughout the song’s entirety, Justin Timberlake . . . I have a feeling it may be a lot of people’s guilty pleasure holiday song.

8. “Blue Christmas” by Elvis Presley.
He is the King. Need I say more?

9. “Do They Know It’s Christmas” by Band Aid.
It’s amazing that this song was released back in 1984 and it’s probably one of the most played holiday songs today, not to mention this song has helped raise money for famine relief in Ethiopia. Singers on this track include Duran Duran, Paul Young, George Michael, Sting and Bono, just to name a few.

10. “Oh Holy Night” by Josh Groban.
His voice is simply phenomenal on this song. He starts out the song softly, but then perfects throughout the song in spots where his voice and the music both slowly crescendo.

Again, these are only 10 of my picks out of hundreds of holiday songs out there. Hopefully you enjoyed a few of them! Merry Christmas.

Categories
Benefit News

Update: Switchfoot Raises Over $100,000 on Tour Benefiting Habitat for Humanity

“We felt we were helping in the best way we could – in light of the fact that this tour was about rebuilding and working in Habitat for Humanity,” Switchfoot drummer Chad Butler says of being on tour while the fires were raging in hometown San Diego.

The “Appetite for Construction Tour” means a lot more to San Diego natives Switchfoot taking the unfortunate fires in California into account.

“It’s surreal to look at the streets where you grew up on CNN from the back of a tour bus . . . I really feel for the people who lost so much,” drummer Chad Butler said. “I’m sure Habitat will be helpful in aiding those families. It’s a reminder that you’re not guaranteed tomorrow.”

Having just wrapped up their tour, “Appetite for Construction” has been very different from past Switchfoot tours, Butler explained. With $1 from every concert ticket going to benefit Habitat for Humanity, over $100,000 has been raised for the organization. All three bands on tour have been helping out at Habitat builds throughout the country while Jon Foreman of Switchfoot and Matt Thiessen of Relient K have written a song, “Rebuild,” which fans can purchase at switchfoot.com, donating the money directly to Habitat. Possibly the highlight of every show, each night of the tour all three bands come out on stage and perform this song together.

“Our goal is to encourage people to donate time locally in their own city. One of the most amazing things about Habitat is you don’t need to have any prior experience or expertise . . . they’ll put you to work and you make a difference. I’ve been really excited to see our audience come down to the sites and help out,” Butler said.

Matt Thiessen of Relient K agrees. “One of the best things of this tour is the meaning behind it,” he told the audience at the Nov. 17 NYC show at Hammerstein Ballroom. “One dollar of every ticket goes to Habitat for Humanity. We want to encourage everyone to check out their local chapters and go to some sites. It’s a lot easier than you think. We’re never completely content with where we are in life. We need to be compassionate. Being compassionate is what makes us feel alive.”

Habitat builds aren’t the only thing keeping Switchfoot busy. Their seventh album is already in the works and is expected out late next year. Singer/songwriter Jon Foreman is also working on four solo EP’s, the first entitled Fall just released last month. He’s also collaborating with Sean Watkins from Nickel Creek, calling themselves The Real SeanJon. Foreman explained the EP’s are six songs each and can be purchased on his Website, jonforeman.com.

“A lot of these songs are the more personal songs that don’t really belong on a band record,” Foreman said. “I’ll be doing four EP’s. They’re going to be called Fall, Winter, Summer and Spring. I’m working on Winter now. I haven’t even thought about Spring yet. I’ll think about Spring when it starts getting warmer out.”

Foreman explained the inspiration behind his music as “the specific place where I’m at in life. For me, most of my songs come from the problems in my life. When I’m happy I hang out with my friends and go surfing. That’s not when you write a song. You write a song when you’re depressed, angry and bitter and you’re trying to figure out the world.”

Categories
News Q&A

Army of Me Interview Featured On AbsolutePunk.net

My interview with Vince was posted this past week on AbsolutePunk.net! You can check out the page here.

Feel free to leave comments!

For more info on Army of Me check out their website here.

Categories
Interviews Q&A

Army of Me

It’s hard to believe a few years ago drummer Dennis Manuel of Army of Me never picked up a drumstick and singer/songwriter Vince Scheuerman never wrote a lyric, “But it didn’t matter, because we were going to take over the world,” frontman Vince Scheuerman said. Army of Me started out playing in a friend’s basement, eventually recording a demo and touring up and down the East Coast before expanding their tour to the mid-West, getting signed on label Doghouse Records and releasing their first full-length album, Citizen, back in April.

Vince was nice enough to sit down with me last Thursday and answer all my questions about the band, the inspiration behind his writing and the stories behind some of his songs.

How could you afford to do all those tours? Did you guys have steady jobs?
It’s tough because anything that you love to do is hard to make money out of and there’s a lot of other people that are trying to do it too because it’s the cool thing to do. What you’re doing, what other artists are doing, musicians, photographers. It’s really hard.And it never pays you enough anyway. It’s underappreciated. We used to work jobs. I went to college for mechanical engineering so I worked a job at the National Institute of Standards and Technology inGaithersburg,Maryland, for a while. NIST set standards of measurements of length and time and weight. I was dealing with really small lengths, like atomic lengths. So we had microscopes that could see atoms. It was pretty insane. I’d sit in the basement, in the dungeon, working on these microscopes and then as soon as I was out of there I’d be playing music, practicing. I’m just always in the dungeon. What’s up with that? I didn’t see the daylight very much. I lived in a basement apartment. There’s a theme here.

Tell me a little bit about your writing process.
The weird thing about songwriting is it’s hard to describe how it happens. I’ve heard other people describe it and I can kind of relate to how they describe it as something that you don’t really have any control over, it just happens. And when it happens you’re like, ‘Holy shit, that was awesome, but how did I do that?’ you get a feeling like you didn’t do that. It’s hard to explain. Inspiration can strike at any moment. But then I have to make myself sit down and try to work on it, try to come up with something. When I finish a song or come up with a cool thing, the feeling is amazing. It’s a really powerful feeling, like ‘Oh my God I created that, that’s pretty cool.’ But at the same moment, I think how did I write that?

I really like the songs on our new record, Citizen. I’m really proud of what I was feeling and going through during the writing of that record and how I said it. I don’t know how it comes off to other people, but when I look at how I said what I was feeling I’m like, wow that was beautiful. With Citizen, I’m like how did I do that? Where did that come from? Could I duplicate it? Could I do it again? I don’t know. It’s almost like channeling something, like a grace given to you. I still don’t know how to write songs. People are like how do you write songs? I don’t know. But it happens.

Definitely feeling upset about something or wanting something, desiring something triggers a strong emotion. There’s definitely inspiration for a song. I think a lot of songs come from a place of desire, of yearning for something to satisfy you and you’re not feeling that thirst or hunger or quench. And you write about it. Whatever form it may be. It can be a relationship, anything. It is for me. I’m a pretty passionate person. I get hungry a lot, not necessarily for food. I think that’s the human condition, the feeling of looking for something and asking questions about what does it all mean. For me, songwriting is about looking for the meaning, asking for questions, searching for those desires, searching for that thing, whatever it is.

Do you ever want to hold back when writing a song?
I’m a pretty open person. When it comes to songs I don’t really think about that. It’s not that hard for me to be personal with songs, it’s hard for me to be personal with a friend, somebody I know. Maybe you’re more afraid of the judgment that a friend may have, to care what that person thinks. Songwriting for me is my way of searching – documenting my life and what’s going on inside of me.

I really like “Better Run.” When you listen to it, it just seems so honest. What inspired it, or what were you thinking about when you were writing it?
I’m always kind of hesitant to tell specific stories behind songs because I like to leave it up to people’s interpretation. When someone has an idea of what a song’s about to them, it usually has to relate to their life. When I tell them what it’s about they’re like, ‘Oh, that’s not what I thought.’ It takes away the message.

“Better Run” comes from . . . I was in a relationship for 6 years with someone. To be honest, she was really great – a beautiful person inside and outside. I never really experienced that much love from another human being, maybe my mom, but that’s about it. If there was one thing that I could bet on in this entire world, it would be that she would always love me. And I took her for granted. I was just always focused on myself and self-absorbed and I was kind of an asshole. She started to lose faith in our relationship and that woke me up to how it was and it devastated me. Not only did she not want to be in a relationship, I had been totally oblivious. I realized that I had hurt her and so. . . it fucked me up big time. It was rough. I was devastated.

So that song is kind of like, for the first time looking at someone with love, real love. The love is expressed as the desire for the best interest of the person I was singing to! If it’s not me, go find whatever that is. Even if it’s not what I wanted, it’s easy to be that person in a song. All you have to do is write the lyrics. It’s a whole other thing to actually really feel and mean that in real life, when everything inside you is screaming, “NOOO!!” It’s a very tortured song. There’s that tension there. I don’t really want this, you know? So the song hopefully captures part of that battle.

How would you explain your music to someone who has never heard it before?
The music is about the experiences you have in life and the feelings and the wants and the desires and the hopes and the dreams that I think we all have. It’s about asking questions and searching and trying to find myself and trying to find the answers. Maybe a couple of people have the answers, but everyone has the questions. I believe in hope and I believe that going through rough times, there is also growth and healing and that’s something I talk about in music too. So it’s kind of a mix of all that.

What’s your favorite song to perform?
I think “Perfect” may be my favorite. When we play “Perfect” live, it’s like a journey. Perfect might be my favorite song on the record, it’s a song about wanting to accomplish something great, wanting to prove that you’re worth something to somebody. And when we play it live, it feels powerful, and I feel like I can do something great. In the middle of the song, we do a section that is improvised. Brad, our guitarist, does a solo which is always great. I like to get lost in the moment.

I was wondering about the story behind “Rise.” I read that it was inspired by the tsunami in 2005, how so?
I heard this story about these children inSri Lanka, maybe 7 or 8 years old, who had lost everything in the tsunami. Their families – mothers, fathers, brothers and sisters swept away, their houses completely destroyed. They were literally left alone and abandoned.They were afraid of the water, which in a small fishing village, had been the source of life. Now it was a big monster who took everything. I can’t imagine the devastation, fear, and confusion they must have felt.

There was an American psychologist there, working with the kids, having them draw four pictures. The first picture was what their houses looked like before the wave came. The second picture was what the wave looked like as it was coming – big and gnarly. The third picture was what their house looked like after the wave had hit – completely demolished . . . and the fourth picture was what they wanted their house to look like after the wave had hit. The kids were drawing that fourth picture of a new house that was bigger than the old house. They were fixing things they didn’t like in the old house, maybe a swing set in the front yard. It blew me away that in the face of such an unthinkable tragedy, when all was lost, that here was a spark, a little ray of hope shining through. How resilient is the human spirit?

And as I related it to my life, it was the idea that maybe you were happy and content or complacent in that old house. And then something comes and just knocks you off your feet. That thing you were holding onto gets ripped right out of your hands. And although you could never, ever forget what had happened to you, that somehow, mysteriously, this was now an opportunity for growth, for a bigger, improved house – a mansion.

What’s the premise behind your album Citizen?
When we went to record this record we threw out all the notions of trying to appeal to one particular scene or group of people. Instead, we wanted to make a record that could communicate with everyone. We were living in a little secluded beach house on the coast inVirginia for about two months, where we got to escape the world that we were used to, and just concentrate on making the record.

When it came to the lyrics, I took a new approach to these songs, something I’d never done before. I wrote about how I felt. That sounds kind of obvious, like, what else do you write about?! But in the past, I had attempted to be clever or ironic, witty, etc. in my songs. Not that there’s anything wrong with clever lyrics, but this time around, it was almost like I didn’t have the energy or the desire to do that. This time, my world was turned upside down and I couldn’t do anything but write out exactly what I was feeling, no irony. I was making myself naked. And I was scared! I worried that people might think that the lyrics were dumb or too obvious, but it was all I could do at the time. I remember telling another musician friend of mine that I couldn’t be ironic or sarcastic about subject matter that I cared so much about. And he assured me that it would be ok.

And in hindsight, I believe it was ok. Because I think in music and in art, when you speak from the heart, it’s more powerful than when you speak only from the mind. You can’t escape a purely gut reaction to something. It’s real. In artistic expression, for every cynical person that thinks something is silly or stupid, that same expression might change another person’s life. Citizen is a record about being a human being. It talks about the struggles, the pain, the questions, the searching. But it also talks about the other side of that struggle, where I believe there can be healing and hope, strength – like in the song “Rise.”

For more on Army of Me check out their MySpace.
Feel free to check out the concert review on MTV here.

Categories
Concert Reviews

Army of Me Invades Brooklyn

D.C. rockers Army of Me played to a packed crowd Thursday night at Union Hall in Brooklyn. From the opening drum beat in “Thinking It Over” to the last note of “Perfect,” Army of Me showed nothing short of greatness during their hour-long set.

Having been constantly touring for the past few years with various bands including The Used, Blue October and the Dave Matthews Band and releasing their first full-length album, Citizen, back in April, Army of Me is definitely a band to be on the look out for. With solid vocals from frontman singer/songwriter/guitarist Vince Scheuerman and a well-blended guitar and drum sound, it’s hard to believe that a few years ago drummer Dennis Manuel hadn’t picked up a drum stick and Scheuerman never wrote a lyric.

“When Dennis and I first started talking about starting the band he didn’t even play drums and I didn’t know how to write songs. But it didn’t matter, because we were going to take over the world,” Scheuerman said. “We kind of learned as we went, we didn’t really know what we were doing, but we still wanted to do it.”

From concocting their own “wheat paste” made out of flour and water to stick signs up on light poles throughout the D.C. area for their gigs, “the fliers would stay up for months and months. Everyone knew our name because you couldn’t help but see our name,” Scheuerman said, to recording their own demo and paying for tours through day jobs, Army of Me eventually landed themselves a record deal with Doghouse Records in January of 2006, soon after releasing their first full-length album, Citizen this past April.

I’m always a bit skeptical of seeing a band perform live after only hearing their album because it either makes or breaks your opinion on the band. But I have to say, Army of Me definitely blew me away. Each and every song is entirely different from the previous and Scheuerman has such an incredible stage presence that really engages the crowd. From jumping into the crowd on top of a bench in the corner of the room to constantly pointing to someone in the audience, you feel like he’s singing directly to you.

Even during some of the slower parts of a song, such as in the middle of “Still Believe in You,” Army of Me is able to capture the audience’s attention with the honesty of the lyrics and rhythm of the song. What’s even better is that when the tempo changes, the entire band can pick it right back up without missing a beat or having a strange transition.

“Meet You at the Mouth” had quite a few strong guitar riffs throughout the song as well as an amazing guitar solo from Brad Tursi. Scheuerman introduced “Rise” as being a song of healing and rebirth, getting knocked off your feet and not being sure you could get up and then getting that reassuring word from a friend and being able to get back up.

Up next was my favorite of the night, “Better Run.” Slowing things down for the night, Scheuerman started off alone on keyboard while singing solo until the rest of the band joined in halfway through the song. The song is so honest and you can just feel the heart wrenching of letting a relationship end, even though you don’t want it to. With lyrics like, “If you run at full speed and it feels good to be free/If you know it in your soul, though it’s hard to let it go/You better run, you better run,” Scheuerman got the point across.

Perhaps the crowd favorite of the night, “Going Through Changes,” had the crowd singing along. First big single for Army of Me, this song was ranked No. 3 as MTV’s most played video a while back and it’s easy to see why, the catchy chorus and rockin’ guitar driven drum beats that make up the song definitely get stuck in your head. Lyrics like, “It’s hard to accept what you don’t understand/And it’s hard to launch/without knowing how to land,” are relatable to everyone.

Last song of the night was “Perfect,” which Scheuerman said is his favorite to play. “It’s like a journey. It’s a song about wanting to accomplish something great, wanting to prove that you’re worth something to somebody. And when we play it live, it feels powerful, and I feel like I can do something great. In the middle of the song, we do a section that is improvised. Brad, our guitarist, does a solo which is always great. I like to get lost in the moment,” he said.

And that guitar solo might have been the best of the night, adding a powerful instrumental segment before Scheuerman finished the song. Scheuerman spoke to the crowd before ending the song, saying, “I think we’re all capable of something great, something perfect. Something perfect.” I think he’s right.

Check out more photos from Wendy Hu here.