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Concert Reviews

New Jersey Welcomes Brooklyn-based Band, Hello Tokyo

Many people often forget about the New Jersey music scene being that New York is a train, bus, ferry or car ride away. Sure we have the greats – Bruce Springsteen and Bon Jovi and you can’t forget Frank Sinatra was born here also. Indie-band Thursday as well as current teen pop sensation the Jonas Brothers are all Jersey natives too. Even Jimmy Eat World sings “I’m a New Jersey success story” in one of their songs, “Big Casino” from latest album, Chasing This Light, despite being from Arizona.

Often, it’s not just these bands, but the venues that encompass New Jersey that makes for a great place to discover new bands. Starland Ballroom in Sayreville always has a great, for the most part extremely eclectic, tour line-up. Even Rutgers in New Brunswick puts on good shows, both on campus and at The State Theater on George Street. And then you can’t forget about Giants Stadium which hosts the Bamboozle Festival in May, the many concerts that go on at Continental Airlines Arena or even down in Asbury Park.

Hoboken is also a great live-music spot, especially Maxwell’s, where I was Friday night covering Brooklyn-based band Hello Tokyo. Although they may be based in Brooklyn, lead singer Kat is herself a Jersey girl. She told the crowd Friday that she was born in Hackensack and grew up in Wayne. And boy does this Jersey girl know how to sing.

Hello Tokyo is definitely a band to be on the look-out for. Their music has been featured on various MTV shows and they were a part of Fashion Fights Poverty’s 2007 Dress Responsibly Look Book. The female fronted power pop band is an eclectic mix of pop, rock and even dance music, or rather just music that makes you want to dance.

Having been working on their first full-length album, Sell The Stars, due out later this year, their performance Friday night gave a glimpse to what can be expected. While Kat fronted the band on vocals and keyboard, the rest of the band – including Sam on drums, John on guitar and guest performer Michael on bass – greatly accentuated her singing style.

I’m not sure how to best accurately describe their music style to be honest. It’s a mix of many different flavors and styles which definitely helps Hello Tokyo’s live performance and credibility. For more of an idea of their style, check out their MySpace and decide for yourself. And let me know what you think by leaving a comment.

Hello Tokyo played a 40 minute set featuring 10 songs on Friday. While I recognized a few from their MySpace page, such as “The Affair” and “Run To You,” others were a pleasant surprise, like “I Spy” and “Alert the Authority,” which Kat told the audience is a song about living in New York City. You could definitely sense the New York City lifestyle with the fast beat throughout the song as well as when she starts whispering during the song, slowing down the beat and then picking the tempo right back up again. Lyrics such as, “You’ll never save me because I won’t ask you to” definitely gets the independent New Yorker lifestyle across. This song encompasses strong singing on Kat’s part and strong guitar features as well. Hello Tokyo definitely has the blending between singer, drummer and guitarists well polished.

While “Rain or Shine” might have had the best guitar sound of the set, the keyboard feature in the song slowed the night down for a bit, but Kat was able to quickly pick it right back up and continue through the rest of the song. A few of the songs played had longer intros, featuring Kat on keyboard while the rest of the band jammed in the background.

My favorite of the night was “Radio,” which Hello Tokyo closed with. This song, by far, had the most energy of the night and got many in attendance dancing along or tapping their feet and bobbing their heads to the music. You can check out their video for this song on YouTube.

Stay tuned for a complete interview with Kat from Hello Tokyo later this week.

Categories
Concert Reviews

Army of Me Invades Brooklyn

D.C. rockers Army of Me played to a packed crowd Thursday night at Union Hall in Brooklyn. From the opening drum beat in “Thinking It Over” to the last note of “Perfect,” Army of Me showed nothing short of greatness during their hour-long set.

Having been constantly touring for the past few years with various bands including The Used, Blue October and the Dave Matthews Band and releasing their first full-length album, Citizen, back in April, Army of Me is definitely a band to be on the look out for. With solid vocals from frontman singer/songwriter/guitarist Vince Scheuerman and a well-blended guitar and drum sound, it’s hard to believe that a few years ago drummer Dennis Manuel hadn’t picked up a drum stick and Scheuerman never wrote a lyric.

“When Dennis and I first started talking about starting the band he didn’t even play drums and I didn’t know how to write songs. But it didn’t matter, because we were going to take over the world,” Scheuerman said. “We kind of learned as we went, we didn’t really know what we were doing, but we still wanted to do it.”

From concocting their own “wheat paste” made out of flour and water to stick signs up on light poles throughout the D.C. area for their gigs, “the fliers would stay up for months and months. Everyone knew our name because you couldn’t help but see our name,” Scheuerman said, to recording their own demo and paying for tours through day jobs, Army of Me eventually landed themselves a record deal with Doghouse Records in January of 2006, soon after releasing their first full-length album, Citizen this past April.

I’m always a bit skeptical of seeing a band perform live after only hearing their album because it either makes or breaks your opinion on the band. But I have to say, Army of Me definitely blew me away. Each and every song is entirely different from the previous and Scheuerman has such an incredible stage presence that really engages the crowd. From jumping into the crowd on top of a bench in the corner of the room to constantly pointing to someone in the audience, you feel like he’s singing directly to you.

Even during some of the slower parts of a song, such as in the middle of “Still Believe in You,” Army of Me is able to capture the audience’s attention with the honesty of the lyrics and rhythm of the song. What’s even better is that when the tempo changes, the entire band can pick it right back up without missing a beat or having a strange transition.

“Meet You at the Mouth” had quite a few strong guitar riffs throughout the song as well as an amazing guitar solo from Brad Tursi. Scheuerman introduced “Rise” as being a song of healing and rebirth, getting knocked off your feet and not being sure you could get up and then getting that reassuring word from a friend and being able to get back up.

Up next was my favorite of the night, “Better Run.” Slowing things down for the night, Scheuerman started off alone on keyboard while singing solo until the rest of the band joined in halfway through the song. The song is so honest and you can just feel the heart wrenching of letting a relationship end, even though you don’t want it to. With lyrics like, “If you run at full speed and it feels good to be free/If you know it in your soul, though it’s hard to let it go/You better run, you better run,” Scheuerman got the point across.

Perhaps the crowd favorite of the night, “Going Through Changes,” had the crowd singing along. First big single for Army of Me, this song was ranked No. 3 as MTV’s most played video a while back and it’s easy to see why, the catchy chorus and rockin’ guitar driven drum beats that make up the song definitely get stuck in your head. Lyrics like, “It’s hard to accept what you don’t understand/And it’s hard to launch/without knowing how to land,” are relatable to everyone.

Last song of the night was “Perfect,” which Scheuerman said is his favorite to play. “It’s like a journey. It’s a song about wanting to accomplish something great, wanting to prove that you’re worth something to somebody. And when we play it live, it feels powerful, and I feel like I can do something great. In the middle of the song, we do a section that is improvised. Brad, our guitarist, does a solo which is always great. I like to get lost in the moment,” he said.

And that guitar solo might have been the best of the night, adding a powerful instrumental segment before Scheuerman finished the song. Scheuerman spoke to the crowd before ending the song, saying, “I think we’re all capable of something great, something perfect. Something perfect.” I think he’s right.

Check out more photos from Wendy Hu here.

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Concert Reviews

Switchfoot, Relient K and Ruth Raise Over $67,000 on Tour Benefiting Habitat for Humanity

Special thanks to Wendy Hu for the amazing concert photos! All credit goes to her. Feel free to click the link above to read the review on mtv.com.

Minutes before 10 p.m. Hammerstein Ballroom went dark and the sound of guitar chords from radio hit, “Meant to Live” could be heard on stage. Screams echoed throughout the room. The spotlights came on and Switchfoot quickly began playing “Oh! Gravity” – first single off of their sixth album of the same name. The energy was high, both on and off the stage as each new song was played. “Stars” was their second song of the night and after that was one crowd favorite, “This is Your Life,” as singer Jon Foreman sang at the edge of the stage, leaning into the crowd.

Having been to three Switchfoot shows in the past three years, I’ve always wondered how they keep up their energy for every night of the tour. Drummer Chad Butler explained that the motivation is connecting with the audience.

“In our live show there’s a conversation, it’s a two-way dialogue. To have the audience singing it back is amazing. To have people after each show come up and say how much a song means to them, that’s motivating,” Butler said. And the audience was singing along all night.

Switchfoot kept the show fresh with a few remixes of old hits throughout their set. One song in particular “Gone,” started out with band members singing a Beyonce song and then intertwining Rihanna’s “Umbrella.”

Having recently broken from record label Columbia, Jon Foreman announced that this is Switchfoot’s first show in New York City as an independent band.

While singing “American Dream,” the entire band paused, for which seemed like eternity, frozen in their spots, seemingly making the point that a house with a white, picket fence and 2.5 kids is not, in fact, their American dream.

Singer Jon Foreman has the most energy of any performer I’ve come across. During “Dirty Second Hands,” he played a symbol, spinning around in circles while hitting it. Slowing down the night a bit, when playing “On Fire,” Jon jumped into the crowd and started singing to the audience, while balancing on the first level railing of box seats adjacent to the stage. Later, during hit single, “Meant to Live,” he crowd-surfed into the audience for a while, the crowd later gracefully placing him back on the stage.

The highlight of the evening occurred when all three bands took the stage to perform a song entitled, “Rebuild.” Jon Foreman of Switchfoot and Matt Thiessen of Relient K wrote “Rebuild” and released it specifically for their “Appetite for Construction Tour” where $1 from every ticket is going to benefit Habitat for Humanity. Fans can go onto Switchfoot.com and purchase the song, thus directly donating money to Habitat for Humanity. The tour has raised over $67,000 for Habitat, all three bands helping out on builds throughout the tour.

“Our goal is to encourage people to donate time locally in their own city. One of the most amazing things about Habitat is you don’t need to have any prior experience or expertise . . . they’ll put you to work and you make a difference. I’ve been really excited to see our audience come down to the sites and help out,” Butler said.

Matt Thiessen of Relient K agrees. “One of the best things of this tour is the meaning behind it,” he told the audience. “One dollar of every ticket goes to Habitat for Humanity. We want to encourage everyone to check out their local chapters and go to some sites. It’s a lot easier than you think. We’re never completely content with where we are in life. We need to be compassionate. Being compassionate is what makes us feel alive.”

The rest of the Switchfoot set was strong. Jon played an acoustic number with special guest, Keith Tutt on cello, for the infamous crowd favorites, “Only Hope,” and the beginning of “Dare You to Move,” until the rest of the band came out, resulting in the entire Ballroom singing along to the last song while Jon thanked everyone for being a part of the last 10 years.

Butler said “Dare You to Move,” is one of his favorite songs to play live. It’s one of the songs that they play halfway around the world and the audience sings along to every word. “We wrote it many years ago and it’s the highlight of the night. No matter where we go the audience is singing along. There’s a unity that exists inside a rock club that rarely exists anywhere else where you have strangers putting their arms around each other singing along. It’s a connection that I rarely see anywhere else. Music is a powerful thing. It brings people together.”

Both Relient K and Ruth had strong sets. Relient K played some new songs from their latest album, “Five Score and Seven Years Ago,” as well as surprised the crowd with their holiday version of “Sleigh ride,” from their holiday album, cleverly titled, “Let It Snow Baby…Let It Reindeer.” With fake snow falling from the lights and an inflatable snowman, Christmas tree, and polar bear, Relient K got the Ballroom into the holiday spirit.

Like Switchfoot, Relient K played an hour set showcasing hit singles, “Be My Escape,” and “Who I Am Hates Who I’ve Been.” They even covered 80s Tears for Fears hit, “Head Over Heels” with remarkable precis
ion, as well as wrote a “love song” dedicated to hit TV show, “The Office.”

One of the highlights of Relient K’s set was when
they hand-picked three members of the audience to help them out on a song. One boy played a few guitar chords for the song while two girls helped out on tambourines.

Opening act Ruth performed for their first time in New York. They had a strong 20 minute set. Hailing from Washington State, they played a song entitled, “Here in New York,” and you could see their excitement throughout their performance to be playing in the city that never sleeps. Lead singer Dustin Ruth told the crowd how stoked he was to be on tour with Switchfoot and Relient K, explaining how surreal it is for Ruth to be on tour with their heroes.

Although the concert ended at 11 p.m., Jon had a special treat for fans waiting outside in the cold well past midnight. He took out his guitar and gave 30 or so fans an impromptu performance of songs “24” and “Somebody’s Baby,” which will be featured on his “Winter” EP. Jon and the rest of the guys from Switchfoot were on 35th St. signing autographs and taking pictures until 1 a.m.

Categories
Concert Reviews

Ded Clothing/Break-In Records Launch Party

Saturday night Mainstage in Pompton Lakes, New Jersey, was the scene of a dual launch party – Ded Clothing and Break-In Records. Five local Jersey bands provided entertainment for the night, including a first-time performance from Delta Falling, as well as Dan Maxwell & His Band, The Rose Riot, Vampire for Hire, and Crash Romeo. Whether you’re a fan of punk rock and mosh pits or slower indie music, there was something for everyone.

Delta Falling started out the night with an incredibly energetic stage presence. Possibly the crowd favorite, it was hard to believe this was the band’s first performance. Ded Clothing founder and bass player of Delta Falling, Ian Caravela, thanked the crowd for coming to the launch event saying, “I’ve dreamed of having my own clothing company for years,” while continuing to thank friend Dane for helping with designing the clothing. Those who purchased clothing at the concert can go to Dedclothing.com once the site launches to decipher hidden messages from the merchandise bought. Here are Dane and Ian showing off Ded Clothing.

Delta Falling is made up of ex-members of Veronica and Chris Batten and the Woods. I love to see bands that have a great stage presence, and this band is definitely one of them. Whether it’s one of the guitarists jumping around stage or the singer reaching into the crowd, Delta Falling sure knows how to put on a show. The band has a strong guitar sound and while this was only their first concert, it will be interesting to see what the future holds for them.


Dan Maxwell & His Band was the second act to perform for the night. And, while they were a bit more subdued than Delta Falling, they are very talented performers. Despite being only a three-piece band, they had a strong sound and singer Dan Maxwell showed off his vocals while the guitarist and drummer accentuated his singing very well throughout the performance. According to their MySpace page, Dan Maxwell & His Band place more into the indie/rock/country genre combination, which is an interesting compilation, but suits them well as a band.


The last three bands – The Rose Riot, Vampire for Hire, and Crash Romeo had more of a punk rock feel to them, all three having incredible energy. Lead singer of The Rose Riot kept jumping into the crowd while singing during the last few songs and dancing with some of the girls near the front of the stage.


Vampire for Hire’s goal for the night was to get the crowd dancing. And they somewhat succeeded. Before playing “Shut Up and Dance,” the band joked with the audience saying, “If you don’t dance then you don’t like America.” Lead singer Brent Carpentier continuously jumped into the crowd singing and dancing throughout their set.

Crash Romeo falls more into the pop-punk genre. They just finished up their second album, which is expected to be released in March. Having been in the studio the past few months, Crash Romeo featured some of its older music as well as a few new songs. They had the audience clapping along during most of their set, some people in the crowd even attempted to start a mosh pit, dancing around towards the end of their set.


I talked with Danny Goldberg and Brian Luciano, founders of Break-In Records, after the show about their thought process in starting a record label and their hopes for the future.

What was the process you took in starting a label?
Danny: Basically Brian and I met through a band that I was managing. I had mentioned my interest in starting a label and they suggested that I meet up with Brian. From the beginning him and I clicked, so a partnership seemed natural.

What were your reasons behind starting Break-In Records?
Danny:
I have been working in the music business for many years now, and I basically got sick of what was going on around me. Labels and the media industry were taking the art out of what is creative expression and as the labels and businesses behind them were thriving, the artists were starving. After going on tour as a tour manager with Halifax, it really opened my eyes and I swore when I got back that I would never work for anyone but myself ever again and Brian shared the same mentality.

What are your hopes for Break-In Records?
Danny:
Our hopes are obviously to be a successful record label and to branch out to other media. Be more than just music. Our forte is music, so that is what we started with and that is what we plan to build our reputation on. Basically, not to be another company that everyone forgets about.

Brian: We want to do things differently. We’re about shock value.

What types of bands are you planning on signing?
Brian:
Right now we’re working on the rock scene. This kind of genre. We’re open to anything. That’s the problem most
labels have – especially new labels – they’re too one-dimensional and that’s why they don’t go very far. You have to be able to diversify yourself. Anybody with pure talent is what we’re looking for. This scen
e now is our way of building ourselves into the industry. You gotta start somewhere. If you try and go too big too fast you always fail, so you gotta start small.

What makes Break-In Records stand out from the other labels?
Danny:
With my vast experience in the music world and Brian’s incredible business savvy and business experience, we don’t see how we can fail. The one thing that we pride ourselves on is motivation and to not just be another faceless indie label.